93
Insert Effect Parameter Functions
Appendices
Effect On/Off (OFF, ON)
This parameter turns the phaser effect on/off.
Rate (0–100)
This sets the rate of the Phaser effect.
Depth (0–100)
Determines the depth of the Phaser effect.
Manual (0–100)
Adjusts the center frequency of the phaser effect.
Resonance (0–100)
Determines the amount of resonance (feedback). Increasing
the value will emphasize the effect, creating a more unusual
sound. Setting it to a minus value will create resonance
having a reversed phase.
Pitch Shifter
This effect changes the pitch of the original sound (up or
down) within a range of two octaves.
This effect can be used when the Modulation “Effect Type”
parameter is set to “P.SHIFT.”
Effect On/Off (OFF, ON)
This parameter turns the pitch shifter effect on/off.
Pitch (-24–DETUNE–+24)
Adjusts the amount of pitch shift (the amount of pitch
change) in semitone steps. By selecting “DETUNE,” you can
add a slightly pitch-shifted sound to the input sound,
producing a detune effect.
This effect can be used when the “P.Shift Type” parameter is
set to “MANUAL.”
D:E Balance (100:0–0:100)
This adjusts the volume balance of the direct and effect
sounds.
Preamp
Adjust the distortion and tone of the guitar sound.
* When all Bass, Middle and Treble are set to “0,” no sound may
be produced depending on the “Amp Type” setting.
Effect On/Off (OFF, ON)
Turns the preamp effect on/off.
Amp Type
This sets the type of the preamp. The distortion and tone
characteristics of each amp are as shown below:
■ When the “COSM GUITAR AMP” or the
“VO+GT.AMP” algorithm is selected
JC-120:
The sound of the Roland “JC-120” (Jazz Chorus 120), a
favorite of pro musicians around the world.
CLEAN:
The sound of a conventional built-in tube amp.
CRUNCH:
Allows you to obtain a crunch effect that creates a
natural distortion.
MATCH:
A simulation of the latest tube amp widely used in styles
from blues and rock.
VO DRV:
Allows you to obtain the Liverpool sound of the 60’s.
BLUES:
A lead sound with a rich middle ideal for Blues.
BG LEAD:
The sound of a tube amp typical of the late `70s to `80s,
characterized by a distinctive mid-range.
MS (1, 2, 1+2):
The sound of a large tube amp stack that was
indispensable to the British hard rock of the 70’s, and is
used to this day by many hard rock guitarists.
1:
A trebly sound created by using input I of the guitar
amp.
2:
A mild sound created by using input II of the guitar
amp.
1+2:
The sound of connecting inputs I and II of the guitar
amp in parallel, creating a sound with a stronger low
end than I.
SLDN:
A tube amp sound with versatile distortion, usable in a
wide range of styles.
METAL:
The sound of a large tube amp, suitable for heavy metal.
METAL D:
A high gain and powerful metal sound.
■ When the “COSM BASS AMP” algorithm is
selected
AC:
It produces the vintage sound of an early transistor amp.
AMG:
It produces the sound of a large double-stack vacuum
tube amp with ultra-lows and a crisp edge.
Volume (0–100)
Adjusts the volume and distortion of the amp.
To Next Page
Loading...
