Reference • Effects
191
43: Delay & Flanger
This effect combines a mono delay and mono flanger
in parallel.
43: Delay/Flanger is an effect that connects a mono
delay and mono flanger in parallel.
You can use dynamic modulation to control the
DRY:FX parameters of both the delay and flanger
effects while you play.
F Feedback –99%…+99% Set the amount of feedback; i.e.,
the amount of the delayed sound
that will be returned to the input
of the delay. As this value is
increased, the number of delay
repeats will increase, and it will
take longer for the echoes to
disappear. Negative values will
invert the phase of the feedback,
causing the tone of the echo to
be harder, and less hollow-soun-
ding.
H
D
High damp 0%…99% Set the degree to which the high
frequency range of the delayed
sound will be attenuated. Higher
settings will cause more rapid
attenuation.
→ Dry:Effect balance DRY,
B1…B99, FX
Set the balance between the
direct sound (DRY) and the
sound processed by the effect
(FX). With a setting of DRY, the
effect will be turned off. With a
setting of FX, only the echoed
sound will be heard. Other set-
tings set the proportion of the
direct sound and effect sound.
☞P. 178.
Modulation speed 0.03…30 Hz Set the speed of the LFO that
modulates the delay of the cho-
rus effect. For a standard chorus
effect, set a low frequency
(approximately 1 Hz).
M Modulation depth 0…99 Set the modulation depth of the
chorus. Higher settings will
cause the modulation effect to
be more pronounced. With a set-
ting of 0 there will be no chorus
effect.
LFO waveform SIN, TRI Select the waveform that the
LFO will use to modulate the
delay time. You can select either
sine wave (SIN) or triangle wave
(TRI).
→ Dry:Effect balance DRY,
B1…B99, FX
Set the balance between the
direct sound (DRY) and the
sound processed by the effect
(FX). With a setting of DRY, the
effect will be turned off. With a
setting of FX, only the chorus
sound will be heard. Other set-
tings set the proportion of the
direct sound and effect sound.
☞P. 178.
T Delay time 0…500 ms Set the basic delay length for the
delay effect.
F Feedback –99%…+99% Set the amount of feedback; i.e.,
the amount of the delayed sound
that will be returned to the input
of the delay. As this value is
increased, the number of delay
repeats will increase, and it will
take longer for the echoes to
disappear. Negative values will
invert the phase of the feedback,
causing the tone of the echo to
be harder, and less hollow-soun-
ding.
H
D
High damp 0%…99% Set the degree to which the high
frequency range of the delayed
sound will be attenuated. Higher
settings will cause more rapid
attenuation.
→ Dry:Effect balance DRY,
B1…B99, FX
Set the balance between the
direct sound (DRY) and the
sound processed by the effect
(FX). With a setting of DRY, the
effect will be turned off. With a
setting of FX, only the echoed
sound will be heard. Other set-
tings set the proportion of the
direct sound and effect sound.
☞P. 178.
Modulation speed 0.03…30 Hz Set the speed of the LFO that
modulates the delay of the flan-
ger effect. For a standard flanger
effect, set a low frequency
(approximately 0.18 Hz).
M Modulation depth 0…99 Set the modulation depth of the
flanger. Higher settings will
cause the modulation effect to
be more pronounced. With a set-
ting of 0 there will be no modula-
tion effect.
F Feedback –99%…+99% Set the amount of feedback that
will be returned to the input of
the flanger. As this value is
increased, the resonance produ-
ced by the flanger effect will be
increased. Negative values will
invert the phase of the feedback,
lowering the pitch of the effect
sound by 1 octave.
Left
Delay
Right
Mix
Mix
Flanger
Feedback
Feedback
Mod
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