STUDIO
CUT
DIR I/P
PFL AFL
PFL
CLEAR
AFL
PFL
TO MON
SMALL LS
LEVEL
ON
CUSTOM
LINE
CENTRE RIGHT
DIM CUT
LEFT
LS SUB RS
MONITOR LS
MY5034
DECODER REMOTES
FLASH
LISTEN
APFL
3
MAIN
2
MAIN
1
DESK
4
MAIN
ALT OUTPUT MODES
ALT COMPRESSION
STEREO
3
CENTRE
PHAN
STEREO MONO
RF
LOGIC
PRO
SOLO
MAIN 2
SURR
MAIN 3
SURR
MAIN 4
SURR
LINE 1
MONO
LINE 1 LINE 1
ST SURR
SEL
1
SEL
2
CENTRE
PHAN
ALT LISTEN MODES
LFE
OFF
L+R
to L
/
OR
STEREO
3
STEREO MONO
L+R
L to
L+R
R to
LS SELECTOR
AFL
0
LS PFL/LISTPHONES
L R
0
BALANCE
DIM
LINE 1
SURR
PFL
TO H/P
SEL
1
SEL
2
DESK H/PHONES
LS
CR
SEL
LS
SDU4
DECODERS
AIR
OFF
CONTROL ROOM
LS MONITOR
IN
LS MON
AIR
OFF
SDU4 LT/RT
DESK 1
SURR
(STEREO)
(STEREO)
INSERT
570
DP
Monitor and Meter Selectors
The Monitor and Meter Selectors are used
to select the source to monitor, and what
to display on the meters. Selectors 1 and
2 are sub-selectors which feed the other
selectors. All Selector external inputs can
be mono, stereo, or 5.1. Mono inputs are
fed to left and right.
Main and Ancillary Meters
The main meter is in addition to the four
stereo main output meters, which display
the stereo downmix of the main output, if
the main is surround.
The Ancillary 1 meter would normally
be used to meter the Control Room LS
monitor selection, but can also be selected
to Main 1 Desk, Sel 1 or 2, or 2 external
inputs.
Both the main and Ancillary 1 meters have
a Tone switch to send Tone directly to
the meter. They can both be stereo only,
surround only, or surround plus stereo,
with an optional separate M/S (L-R sum/
difference) meter.
The Ancillary 2 meter can be selected
to meter the Control Room LS monitor
selection, Main 1 Desk, Sel 1 or 2, or
2 external inputs. It is stereo only with
an optional separate M/S (L-R sum/
difference) meter. When metering
surround signals, it displays the stereo
downmix.
LS Controls
The Small LS level control is in series with
the Main LS level control. This allows
the Main LS level control to be used
irrespective of which LS system is in use.
The Small LS level control is used to adjust
for the difference between the two sets
of LS.
The ON button diverts the monitor output
to the small LS for near field, or domestic
2 3 4
MONO MAIN
STEREO MAIN
2 3 4
SELECTOR 1
GP GP GP GP
1 2 3 4
AUX
AUX AUX AUX
1211
109
AUX AUX
AUX AUX
MY4881
1 2 3 4
GP GP GP GP
5 6
7 8
AUX AUX AUX AUX
AUX
17
AUX
18
PFL
AUX
15
1413
AUXAUX
AUX
16
AUX
19
AUX
20
5 6
7 8
ANCILLARY 1
MAIN
METER SELECTORS
M/S
M/S
1
SEL
TONE
TONE
SEL
2
1
SEL
2
SEL
TONE
ANCILLARY 2
M/S
SELECTOR 2
MONITOR SELECTOR
1
DESK
1
DESK
1
DESK
1
LINE
1
DESK
1
DESK
LS
CR
LS
CR
TONE
NON ASSIgNAbLE MONITORS
check, monitoring. Both main and
small LS can be stereo, 3 stereo, or 5.1
independently.
DIM, CUT and SOLO operate on both
sets of loudspeakers. DIM and CUT
can be externally operated. DIM can be
controlled from the TB if it is set to do so
on the Options - TX/REH screen.
LS Monitor Insert
The send ports for the LS monitor insert
are patched on on the I/O - Outputs - Mon
TB & Osc Screen.
The return ports are patched on the
Options - Mon TB & Tone - MON SEL
(EXT I/P) screen.
When using the traditional style monitor
panels, the LS monitor insert can be
switched in and out on the States Screen
in addition to the button on this panel.
If a surround signal is monitored on a
stereo loudspeaker, a stereo downmix
is created and monitored. If the
loudspeaker system is surround, stereo
and mono sources will be heard in stereo
and mono, with no signals on the other
speakers. If a main output is surround, its
stereo monitor buttons will monitor the
main output’s stereo downmix. If a main
output is stereo, the surround monitor
buttons for that main output have no
effect.
For Studio LS, two parallel LS outputs
are provided, post the level control, with
separate Mic Open cuts. Studio LS 1 can
be independently either stereo, 3 stereo
or 5.1. Studio LS 2 and Studio Phones are
stereo only.