Polyend Play+ - Page 143

143
Polyend Play+ Manual Rev 2
NOTES
Sequencing Patterns
6
6. Save the project.
• Press (Screen) to select the menu. Turn (Screen) to navigate to
highlight ‘File’ in the menu. Press (Screen) to select.
• Turn (Screen) to highlight ‘Save Project As’. Be careful not to
overwrite the original base template by using ‘Save’. Press (Screen)
to select then press [Save] screen button.
7. The patterns are saved in the SD Card, Projects / MyProj / Patterns
folder. Use an external PC or Mac to copy the created pattern to the
‘BeatFill’ folder for use with ll. Do not change the project structure.
The process of creating a melody ll custom templates is a precise
process. The steps must be followed exactly as stated otherwise a ll
command when executed may fail.
▌ CREATING A MELODY FILL PATTERN TEMPLATE
1. Create a new blank ll project or ideally load a previously created and
pre-congured ll template.
2. This will have been created with the Melody and Chord Fill; Synths and
Bass folders loaded in the correct order and at least 1 sample contained
in each folder.
3. Create ‘chord’, ‘bass’ or ‘chord and bass’ pattern using the 3 melody /
chord ll instruments loaded. It is important to strictly use the following
for chords and bass:-
• Track 1-4 for any synth. Samples used from the ‘Synth’ folder or any
of the other synth folders. These can represent chord notes.
• Track 5 for Bass. Samples from the ‘Bass’ folder.
4. Note that other params for example cutoff etc, it will work in Fill node
when using audio tracks. A ll command ll will trim a track length from
its current state up to 64 steps to the destination track length, if the
source template is shorter, it will be duplicated to t longer track.