14 Inputs and Outputs | 191
• Always lower the volume before connecting a microphone.
• Keep the microphone away from the speakers to avoid feedback (Larsen effect).
• When choosing a microphone, consider that cardioid polar pattern models
minimize the chances of feedback.
• Keep the microphone away from cables and power lines.
• Use robust and durable microphone stands.
• When finished, turn off the Phantom Power switch (48V) before disconnecting the
microphone.
• To avoid damage, remember that the speakers are the first device to be turned off
and the last to be turned on.
The microphone input signal is processed by a chain of adjustable effects, as described in the
Edit Micro paragraph.
Connecting a guitar or bass (INPUT)
The INPUT port is suitable for high impedance instruments such as guitar or bass. But it can
also be used to connect a second microphone.
Everything written for the MICRO 1 input applies, except that INPUT in the effect chain
excludes access to the Voicetron and replaces it with INSERT effects for the VOICE parts.
Connecting audio inputs
Connect an external sound source via a monophonic jack. As with the microphone input, a
GAIN MICRO knob is also available here to adjust the gain of the input signal.
Connecting a computer
The instrument offers the possibility to connect a computer via a high-speed USB 2.0 cable
to transfer data (new):
• The USB Type A male connector must be connected to the computer.
• The other end of the cable with USB Type B male connector is connected to the
USB-to-Host port located in the area of the side connections of the instrument.
Once the physical connection is complete, you can perform the operations as described in
the MEDIA chapter and in the paragraph Connecting to PC/Mac in particular. Use the port
closer to the external side.
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