Korg Triton-Rack - Page 278

Appendices
271
Intensity (Modulation Depth AMS2 Intensity)
Cross Modulation: Wave . . . . . . . . . . . . . . . . . . 2.3–1: Cross Mod: Mod. Depth ☞p.261
Ring Modulation: Modulation Depth . . . . . . . . . 2.3–1: Ring Mod: Mod. Depth ☞p.260
Intensity (Panpot AMS Intensity)
Output Level/Pan: Pan. . . . . . . . . . . . . . . . . . . . 5.1–4: Output/Pan: Output ☞p.266
Intensity (Picking Point AMS Intensity)
Plucked String Model: String . . . . . . . . . . . . . . .2.3–1: Plucked Str: String ☞p.263
Intensity (Pickup Location AMS Intensity)
E.Piano Model: Pickup. . . . . . . . . . . . . . . . . . . . 2.3–1: E.Piano: Pickup ☞p.261
Plucked String Model: Pickup . . . . . . . . . . . . . . 2.3–2: Plucked Str: Attack: Pickup ☞p.263
Intensity (Pitch AMS1 Intensity)
OSC Mod.: Pitch Modulation. . . . . . . . . . . . . . .3.1–1: Common: Common Pitch Mod. ☞p.264
Intensity (Pitch AMS2 Intensity)
OSC Mod.: Pitch Modulation. . . . . . . . . . . . . . .3.1–1: Common: Common Pitch Mod. ☞p.264
Intensity (Portamento Time AMS Intensity)
Common P.Mod: Portamento. . . . . . . . . . . . . . . 3.1–1: Common: Portamento ☞p.264
Intensity (Pressure AMS1 Intensity)
Brass Model: Breath Pressure. . . . . . . . . . . . . . 2.3–1: Brass: Breath ☞p.262
Reed Model: Breath Pressure . . . . . . . . . . . . . .2.3–1: Reed: Breath ☞p.262
Intensity (Pressure AMS2 Intensity)
Brass Model: Breath Pressure. . . . . . . . . . . . . . 2.3–1: Brass: Breath ☞p.262
Reed Model: Breath Pressure . . . . . . . . . . . . . .2.3–1: Reed: Breath ☞p.262
Intensity (Pressure EG Intensity)
Brass Model: Breath Pressure. . . . . . . . . . . . . . 2.3–1: Brass: Breath ☞p.262
Reed Model: Breath Pressure . . . . . . . . . . . . . .2.3–1: Reed: Breath ☞p.262
Intensity (Reed AMS Intensity)
Reed Model: Reed Character . . . . . . . . . . . . . . 2.3–1: Reed: Reed ☞p.262
Intensity (Resonance AMS Intensity)
Filter: Filter A. . . . . . . . . . . . . . . . . . . . . . . . . . .4.1–1/3: Filter1/2 ☞p.265
Resonance: Resonance Modulation . . . . .2.3–1: Resonance: Resonance Modulation ☞p.260
Intensity (Shape AMS Intensity)
Reed Model: Wave Shape. . . . . . . . . . . . . . . . . 2.3–2: Reed: WShape ☞p.262
Standard: Wave Shape . . . . . . . . . . . . . . . . . . . 2.3–2: Standard: WShape ☞p.259
Intensity (Shape AMS1 Intensity)
VPM: Carrier . . . . . . . . . . . . . . . . . . . . . . . . . . .2.3–1: VPM: Carrier ☞p.259
Intensity (Shape AMS2 Intensity)
VPM: Carrier . . . . . . . . . . . . . . . . . . . . . . . . . . .2.3–1: VPM: Carrier ☞p.259
Intensity (Waveform AMS Intensity)
Standard: Waveform . . . . . . . . . . . . . . . . . . . . .2.3–1: Standard: Wave ☞p.258
Intensity (Waveform Modulation LFO Intensity)
Standard: Waveform . . . . . . . . . . . . . . . . . . . . .2.3–1: Standard: Wave ☞p.258
J
JS(+X) (Joystick Intensity +X)
