R24 Effect types and parameters
127
Effect patch list 2
Bass algorithm
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Patchname
Description
0 364
,Þ>ÊÀVÊÃÕ`Ê}Ài>ÌÊvÀÊv}iÀ«V}Ê>`Êv>Ì«V}°
1 "!33-!.
6Ì>}iÊÀVÊÃÕ`ÊvÀÊ>ÞÊVV>ð
2 (!24+%
Hartke simulation with all the glitz and glitter.
SUPER-B
Ài>ÌÊvÀÊ}ÕÌ>ÀÊÕÃÊ>`ÊÃÊ«>Þ°
4 3!.3!
`}ÞÊÃÕ`ÊÜÌÊ>ÊÃÌÀ}ÊVÀiÊÌ>ÌÊÃÊ>Ê}`Ê>ÌVÊvÀÊv>Ì«V}°
TUBE PRE
All-round tube sound.
Attack
Compression sound effective for slap and flatpick playing.
7 7AH3OLO
Solo sound with distortion and a touch of wah. Pitch shift is the secret ingredient.
8 Talk&Cry
Typical special effect that makes a cr ying sound like a talking modulator.
9 Melody
Chorus sound for melody, solo, chord and harmonic playing.
10 3LAP*AZZ
>ÃVÊÃ>«ÊÃÕ`ÊÊÌiÊ>ââÊL>ÃÃÊÃÌÞi°
11 Destroy
Smashing sound mixing distortion, pitch shifting and ring modulation.
12 Tremolo
Ài>ÌÊ>ÌVÊvÀÊ`ÞÊL>ÃÃÊiÃÊ>`ÊVÀ`Ê«>Þ}°
SoftSlow
Melody or solo play tone that is great for fretless bass.
14 Limiter
Limiter evens out the sound when using a pick.
X'over
Flanger sound for picking, typical of the crossover genre.
#LEAN7AH
Auto wah sound that has many uses.
17 Exciter
All-around sound with a fresh and transparent character.
18 ClubBass
Sound that simulates the ambience of a small club and is suitable for walking bas lines.
19 $RIVE7AH
Auto wah sound with variable drive that follows picking dynamics.
20-29 Empty
Aco/Bass SIM algorithm
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Patchname
Description
0 Ensemble
À}iÕÃÊÃÕ`ÊÜÌÊ`ii«ÊiÃiLiÊivviV̰
1 Delay LD
Lively acoustic guitar sound for lead playing.
2 Chorus
Chorus sound suitable for everything from rhythm guitar to lead guitar.
&INE4UNE
iÌÕ}ÊVÀi>ÌiÃÊÃVÊ`i«Ì°
4 Air Aco
Air sound makes it sound like recording with a mic.
Standard
Standard bass sound with many uses.
CompBass
>ÃÃÊÃÕ`ÊViÃÊ>ÛiÊÜÌÊV«ÀiÃÃÀÊ>`ÊiÝVÌiÀ°
7 7ARM"ASS
>ÃÃÊÃÕ`ÊÜÌÊÜ>ÀÊ>`ÊÀÕ`Êvii}°
8 &LANGING
>}}ÊÃÕ`ÊVÛiÀÃÊ>ÊÌÊvÊ}ÀÕ`ÊvÀÊ£ÈLi>ÌÊ«À>ÃiÃÊÌÊi`ÞÊ«>Þ}°
9 !UTO 7AH
Funky bass sound that makes good use of auto wah-
10-19 Empty
Mic algorithm
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Patchname
Description
0 Rec Comp
Conventional preamp and compression sound for recording.
1 RoomAmbi
Simulates the ambience of a radio station studio.
2 6OCAL$LY
i>ÞÊivviVÌÊÌ>ÌÊÜÀÃÊLiÃÌÊÜÌÊÜiÌÊÛV>ðʰ
Rock
Heavy compression sound for rock vocals
Every BG
Õ``ÞÊÕÞ½ÃÊLÕiÃÊÃÕ`ÊÃÊ`ÀÞÊ>`ÊÛiÀ`ÀÛiÊ>`Ê>``ÃÊVÀÊÌÊ>ÞÊLÕiÃÊV
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>ÀÞÊ``iÊ6>Ê>iÊÃÕ`Ê
BrianDrv
À>Ê>ÞÊ`ÀÛiÊÃÕ`ÊÀiVÀi>Ìi`ÊÕÃ}ʸ<Ê iû
RitchStd
-Õ`ÊÌ>ÌÊii«Ê*ÕÀ«i½ÃÊ,ÌViÊ>VÀiÊÕÃi`ÊÀiVÀ`}ʺ>ViÊi>`»Ê
Carlos
-ÌÊÃÕ`ÊÕÃi`ÊLÞÊ>ÀÃÊ->Ì>>ÊÊ>LÕÊÀiVÀ`}ÊÀiVÀi>Ìi`ÊÕÃ}ʸÊÀÕV¸
0ETE(7
Pete Townshend crunch sound using Hiwatt with clean amp turned all the way up for a powerful tone
*7 4ALK
,iVÀi>ÌÊvÊÌiÊÌ>LÝÊÃÕ`ÊÕÃi`ÊLÞÊiÊ7>ÃÊÊÃʺ,VÞÊÕÌ>Ê7>Þ»ÊÃ
+STONE
iÌÊ,V>À`ýÃÊV>ÃÃVÊÌÀÊÃÕ`ÊV>ÊLiÊi>À`ÊÊ/iÊ,}Ê-Ìiýʺ->ÌÃv>VÌ»
RR Mtl
nä½ÃÊiÌ>ÊÃÕ`ÊÜÌÊ`ÃÌVÌÛiÊ`À>}iÊL>Ãi`ÊÊÌiÊiÌ>Ê<iÊ
36 ,%!$
Stack sound that boldly cuts through the midrange is good for huge guitar solos
40 Monster
Weird tone that mixes a heavy sound with a doubling an octave down
41 &AT-S
ÀÛiÊÃÕ`ÊÜÌÊ`iÌÕ}Ê>``i`ÊÌÊÌViÊÌiÊÃÕ`ÊÃÊ}Ài>ÌÊvÀÊ«ÜiÀÊVÀ`ÃÊ>`ÊL>V}Ê«>ÀÌÃÊ
42 3LOW&LG
iÌÊÃÕ`ÊVL}ʸ-ÜÊÌÌ>V¸ÊÜÌÊv>}iÀÊ
$MG&UZZ
*ÃÞVi`iVÊÌiÊÌ>ÌÊ>``Ãʺ,}Ê`Õ>ÌÀ»ÊÌÊvÕââÊÃÕ`ÊÌ>ÌÊVÕÌÃÊviÀViÞÊÌÀÕ}ÊÜÊvÀiµÕiViÃ
44 2ECTI 7AH
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Empty