Section 7 — Effect Parameters TS-10 Musician’s Manual
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11 ROTOSPKR+PHLANGR+REV
This parallel effect combines a rotary speaker with a phlanger (a combination phaser and flanger
effect) and a reverb. The second sub-page (not user-programmable) shows how this parallel
effect is routed:
• Voices assigned to FX1 (and panned left) are sent to Effect A (ROTOSPKR)
• Voices assigned to FX1 (and panned right) are sent to Effect B (PHLANGR)
• Voices assigned to FX2 are sent to the reverb (REV)
For a complete description of the SENDS parameters, refer to the DDL+PHLANGR+REV
algorithm found earlier in this section.
For a complete description of the ROTOSPKR parameters, refer to the
ROTOSPKR+CHORUS+REV algorithm found earlier in this section.
For a complete description of the PHLANGR parameters, refer to the DDL+PHLANGR+REV
algorithm found earlier in this section.
For a complete description of the remaining Reverb parameters, refer to the
DDL+CHORUS+REV algorithm found earlier in this section.
12 DISTORT+PHLANGR+REV
This parallel effect combines a distortion with a phlanger (a combination phaser and flanger
effect) and a reverb. The second sub-page (not user-programmable) shows how this parallel
effect is routed:
• Voices assigned to FX1 (and panned left) are sent to Effect A (DISTORT)
• Voices assigned to FX1 (and panned right) are sent to Effect B (PHLANGR)
• Voices assigned to FX2 are sent to the reverb (REV)
For a complete description of the SENDS parameters, refer to the DDL+PHLANGR+REV
algorithm found earlier in this section.
For a complete description of the DISTORT parameters, refer to the DISTORT+CHORUS+REV
algorithm found earlier in this section.
For a complete description of the PHLANGR parameters, refer to the DDL+PHLANGR+REV
algorithm found earlier in this section.
For a complete description of the remaining Reverb parameters, refer to the
DDL+CHORUS+REV algorithm found earlier in this section.
13 PARAM EQ+PHLANGR+REV
This parallel effect combines a parametric EQ with a phlanger (a combination phaser and flanger
effect) and a reverb. The second sub-page (not user-programmable) shows how this parallel
effect is routed:
• Voices assigned to FX1 (and panned left) are sent to Effect A (PARAM EQ)
• Voices assigned to FX1 (and panned right) are sent to Effect B (PHLANGR)
• Voices assigned to FX2 are sent to the reverb (REV)