Roland Fantom XR - Page 204

204
Effects List
38: VS DISTORTION
This is a distortion effect that provides heavy distortion. The
parameters are the same as for “37: VS OVERDRIVE.”
fig.MFX-38
39: GUITAR AMP SIMULATOR
This is an effect that simulates the sound of a guitar amplifier.
fig.MFX-39
Specifications for each Speaker Type
The speaker column indicates the diameter of each speaker unit (in
inches) and the number of units.
40: COMPRESSOR
Flattens out high levels and boosts low levels, smoothing out
fluctuations in volume.
fig.MFX-40
41: LIMITER
Compresses signals that exceed a specified volume level, preventing
distortion from occurring.
fig.MFX-41
Amp Type
SMALL, BUILT-IN, 2-
STACK, 3-STACK
Type of guitar amp
SMALL: small amp
BUILT-IN: single-unit type amp
2-STACK: large double stack
amp
3-STACK: large triple stack amp
Low Gain -15– +15 dB Gain of the low range
High Gain -15– +15 dB Gain of the high range
Pan # L64–63R Stereo location of the output sound
Level 0–127 Output Level
Parameter
Value Description
Pre Amp Sw
OFF, ON Turns the amp switch on/off.
Pre Amp Type JC-120,
CLEAN TWIN,
MATCH DRIVE,
BG LEAD, MS1959I,
MS1959II, MS1959I+II,
SLDN LEAD,
METAL5150,
METAL LEAD, OD-1,
OD-2 TURBO,
DISTORTION, FUZZ
Type of guitar amp
Pre Amp
Volume #
0–127 Volume and amount of distortion
of the amp
Pre Amp
Master #
0–127 Volume of the entire pre-amp
Pre Amp Gain LOW, MIDDLE, HIGH Amount of pre-amp distortion
Pre Amp Bass 0–127 Tone of the bass/mid/treble fre-
quency range
* Middle cannot be set if “Match
Drive” is selected as the Pre
Amp Type.
Pre Amp Mid-
dle
Pre Amp Tre-
ble
Pre Amp
Presence
0–127
(MATCH DRIVE:
-127 - 0)
Tone for the ultra-high frequency
range
Pre Amp
Bright
OFF, ON Turning this “On” produces a
sharper and brighter sound.
* This parameter applies to the
“JC-120,” “Clean Twin,” and
“BG Lead” Pre Amp Types.
Speaker Sw OFF, ON Determines whether the signal
passes through the speaker (ON),
or not (OFF).
Speaker Type (See the table below.) Type of speaker
Mic Setting 1, 2, 3 Adjusts the location of the mic that’s
capturing the sound of the speaker.
This can be adjusted in three
steps, from 1 to 3, with the mic
becoming more distant as the
value increases.
Mic Level 0–127 Volume of the microphone
Direct Level 0–127 Volume of the direct sound
Pan # L64–63R Stereo location of the output
Level # 0–127 Output level
Parameter
Value Description
L in
R in
L out
R out
Pan R
Pan L
Amp
Simulator
2-Band
EQ
Distortion
L in
R in
L out
R out
Pan R
Pan L
Pre Amp
Speaker
Type
Cabinet Speak-
er
Micro-
phone
SMALL 1
small open-back enclosure 10 dynamic
SMALL 2 small open-back enclosure 10 dynamic
MIDDLE open back enclosure 12 x 1 dynamic
JC-120 open back enclosure 12 x 2 dynamic
BUILT-IN 1 open back enclosure 12 x 2 dynamic
BUILT-IN 2 open back enclosure 12 x 2 condenser
BUILT-IN 3 open back enclosure 12 x 2 condenser
BUILT-IN 4 open back enclosure 12 x 2 condenser
BUILT-IN 5 open back enclosure 12 x 2 condenser
BG STACK 1 sealed enclosure 12 x 2 condenser
BG STACK 2 large sealed enclosure 12 x 2 condenser
MS STACK 1 large sealed enclosure 12 x 4 condenser
MS STACK 2 large sealed enclosure 12 x 4 condenser
METAL STACK large double stack 12 x 4 condenser
2-STACK large double stack 12 x 4 condenser
3-STACK large triple stack 12 x 4 condenser
Parameter
Value Description
Attack #
0–127 Sets the speed at which compression starts
Threshold # 0–127 Adjusts the volume at which compression
begins
Post Gain 0– +18 dB Adjusts the output gain.
Low Gain -15– +15 dB Gain of the low frequency range
High Gain -15– +15 dB Gain of the high frequency range
Level # 0–127 Output level
Parameter
Value Description
Release #
0–127 Adjusts the time after the signal volume
falls below the Threshold Level until com-
pression is no longer applied.
Threshold # 0–127 Adjusts the volume at which compression
begins
Ratio 1.5:1, 2:1, 4:1,
100:1
Compression ratio
Post Gain 0– +18 dB Adjusts the output gain.
Low Gain -15– +15 dB Gain of the low frequency range
High Gain -15– +15 dB Gain of the high frequency range
Level # 0–127 Output level
L in
R in
L out
R out
Compressor
2-Band EQ
2-Band EQ
Compressor
L in
R in
L out
R out
Limiter
2-Band EQ
2-Band EQ
Limiter
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