Section 7 — Effect Parameters TS-10 Musician’s Manual
10
• Voices assigned to FX1 (and panned right) are sent to Effect B (PHLANGR)
• Voices assigned to FX2 are sent to the reverb (REV)
SENDS A- -B Range: 00 to 99
Controls the amount of Effect A (DDL) being sent into Effect B (the phlanger). A setting of 99
would yield a serial connection between Effect A and the PHLANGR for voices sent to FX1 and
panned hard left (on the Output page).
B- -REVRB Range: 00 to 99
Controls the amount of Effect B (PHLANGR) being sent into the reverb. This would allow you to
add reverb to voices assigned to FX1 and panned hard right. A setting of 99 would yield a serial
connection between the PHLANGR and the reverb for voices sent to FX1 and panned hard right
(on the Output page).
A- -REVRB Range: 00 to 99
Controls the amount of Effect A (DDL) being sent into the reverb. This would allow you to add
reverb to voices assigned to FX1 and panned hard left, without having to add any
phasing/flanging.
FX2- -REVRB PAN
DRY DDL REGEN L
DDL MIX DAMPING
LEVEL DELAY TIME L and R
For a complete description of these parameters, refer to the DDL+CHORUS+REV algorithm
found earlier in this section.
PHLNGR MIX Range: -99 to +99
Controls the Dry/Wet mix within the phlanger itself.
LEVEL Range: 00 to 99
Adjusts the volume of the phlanger signal. A level of 00 will offer no audible signal.
PAN Range: -99 to +99
Determines the location of the phlanger signal in the stereo spectrum. A value of -99 is panned
hard left, and +99 is hard right.
RATE Range: 000 to 127
Controls the rates of modulation of the phlanger.
REGEN Range: -99 to +99
Controls the amount of feedback applied to the phlanger. The sign of the value determines the
polarity of the feedback.
PHASE CENTER Range: -127 to +127
Controls the center of the phaser width.
WIDTH Range: 000 to 127
Controls the amount of modulation applied to phaser poles.
FLANGER CENTER Range: 000 to 127
Controls the center of the flanger width.
WIDTH Range: 000 to 127
Controls the range of the high to low-frequency sweep in the flanger effect.
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