JBL SDP-75 - Product Information

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1.1 PRODUCT INFORMATION
MAIN FEATURES
• 16 or 32 Channel Digital Audio Processor
• Universal Spatial-Accurate 3D Audio
playback
• Best-in-class Room Optimization fully
integrated
• Superior multi-subwoofer management and
active crossovers calibration
• 118 digital and analog inputs + 80 audio
outputs
• 8x HDMI Inputs, 2x HDMI Outputs
• User-friendly, self-explaining user interface
• Built-in Wi-Fi & UPnP/DLNA Compliant Digital
Media Renderer
• Wide choice of Remote Options
EXCLUSIVE TECHNOLOGIES
SUPPORTED AUDIO/VIDEO FORMATS
• Trinnov Room Optimization
• Next Generation Hardware platform:
• Revolutionary architecture, scalable
processing platform
• 64 bits floating point & 24 bits / 192 kHz native
processing
• Future-resistant software-oriented upgrades
provided over internet, no DSP upgrade
required
• Robust design, inspired from our professional
audio product lines
• High-performance AD/DA converters, used
daily by the most demanding mastering studios
• LPCM Audio: 16-channels AES input compatible with
Digital Cinema Servers
• 3D Audio Codecs (optional): Auro-3D, Dolby Atmos
and DTS:X, including their respective up-mixers
• HD Audio Codecs: Dolby TrueHD, DTS-HD Master
Audio
• HDMI 1.4a compliant digital audio with 4K and 3D
video pass-through (HDCP 2.2 : HDMI input 1, HDMI
output 2)
• UPnP/DLNA renderer: WAV, AIFF, OGG, FLAC up to 24
bits / 192 kHz
SUBWOOFER MANAGEMENT
• Adjustable High-pass / Low-pass editable by
individual satellite/sub or by group of speakers
• Support from 0 to 32 subwoofers
• Automatic level and delay
REMOTE MANAGEMENT
• VNC Remote Control through the network from
any smartphone, tablet or laptop
• Web-based responsive interface
• Automation via Telnet and RS232 protocols
• Crestron, Savant, Control4 and AMX modules are
available
• Built-in Gigabit Ethernet and Wi-Fi
• IR remote control included
• 12V Trigger in/out
AUDIO PROCESSING
• Comprehensive Processing latency control
• Automatic Processing :
• Multi-point acoustic measurement
(Trinnov 3D measurement microphone)
• Time/Frequency acoustic analysis based
on impulse response measurement
• Loudspeaker/Room optimization
• Target Curves
• Manual Processing
• Several layers of 31 band Graphic EQ, FIR EQ, gains,
polarity and delay available for every channel.
• Total delay given in meters / milliseconds / frames for
the listening point and adjustable global delay for
accurate Lip Sync
PHYSICAL CHARACTERISTICS