Reference • Effects
192
44, 45: Delay & Distortion
This effect combines a mono delay and mono distor-
tion or overdrive in parallel. For example, this can be
used to apply delay to a lead synth in one channel, and
distortion to a guitar in the other channel.
44: Delay/Dist combines delay and distortion.
45: Delay/Overdrv combines delay and overdrive.
Both distortion and overdrive include a wah effect.
46: Delay & Phaser
This effect combines a mono delay and mono phase
shifter in parallel.
46: Delay/Phaser is an effect that connects a mono
delay and mono phaser in parallel.
You can use dynamic modulation to control the
DRY:FX parameters of both the delay and phaser
effects while you play.
→ Dry:Effect balance DRY,
B1…B99, FX
Set the balance between the
direct sound (DRY) and the
sound processed by the effect
(FX). With a setting of DRY, the
effect will be turned off. With a
setting of FX, only the chorus
sound will be heard. Other set-
tings set the proportion of the
direct sound and effect sound.
☞P. 178.
T Delay time 0…500 ms Set the basic delay length for the
delay effect.
F Feedback –99%…+99% Set the amount of feedback; i.e.,
the amount of the delayed sound
that will be returned to the input
of the delay. As this value is
increased, the number of delay
repeats will increase, and it will
take longer for the echoes to
disappear. Negative values will
invert the phase of the feedback,
causing the tone of the echo to
be harder, and less hollow-soun-
ding.
Dry:Effect balance DRY,
B1…B99, FX
Set the balance between the
direct sound (DRY) and the
sound processed by the effect
(FX). With a setting of DRY, the
effect will be turned off. With a
setting of FX, only the echoed
sound will be heard. Other set-
tings set the proportion of the
direct sound and effect sound.
DDrive 1…111 Set the depth of the distortion
effect. Higher settings will raise
the distortion level.
H
S
Hot spot 1…99 Set the center frequency at
which the wah filter will be
applied. As this value is raised,
the wah frequency will rise.
Left
Delay
Right
Mix
Mix
Distortion
Feedback
Left
Delay
Right
Mix
Mix
Overdrive
Feedback
Delay/Distortion
Delay/Overdrive
R Resonance 0…99 Set the amount of resonance
that is applied by the wah filter.
Higher settings will produce a
deeper wah effect.
D
L
Distortion level 1…99 Set the output level of the distor-
ted sound. Higher settings will
produce more distortion. With a
setting of 1 there will be no
distortion effect.
T Delay time 0…500 ms Set the basic delay length for the
delay effect.
F Feedback –99%…+99% Set the amount of feedback; i.e.,
the amount of the delayed sound
that will be returned to the input
of the delay. As this value is
increased, the number of delay
repeats will increase, and it will
take longer for the echoes to
disappear. Negative values will
invert the phase of the feedback,
causing the tone of the echo to
be harder, and less hollow-soun-
ding.
H
D
High damp 0%…99% Set the degree to which the high
frequency range of the delayed
sound will be attenuated. Higher
settings will cause more rapid
attenuation.
→ Dry:Effect balance DRY,
B1…B99, FX
Set the balance between the
direct sound (DRY) and the
sound processed by the effect
(FX). With a setting of DRY, the
effect will be turned off. With a
setting of FX, only the echoed
sound will be heard. Other set-
tings set the proportion of the
direct sound and effect sound.
☞P. 178.
Modulation speed 0.3…30 Hz Set the speed of the LFO that
modulates the phase of the input
signal. Higher settings will pro-
duce faster modulation.
Left
Delay
Right
Mix
Mix
Phaser
Feedback
Feedback
Mod
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