Roland SH-4d - Gt -> Phaser (Guitar Amp Simulator -> Phaser)

MFX Parameters
155
Parameter
Value
Explanation
Bass
0–127
Tone of the bass/mid/treble frequency range
Middle
0–127
Treble
0–127
Speaker Sw
OFF, ON
Selects whether the sound will be sent through the speaker simulation (ON) or not (OFF).
STyp
Cabinet
Diameter (in inches) and
number of the speaker
Microphone
SMALL 1
small open-back enclosure
10
dynamic
SMALL 2
small open-back enclosure
10
dynamic
MIDDLE
open back enclosure
12 x 1
dynamic
JC-120
open back enclosure
12 x 2
dynamic
BUILT-IN 1
open back enclosure
12 x 2
dynamic
BUILT-IN 2
open back enclosure
12 x 2
condenser
BUILT-IN 3
open back enclosure
12 x 2
condenser
BUILT-IN 4
open back enclosure
12 x 2
condenser
BUILT-IN 5
open back enclosure
12 x 2
condenser
BG STACK 1
sealed enclosure
12 x 2
condenser
BG STACK 2
large sealed enclosure
12 x 2
condenser
MS STACK 1
large sealed enclosure
12 x 4
condenser
MS STACK 2
large sealed enclosure
12 x 4
condenser
METAL STACK
large double stack
12 x 4
condenser
2-STACK
large double stack
12 x 4
condenser
3-STACK
large triple stack
12 x 4
condenser
Flg Switch
OFF, ON
Flanger on/off
Flg PreDly
0.0–100 [ms]
Adjusts the delay time from the direct sound until the flanger sound is heard.
F. Rate
0.05–10.00 [Hz]
Frequency of modulation
Flg Depth
0–127
Depth of modulation
Flg Fbk
-98–+98 [%]
Adjusts the proportion of the flanger sound that is fed back into the effect. Negative (-)
settings will invert the phase.
Flg Bal
D100: 0W–D0: 100W
Adjusts the volume balance between the sound that is sent through the flanger (W) and
the sound that is not sent through the flanger (D).
Level
0–127
Output Level
Gt -> Phaser (Guitar Amp Simulator -> Phaser)
Parameter
Value
Explanation
Pre Amp
Sw
OFF, ON
Turns the amp switch on/off.
ATyp
Type of guitar amp
JC-120
This models the sound of the Roland JC-120.
CLEAN TWIN
This models a Fender Twin Reverb.
MATCH DRIVE
This models the sound input to left input on a Matchless D/C-30.
A simulation of the latest tube amp widely used in styles from blues and rock.
BG LEAD
This models the lead sound of the MESA/ Boogie combo amp.
The sound of a tube amp typical of the late ’70s to ’80s.
MS1959I
This models the sound input to Input I on a Marshall 1959.
This is a trebly sound suited to hard rock.
MS1959II
This models the sound input to Input II on a Marshall 1959.
MS1959I+II
The sound of connecting inputs I and II of the guitar amp in parallel, creating a sound with a
stronger low end than I.
SLDN LEAD
This models a Soldano SLO-100. This is the typical sound of the eighties.