Common P.Mod: Pitch Bend . . . . . . . . . . . . . . . 3.1–1: Common: Pitch Bend ☞p.264
JS(-X) (Joystick Intensity -X)
Common P.Mod: Pitch Bend . . . . . . . . . . . . . . . 3.1–1: Common: Pitch Bend ☞p.264
JX(+X) (Joystick +X)
Brass Model: Jump Bend. . . . . . . . . . . . . . . . . . 2.3–1: Brass: Jump Bend ☞p.262
Reed Model: Jump Bend. . . . . . . . . . . . . . . . . .2.3–1: Reed: Jump Bend ☞p.262
JX(-X) (Joystick -X)
Brass Model: Jump Bend. . . . . . . . . . . . . . . . . . 2.3–1: Brass: Jump Bend ☞p.262
Reed Model: Jump Bend. . . . . . . . . . . . . . . . . .2.3–1: Reed: Jump Bend ☞p.262
K
Key (Scale Key)
Prog Basic: Scale . . . . . . . . . . . . . . . . . . . . . . .2.1–1: Prog Basic: Scale ☞p.257
Key High
Amp Level: Keyboad Track. . . . . . . . . . . . . . . . . 5.1–1/2: Amp1/2: Keyboard Track ☞p.265
Filter Mod.: Keyboad Track . . . . . . . . . . . . . . . .4.1–2/4: F1/2 Mod: Keyboard Track ☞p.265
Key Low
Amp Level: Keyboad Track. . . . . . . . . . . . . . . . . 5.1–1/2: Amp1/2: Keyboard Track ☞p.265
Filter Mod.: Keyboad Track . . . . . . . . . . . . . . . .4.1–2/4: F1/2 Mod: Keyboard Track ☞p.265
Key Sync
LFO1...4: LFO . . . . . . . . . . . . . . . . . . . . . . . . . .5.3–1...4: LFO1...4: Key Sync. ☞p.267
KTr (Damp Keyboard Track/Decay Keyboard Track)
Plucked String Model: String . . . . . . . . . . . . . . .2.3–1: Plucked Str: String ☞p.263
L
Level
E.Piano Model: Overtone . . . . . . . . . . . . . . . . .2.3–1: E.Piano: Overtone ☞p.261
Organ Model: Tone Generator. . . . . . . . . . . . . .2.3–1: Organ: Drwbar: Drawbar1...3 ☞p.261
Resonance: BPF Parameters . . . . . . . . . . . . . . 2.3–2: Resonance: BPF: BPF1...4 ☞p.260
Resonance: Input. . . . . . . . . . . . . . . . . . . . . . . 2.3–1: Resonance: Input ☞p.260
VPM: Carrier. . . . . . . . . . . . . . . . . . . . . . . . . . . 2.3–1: VPM: Carrier ☞p.259
VPM: Modulator . . . . . . . . . . . . . . . . . . . . . . . . 2.3–2: VPM: Mod. ☞p.260
Standard: Wave . . . . . . . . . . . . . . . . . . . . . . . . 2.3–1: Standard: Wave ☞p.258
Level (Input Wave Level)
Comb Filter: Input. . . . . . . . . . . . . . . . . . . . . . . 2.3–1: Comb F: Input ☞p.259
Level AMS (Level Alternate Modulation Source)
Organ Model: Percussion Generator . . . . 2.3–2: Organ: Perc.: Percussion Generator ☞p.261
LFO
Standard: Wave . . . . . . . . . . . . . . . . . . . . . . . . 2.3–1: Standard: Wave ☞p.258
Lip
Brass Model: Lip Character . . . . . . . . . . . . . . . 2.3–1: Brass: Lip ☞p.262
Location
E.Piano Model: Pickup . . . . . . . . . . . . . . . . . . . 2.3–1: E.Piano: Pickup ☞p.261
Plucked String Model: Pickup. . . . . . . . . . . . . . 2.3–2: Plucked Str: Attack: Pickup ☞p.263
Low Boost
Plucked String Model: Low EQ. . . . . . . . . . . . . 2.3–2: Plucked Str: Attack: Low EQ ☞p.263
M
Main Wave
Standard: Wave . . . . . . . . . . . . . . . . . . . . . . . . 2.3–1: Standard: Wave ☞p.258
MIDI/Tempo Sync.
