7.17.27.3
1.11.22.12.22.33.13.23.33.44.14.24.34.45.15.26.16.26.36.4
SEQ
83
MIDI Channel [01…16]
Specifies the MIDI channel that the track will use to transmit
and receive musical data. The MIDI channel you specify
here will be the receive channel when “Status” is INT, the
transmit channel when it is EXT or EX2, and the receive/
transmit channel when it is BTH. Tracks set to INT which
have the same MIDI channel will sound and be controlled
identically when they receive MIDI data or data from the
sequencer tracks.
Bank(EX2) MSB [000...127]
Bank(EX2) LSB [000...127]
When “Status” is set to EX2, this sets the bank number that
will be transmitted. When “Status” is other than EX2, this
setting has no effect.
3.1–1(2)b: UTILITY
☞ “Memory Status”, “Solo Selected Track”, “Rename Song”,
“Delete Song”, “Copy From Song”, “Copy From Combi”,
“Load Template Song”, “Save Template Song”, “FF/REW
Speed”, “Set Location” (1.1–1d)
3.1–3: OSC..8 (OSC T01...08)
3.1–4: OSC..16 (OSC T09...16)
These parameters specify how each track will be sounded.
3.1–3(4)a: Force OSC Mode, OSC Select,
Portamento
Force OSC Mode [PRG, Poly, MN, LGT]
Indicates the “Voice Assign Mode” (PROG 2.1–1b) of the
program selected for each track 1–16 (
☞COMBI 3.1–2a).
OSC Select [Both, OS1, OS2]
Specifies the “Oscillator Mode” (PROG 2.1–1a) of the pro-
gram selected for each track 1–16. If the “Oscillator Mode” is
Double, you can use this setting to make only one or the
other oscillator sound (
☞COMBI 3.1–2a).
Portamento [PRG, Off, 001...127]
Specifies the portamento effect for each track 1–16
(
☞COMBI 3.1–2a).
The portamento setting you make here will be used
when the song is played or recorded from the begin-
ning. If you change the setting while recording, it will
be recorded as part of the musical data. (However if
you set this to PRG, it will not be recorded.) You can
change this setting during playback. However if you
come to any Portamento On/Off data or Portamento
Time data that was recorded, the settings will change
accordingly.
When the track whose “Status” (3.1–1a) is INT or BTH,
MIDI control change (CC) #5 (Portamento Time) and
CC#65 (Portamento Switch) can be received to control
this and change the setting. (If the setting is PRG,
CC#05 Portamento Time will not be received.)
When you switch songs or return to the beginning of
the song, tracks whose “Status” is BTH, EXT, or EX2
will transmit this setting via MIDI. If this is Off, CC#65
with a value of 0 will be transmitted. If this is 000–127, a
CC#65 of 127 and CC#05 of 1–127 will be transmitted.
If this is set to PRG, nothing will be transmitted.
This data is transmitted on the MIDI channel specified
for each track by “MIDI Channel” (3.1–1a).
3.1–3(4)b: UTILITY
☞ “Memory Status”, “Solo Selected Track”, “Rename Song”,
“Delete Song”, “Copy From Song”, “Copy From Combi”,
“Load Template Song”, “Save Template Song”, “FF/REW
Speed”, “Set Location” (1.1–1d)
3.1–5: Ptch..8 (Pitch T01...08)
3.1–6: Ptch..16 (Pitch T09...16)
Here you can make pitch-related settings for each track.
3–5(6)a: Transpose, Detune, Bend Range
Transpose [–24...+24]
Adjusts the pitch of each track in semitone steps.
12 steps are one octave.
Detune (BPM Adj.) [–1200... +1200]
Adjusts the pitch of each track in one-cent steps from the
normal pitch.
0: Normal pitch.
You can use the “Detune BPM Adjust” (3.1–5(6)b) page
menu command to make a calculation in BPM units
and set Detune automatically.
“Transpose” and “Detune” settings do not affect the
note data that is transmitted via MIDI. “Transpose” and
“Detune” are controlled by received MIDI RPN mes-
sages. The “Oscillator Mode” (PROG 2.1–1a) of the pro-
grams selected for tracks 1–16 will be controlled as
follows.
3.1–3a
3.1–3b
3.1–5a
3.1–5b
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