Kurzweil Flash Play PC4 - Out Pan; Out Pan Mode; Globals

Program Edit Mode
The COMMON Page
3-20
Out Pan
Use the Out Pan parameter to adjust the left/right balance of the entire Program output
signal (post-FX). Negative values pan the audio signal to the left channel, positive values to
the right, and a value of zero pans to the center.
Out Pan Mode
When the Out Pan Mode is set to Fixed, the Out Pan position remains as dened with the
Out Pan parameter, ignoring MIDI pan messages. When the Out Pan Mode is set to +MIDI,
MIDI pan messages (MIDI 10) will shift the sound to the left or right of the Pan parameter
setting. Message values below 64 shift it left, while those above 64 shift it right.
Globals
is parameter aects the control sources LFO2, ASR2, FUN2 and FUN4.
When the Globals parameter is set to O, these control sources are local; they aect each
note individually in the layers that use them as a control source. ey begin operating for
each note each time a note in that layer is triggered, and are not aected by other notes.
When the Globals parameter is set to On, these control sources become global, which means
they aect every note in every layer of the current program, they’re not specic to any one
layer. When these control sources are global, they begin operating as soon as the program is
selected. When Globals are on, LFO2, ASR2, and FUNs 2 and 4 will appear on the LFO+
page preceded by the letter G to indicate that they’re global.
Local control sources are useful for aecting parameters independently for each note in a
layer. Local control sources have the advantage of having a separate copy re-triggered for each
note. eir disadvantage is that their parameters must be set separately for each layer if you
wish to aect multiple layers.
Global control sources are useful for aecting many parameters in a program uniformly,
because they share the same settings on all layers. eir disadvantage is that a separate copy
in not re-triggered for each note.
You’ll use global control sources when you want to aect all notes in a program uniformly,
and local control sources when you want to aect each note independently. For example,
a global LFO is useful for controlling amplitude to create a tremolo eect, if you want the
eect applied uniformly to all the notes you play. A local ASR is useful for controlling the
frequency of a lter sweep, if you want the lter sweep to be independent for each note.