Analog-ish Lead
Camino
Choo Choo
Dark Castle Bass
Drop Out of Warp
Faux Horns
Funky Sauce
Hot Bass
Knife Walker
Knife Walker 2
Laser Gun
Major HotSwitch
Melting Tones
Mtumeday
Pass Out Bass
Peppery Rezo Bass
Picante Pluck
Pitchup Synth
Poblano Peril
Pulsar
Sahuaro Staccato
Serrano Sub
Seventies Spicy Lead
Siren
Sonic Boom
Space Chihuahua
Synth Filter Bass
Synth Surfing
Synth Wah Bass
Tabasco
Top Gumdrop
Venus Attacks
Wasabi Lead
PolySynth
Did anyone order extra Sawz? Using our new SIFT technology found in the Polyphony, Prism Shift, and
PolyFlex algorithms, and building on the earlier work done for our HotSawz algorithm we’ve created
PolySynth - a fully polyphonic Guitar to Synth transformer. With up to 3 voices, multiple modulation
options, and envelope control of the filter cutoff you can add just a drop of synth tone, or layer it on extra
thick.
Mix: Controls the amount of dry and pitch shifted signal. 0 to 100.
Attack: Controls the Attack time of the generated synth sounds. 5 to 1000 ms or Tempo Based.
Resonance: Controls the resonance of the filters after each synth voice. 0 is no resonance, 100 is
very resonant. 0 to 100.
Cutoff: Controls the cutoff frequency of the filter. 0 to 100.
Env Amount: Sets the maximum amount the filter cutoff will open or close to (start is always what is
set by the Cutoff knob). -100 to 100.
Env Sense: Adjusts the sensitivity of the envelope or how hard do you need to play to get it to hit
the value set by Env Amount. 0 to 100.
LFO Destination: Sets what parameter the LFO is modulating:
Cutoff
Volume
Pitch
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
11. ALGORITHM GUIDE