LFO1...4: Frequency MIDI/Tempo Sync. . 5.3–1...4: LFO1...4: MIDI/Tempo Sync. ☞p.267
Mode
Prog Basic: Unison. . . . . . . . . . . . . . . . . . 2.1–1: Prog Basic: Unison: Assign Mode ☞p.257
N
Noise
OSC Mixer . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2.1–4/5: Mixer1/2 ☞p.258
Noise Level
Comb Filter: Input. . . . . . . . . . . . . . . . . . . . . . . 2.3–1: Comb F: Input ☞p.259
Plucked String Model: Attack . . . . . . . . . . . . . . 2.3–2: Plucked Str: Attack ☞p.263
O
Octave
OSC Basic:. . . . . . . . . . . . . . . . . . . . . . . . 2.1–2...4: OSC Basic: OSC1...SubOSC ☞p.257
Offset
LFO1...LFO4: LFO . . . . . . . . . . . . . . . . . . . . . . 5.3–1...4: LFO1...4: Ofs ☞p.267
Reed Model: Wave Shape . . . . . . . . . . . . . . . . 2.3–2: Reed: WShape ☞p.262
Offset (Wave Shape Offset)
Standard: Wave Shape. . . . . . . . . . . . . . . . . . . 2.3–2: Standard: WShape ☞p.259
OSC1/OSC2 (Oscillator 1/2 Type)
Prog Basic/OSC Basic: Multi OSC Setup. . . . . 2.1–1: Prog Basic: Oscillator ☞p.257
OSC1 (OSC1 Output Level)/OSC2 (OSC2 Output Level)
OSC Mixer: Mixer1/Mixer2 . . . . . . . . . . . . . . . . 2.1–4: OSC Mixer1/OSC Mixer2 ☞p.258
Output Level
Output Level/Pan: Output Level . . . . . . . . . . . . 5.1–4: Output/Pan ☞p.266
P
Pan
Output Level/Pan: Pan . . . . . . . . . . . . . . . . . . . 5.1–4: Output/Pan ☞p.266
Panel Switch Assign
Controller Setup. . . . . . . . . . . . . . . . . . . . . . . . 2.2–1: Controls: SW1/2 Assign ☞p.258
Percussion
Organ Model: Tone Generator . . . . . . . . . . . . . 2.3–1: Organ: Perc.: Drawbar1...3 ☞p.261
Phase Shift (Triangle & Sine Phase Shift)
Standard: Wave . . . . . . . . . . . . . . . . . . . . . . . . 2.3–1: Standard: Wave ☞p.258
Picking Point
Plucked String Model: String . . . . . . . . . . . . . . 2.3–1: Plucked Str: String ☞p.263
Pickup
Plucked String Model: Pickup. . . . . . . . . . . . . . 2.3–2: Plucked Str: Attack: Pickup ☞p.263
Point
Plucked String Model: Harmonics . . . . . . . . . . 2.3–2: Plucked Str: Attack: Harmonics ☞p.263
Poly, Mono (Single, Multi)
Program Basic: Voice Assign Mode . . . . . . . . . 2.1-1: Prog Basic: Voice Assign: Mode ☞p.257
Priority
Prog Basic: Voice Assign Mode . . . . . . . . . . . . 2.1–1: Prog Basic: Voice Assign ☞p.257
Pulse Width
Comb Filter: Input. . . . . . . . . . . . . . . . . . . . . . . 2.3–1: Comb F: Input ☞p.259