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Insert Effect Parameter Functions
Appendices
Feedback (0–100)
This parameter adjusts the amount of feedback. Changing
the amount of feedback causes the number of times the
delayed sound is repeated to change as well.
Effect Level (0–120)
This adjusts the volume of the delay sound.
Doubling
By adding a slightly time-delayed sound to the direct sound,
an effect of multiple sounds heard together (a doubling
effect) is produced. The best effect is achieved when stereo
output is used.
This effect can be used when the Modulation “Effect Type”
parameter is set to “DOUBL’N.”
Effect On/Off (OFF, ON)
This parameter turns the doubling effect on/off.
Delay Time (0.5–50 mS)
This parameter adjusts the delay time (i.e., the interval for
which sound is delayed).
Separation (-100–+100)
Adjusts the diffusion. The panning of the direct sound and
effect sound can be spread to left and right. Effective when
stereo output is used.
Effect Level (0–120)
This adjusts the volume of the delay sound.
Enhancer
By adding sounds which are out-of-phase with the direct
sound, this effect enhances the definition of the sound, and
pushes it to the forefront.
Effect On/Off (OFF, ON)
This parameter turns the enhancer effect on/off.
Sens (0–100)
Adjusts the manner in which the enhancer will be applied
relative to the input signals.
Frequency (1.0k–10k)
Adjusts the frequency at which the enhancer effect will begin
to be applied. The effect will be made apparent in the
frequencies above the frequency set here.
Mix Level (0–100)
Adjusts the amount of phase-shifted sound of the range set
by “Frequency” that is to be mixed with the input.
Low Mix Level (0–100)
Adjusts the amount of phase-shifted sound of the lower
range that is to be mixed with the input.
Level (0–100)
Adjusts the volume of the enhanced sound.
Equalizer
A 4-band equalizer.
* With the algorithm “2. ACOUSTIC SIM,” it becomes a 3-
band equalizer with “Low-Mid” and “High-Mid” in the
display changing to only “Mid.”
Effect On/Off (OFF, ON)
This parameter turns the equalizer effect on/off.
Low Gain (-20–+20 dB)
This parameter sets the gain (amount of boost or cut) for the
bass equalizer.
Low-Mid Gain (-20–+20 dB)
This parameter sets the gain (amount of boost or cut) for the
low-midrange equalizer.
Low-Mid Freq (100–10.0 kHz)
This parameter sets the central frequency for the low-
midrange equalizer.
Low-Mid Q (0.5–16)
This parameter sets the range of change in gain for the
frequency set by “Low-Mid Freq.” A larger value results in a
narrower range of change.
High-Mid Gain (-20–+20 dB)
This parameter sets the gain (amount of boost or cut) for the
high-midrange equalizer.
High-Mid Freq (100–10.0 kHz)
This parameter sets the central frequency for the high-
midrange equalizer.
High-Mid Q (0.5–16)
This parameter sets the range of change in gain for the
frequency set by “High-Mid Freq.” A larger value results in a
narrower range of change.
High Gain (-20–+20 dB)
This parameter sets the gain (amount of boost or cut) for the
treble equalizer.
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