148
The following examples are in Combination mode. In figure
(1), “BUS Select” is set so that Timbre 1 is routed to IFX1,
Timbre 2 to IFX2, Timbre 3 to IFX3, Timbre 4 to IFX4, Tim-
bres 5 and 6 to IFX5, and Timbres 7 and 8 to L/R. In this case,
use “S1 (Send1(MFX1))” and “S2 (Send2(MFX2))” for the
post-IFX1(001: St. Amp Simulation) signal in figure (3) to
set the send level of the Timbre 1 routed to the Master Effect.
(In this example they are set to 032 and 127.) In the same
way, use “S1 (Send1(MFX1))” and “S2 (Send2(MFX2))” for
the post-IFX2, 3, and 4 signals to set the send levels of Tim-
bres 2, 3, and 4, and use the “S1 (Send1(MFX1))” and “S2
(Send2(MFX2))” parameters for the post-IFX5 signal to set
the send levels of Timbres 5 and 6. For Timbres 7 and 8, the
settings of “S1 (Send1(MFX1))” and “S2 (Send2(MFX2))” in
figure (1) will be effective. (At this time, the actual send lev-
els use these Send 1 and 2 values multiplied by the Send1
and 2 settings for Program oscillators.)
If a drum program has been selected for a timbre in Combi-
nation mode or for a track in Multi mode, you will be able to
select DKit for the “BUS Select” parameter. If this is selected,
the “BUS (BUS Select)” (GLOBAL 5.1–3a) settings for each
individual key will be used, and will be sent to the bus for
each drum instrument. In this case, the send level will be
determined by multiplying the value of the “S1 (Send 1
(MFX1))” and “S2 (Send 2 (MFX2))” settings of each key in
the drum kit by the value of the “S1 (Send 1 (MFX1))” and
“S2 (Send 2 (MFX2))” settings that you make here. (For the
drum instruments of keys whose drum kit “BUS (BUS
Select)” parameter is set to IFX1–5, this is determined by “S1
(Send 1 (MFX1))” and “S2 (Send 2 (MFX2))” after the signal
has passed through IFX1–5.) If L/R or Off is selected, the
send levels specified by PROG 7.1–1a “OSC1 Send 1” and
“Send 2” will be multiplied by the “S1 (Send 1 (MFX1))” and
“S2 (Send 2 (MFX2))” settings that you make here. (This is
the same as when “Oscillator Mode” is Single or Double.) If
IFX1–5 are selected, the “S1 (Send 1 (MFX1))” and “S2 (Send
2 (MFX2))” after the specified insert effect will be used. If 1,
2, 3, 4, 1/2, or 3/4 are selected, “S1 (Send 1 (MFX1))” and “S2
(Send 2 (MFX2))” will be ignored.
2–3. Sampling Mode
You cannot use the Master Effects and Master EQ in Sam-
pling mode.
2–4. Audio Input
In Program, Combination, and Multi modes, you can apply
the Insert Effects, Master Effects and Master EQ to the sig-
nals input from AUDIO INPUTs 1 and 2. These signals are
routed to the TRITON-Rack’s effects, according to the GLO-
BAL 1.1: System, Audio In page setting.
The send levels from input 1 and 2 to the master effects are
specified by the “Send 1” and “Send 2” (GLOBAL 1.1–3a/b)
values. These settings become effective only when “BUS
Select” is set to L/R or Off. If IFX1–5 is selected, use the “S1
(Send1(MFX1))” and “S2 (Send2(MFX2))” parameters (
☞“3.
Mixer”). If 1, 2, 3, 4, 1/2, or 3/4 is selected, the Send Level 1
and Send 2 settings are ignored.
These settings are ignored in Sampling mode.
Use 7.3: Ed–MasterFX (or Master FX)in Program, Combina-
tion, and Multi modes to set the Master Effects and Master
EQ.
3. Mixer
The send levels determine the input levels of oscillators
(Program), timbres (Combination), tracks (Multi), and audio
inputs (GLOBAL 1.1: System, Audio In page) that are routed
to the Master Effects. The 7.3: Ed–MasterFX (or Master FX)
in all modes enable you to set the output levels and Master
EQ gain values, and connect the Master Effects in series
(chain).
3–1. Rtn (Return1, Return2)
These specify the output levels from MFX1 and MFX2
respectively. The left value of the “W/D” specified for the
effect selected in MFX 1 or 2 will be the output level of the
master effect; e.g., 25% for 25:75, 100% for Wet, and 0% for
Dry. This level multiplied by the “Rtn (Return 1, Return 2)”
value will be sent to the L/R bus, and will be mixed with the
7.1–1a “BUS Select” L/R or 7.2–1a“BUS Select” L/R output
sound.
For example, with MFX1 “W/D” set to 50:50 (50%) and “Rtn
(Return1)” set to 64 (50%), the resultant effect level will be
25%. The effect level is maximum (100%) when “W/D” is set
to “Wet” and “Rtn (Return1)” is set to 127.
3–2. MFX Chain
Specify the routing between MFX1 and MFX2.
The following figure indicates that the output from
“MFX1:016: Stereo Chorus” is added to “MFX2: 052: Reverb
Hall” input.
3–3. Chain Direction
If you have checked the “MFX Chain” box, you can specify
the direction of the connection between MFX1 and MFX2
here.
(1)
(2)
(3)
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