Control 24 Reference Guide42
LINE OUT TO PRO TOOLS 9–16 Outputs
This 25-pin D-Sub connector carries the follow-
ing Control 24 output signals:
• Line Output #9
• Line Output #10
• Line Output #11
• Line Output #12
• Line Output #13
• Line Output #14
• Line Output #15
• Line Output #16
These outputs can be connected directly to the
corresponding inputs on your Pro Tools audio
interfaces. Each output is fed by a high-quality
mic and line pre-amp, and is adjustable with a
dedicated gain control.
SPEAKERS OUT Outputs
This 25-pin D-Sub connector carries the follow-
ing Control 24 output signals:
• Control Room Output, MAIN Left
• Control Room Output, MAIN Right
• Control Room Output, Center
• Control Room Output, Sub
• Control Room Output, Left Surround
• Control Room Output, Right Surround
• Control Room Output, ALT Left
• Control Room Output, ALT Right
These outputs should be connected directly to
amplifier and speaker systems according to a va-
riety of stereo or Surround configurations, and
are controlled by a series of switches in the Con-
trol Room Monitor section.
ETHERNET RJ45 Connector
Each Control 24 unit contains a single Ethernet
port, that connects either directly to a computer
with a crossover Ethernet cable, or to an Ether-
net hub with a normal Ethernet cable.
FOOTSWITCH Connectors
These two unbalanced 1/4” jacks provide foot-
switch-control for Pro Tools play/stop, record
(punch in/out), and remote Talkback on/off.
The polarity and functionality are configurable.
See Appendix B, “Utility Functions.”
Balanced MIC Inputs
These 16 XLR inputs accept mic-level signals
with pin 2 wired hot. Levels are adjustable with
a dedicated gain knob on each channel.
PHANTOM POWER Switches
Each switch activates 48v phantom power to
eight of the mic inputs. Switch 1 affects inputs
1–8 and Switch 2 affects inputs 9–16.
Balanced LINE Inputs
These 16 balanced TRS 1/4” input jacks accept
line-level inputs. Levels are adjustable with a
dedicated gain knob on each channel.
D.I. Inputs
These two balanced, 1/4” instrument-level in-
puts are optimized for the direct injection input
of guitars, basses, and other instruments that
typically require a direct box.
Control_24.book Page 42 Wednesday, January 17, 2001 2:51 AM
To Next Page
Loading...
Need help?
General
