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Eventide Harmonizer H90 - Sculpt

Eventide Harmonizer H90
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3 Octaves
Arpeggiate
Atmospheres
Big Bass Synth
Boogie Oogie Bass
Cherub
Chorus and Delay
Cobbler Triads
Copeland
Delicate Trinkets
Dovers Peach
Fripper Fuzz
Fruit In The Rain
FuzzStack
FuzzyMass
Goof Delays
Harp Chords
Hot McAdam
Juiced Up Bass
Just the Fuzz
LawfulKnowledge
Lethal Weapon 7
Mima Lead
Muscle
OhYouAteOneToo
Organizor
Peach Dog
Peach Slap
Peach-Tavia
Peaches KICK IT
Pitch Busters
R U Fuzz
Schnapps
Space Peach
Suspended Peach
Weird Orchestra
WholeLottaPeach
Working Man Bass
Sculpt
Multi-band Distortion w/ Envelope Follower Control Filters. Carve out your own sound with a dynamic
variable blend of hi and lo band distortion channels. Follows your playing style and compliments you with
the perfect expression of tunable peaking lters. Perfect for single or dual amp setups!
Mix: The clean/dirty mix, all the way left is clean, all the way right is dirty.
Band Mix: The mix between the low and high band.
Crossover Frequency: The crossover frequency where the low band and high band are split.
Low Drive: Overdrive of the low band.
High Drive: Overdrive of the high band.
Compressor: Pre distortion (counter-clockwise), or Post distortion (clockwise). Turn counter-
clockwise to juice up the harmonics in the distortion, or turn clockwise for some sparkly
compressor spank. The Sculpt compressor is specially designed to vary the numerous parameters
of a typical compressor such as the ratio, attack, release and the makeup gain to keep the overall
loudness consistent.
Low Boost: Boosts the low end either Pre distortion (counter-clockwise) for chuggier low end, or
Post distortion (clockwise) for smoother low end.
Filter-Pre: Peaking lter Pre distortion. Turning left sweeps a cutting lter up in frequency. Turning
right sweeps a boosting lter up in frequency, similar to having a parked wah before the distortion.
Smoothly changes when connected to an expression pedal.
Filter-Post: Peaking lter Post distortion. Turning left sweeps a cutting lter up in frequency.
Turning right sweeps a boosting lter up in frequency, similar to having a parked wah after the
distortion. Smoothly changes when connected to an expression pedal.
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11. ALGORITHM GUIDE

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