Using the SPLT button, the Filters may be placed pre-Dynamics and the Equaliser
positioned post-Dynamics in the Channel.
It is also possible, using the SPLT button, to place the Filters in the Channel path while
the Equaliser and Dynamics sections are in the Monitor path, although this is not
shown. Note that the Dynamics section always follows the Equaliser when they are
both placed in the Monitor path.
Access is also provided to the level sensing sidechain of the Dynamics section. The
Filters may be placed in the sidechain, by the selection of the Filters’ DYN SC button,
with the Dynamics section in either the Channel or Monitor path. Frequency
dependent effects such as stressing or de-essing are thus easily achieved. This is also
useful for filtering out unwanted signals when gating. For example,when gating
drums, the cymbal frequencies can be filtered out of the sidechain signal to prevent the
gates on the drums from opening when the cymbals are played.
SL 9000 J Console Operator’s Manual
4-6
13.9.94
C
H
A
N
N
E
L
M
O
N
I
T
O
R
Small
Fader
Large
Fader
10
5
0
5
10
20
30
40
50
IN
MON ESPLT
EQ
CH
IN
CH
OUT
MON
DYN SC
DYNAMICS
IN
KEY
PRE
INSERT
EQUALISER
FILTER
LINE
MIC
FLIP
SUB GP
TAPE
GROUP
INPUT SIGNAL PROCESSOR PLACEMENT FADERPROCESSOR SWITCHING
4 BAND
EQUALISER
Hi & Lo
FILTERS
GATE
EXPAND
COMPRESSOR
LIMITER
C
H
A
N
N
E
L
M
O
N
I
T
O
R
Small
Fader
Large
Fader
10
5
0
5
10
20
30
40
50
IN
MON ESPLT
EQ
CH
IN
CH
OUT
MON
DYN SC
DYNAMICS
IN
KEY
PRE
INSERT
EQUALISER
FILTER
LINE
MIC
FLIP
SUB GP
TAPE
GROUP
INPUT SIGNAL PROCESSOR PLACEMENT FADERPROCESSOR SWITCHING
4 BAND
EQUALISER
Hi & Lo
FILTERS
GATE
EXPAND
DYNAMICS SIDECHAIN
COMPRESSOR
LIMITER