Korg Triton-Rack

MULTI
1.1
2.22.33.13.23.33.44.14.24.34.45.16.17.17.27.3
53
If a mono-type insertion effect is inserted, this setting will be
ignored. In this case, the 7.2: Insert FX, Setup page “Pan
(CC#8)” setting will adjust the pan of the sound following
the insertion effect.
RND: The sound will be panned randomly at each note-on.
If “Status” (3.1–1a/2a) is INT or BTH, CC#10 Panpot
can be received to control the panning. When receiving
CC#10, a value of 0 or 1 is far left, 64 is center, and 127 is
far right. When you change the multi, tracks whose
“Status” is EXT, EX2 or BTH will transmit the pan you
specify here as a MIDI message (except for RND).
Volume [000...127]
Sets the volume of tracks 1–16.
When “Status” (3.1–1a/2a) is INT or BTH, CC#7 Vol-
ume can be received to control the volume. The volume
of a track is determined by multiplying the MIDI Vol-
ume (CC#7) and Expression (CC#11) values. When you
change the multi, tracks whose “Status” is EXT, EX2 or
BTH will transmit the volume you specify here as a
MIDI Volume message.
■ 1.1–4(5)b: UTILITY
☞ “Memory Status,” “Rename Multi,” “Delete Multi,”
“Copy From Multi,” “Copy From Combi,” “Load Tem-
plate Multi,” “Save Template Multi,” “Rename Track,”
“GM Initialize” (1.1–1c)
2.2–1: Ctrls (Controllers)
Selects the B-mode functions of REALTIME CONTROLS
knobs [1]–[4] and the functions of “SW1” and “SW2” in
Multi mode.
When you operate these controllers on the MIDI chan-
nel of the “Control Track,” the MIDI messages assigned
here will be transmitted (if “Status” 3.1–1a/2a is EXT,
EX2, or BTH).
2.2–1a: Knob B Assign
Here you can set the B-mode functions (mainly various con-
trol changes) that the REALTIME CONTROLS knobs [1]–[4]
will have (
☞p.214 “Realtime Control Knobs B Assign List”).
When the REALTIME CONTROLS are in B-mode, the func-
tions you specify here will be controlled on the track and
MIDI channel of the “Control Track” (1.1–1a) when you
operate knobs [1]–[4].
The functions you specify here will operate when you rotate
the REALTIME CONTROLS knobs [1]–[4] in B-mode.
Knob1–B (Knob1–B Assign) [Off, ..., MIDI CC#95]
Knob2–B (Knob2–B Assign) [Off, ..., MIDI CC#95]
Knob3–B (Knob3–B Assign) [Off, ..., MIDI CC#95]
Knob4–B (Knob4–B Assign) [Off, ..., MIDI CC#95]
2.2–1b: Switch1/2 Assign
Assigns functions to the “SW1” and “SW2” (☞p.213 “SW1,
SW2 Assign List”).
Since the “SW1” and “SW2” function assignments of the
program assigned to each track are ignored when the pro-
gram is used in a multi, you must make new assignments
here for the multi.
SW1 (SW1 Assign) [Off, ..., AfterT Lock :N/A]
SW1 Mode [Toggle, Momentary]
SW2 (SW2 Assign) [Off, ..., AfterT Lock :N/A]
SW2 Mode [Toggle, Momentary]
(☞PROG 2.2–1b)
■ 2.2–1c: UTILITY
☞ “Memory Status,” “Rename Multi,” “Delete Multi,”
“Copy From Multi,” “Copy From Combi,” “Load Tem-
plate Multi,” “Save Template Multi” (1.1–1c)
MULTI 2.2: Controller
2.2–1a
2.2–1c2.2–1b