Roland Fantom XR - Sympathetic Resonance

214
Effects List
76: FLANGER → DELAY
fig.MFX-76
77: CHORUS → FLANGER
fig.MFX-77
78: SYMPATHETIC RESO
(SYMPATHETIC RESONANCE)
On an acoustic piano, holding down the damper pedal allows other
strings to resonate in sympathy with the notes you play, creating
rich and spacious resonances. This effect simulates these
sympathetic resonances.
fig.MFX-78
Parameter
Value Description
Fln Pre Delay
0.0–100.0 ms Adjusts the delay time from
when the direct sound begins un-
til the flanger sound is heard.
Fln Rate # 0.05–10.00 Hz, note Frequency of modulation
Fln Depth 0–127 Depth of modulation
Fln Feedback # -98– +98 % Adjusts the proportion of the
flanger sound that is fed back
into the effect. Negative (-) set-
tings will invert the phase.
Fln Balance # D100:0W–D0:100W Volume balance between the di-
rect sound (D) and the flanger
sound (W)
Delay Time 0–2600 ms, note Adjusts the delay time from the
direct sound until the delay
sound is heard.
Delay
Feedback #
-98– +98 % Adjusts the proportion of the de-
lay sound that is fed back into the
effect. Negative (-) settings will
invert the phase.
Delay HF Damp 200–8000 Hz,
BYPASS
Adjusts the frequency above
which sound fed back to the ef-
fect will be cut. If you do not
want to cut the high frequencies,
set this parameter to BYPASS.
Delay
Balance #
D100:0W–D0:100W Adjusts the volume balance be-
tween the sound that is sent through
the delay (W) and the sound that is
not sent through the delay (D).
Level
0–127 Output Level
Parameter
Value Description
Cho Pre Delay
0.0–100.0 ms Adjusts the delay time from the direct
sound until the chorus sound is heard.
Cho Rate #
0.05–10.00 Hz, note Modulation frequency of the cho-
rus effect
Cho Depth 0–127 Modulation depth of the chorus effect
Cho Balance # D100:0W–D0:100W Volume balance between the direct
sound (D) and the chorus sound (W)
Fln Pre Delay 0.0–100.0 ms Adjusts the delay time from when
the direct sound begins until the
flanger sound is heard.
Fln Rate # 0.05–10.00 Hz, note Modulation frequency of the
flanger effect
Fln Depth 0–127 Modulation depth of the flanger effect
Fln Feedback #
-98– +98 % Adjusts the proportion of the
flanger sound that is fed back into
the effect. Negative (-) settings will
invert the phase.
Fln Balance # D100:0W–D0:100W Adjusts the volume balance be-
tween the sound that is sent through
the flanger (W) and the sound that is
not sent through the flanger (D).
Level 0–127 Output Level
Feedback
Delay
L in
R in
L out
R out
Balance W
Balance W
Balance D
Balance D
Flanger
Balance W
Balance W
Balance D
Balance D
Feedback
Feedback
Flanger
L in
R in
L out
R out
Balance W
Balance W
Balance D
Balance D
Chorus
Balance W
Balance W
Balance D
Balance D
Parameter
Range Explanation
Depth #
0–127 Depth of the effect
Damper # 0–127 Depth to which the damper pedal
is pressed (controls the resonant
sound)
Pre LPF 16–15000 Hz,
BYPASS
Frequency of the filter that cuts the
high-frequency content of the in-
put sound (BYPASS: no cut)
Pre HPF BYPASS,
16–15000 Hz
Frequency of the filter that cuts the
low-frequency content of the input
sound (BYPASS: no cut)
Peaking Freq 200–8000 Hz Frequency of the filter that boosts/
cuts a specific frequency region of
the input sound
Peaking Gain -15– +15 dB Amount of boost/cut produced by
the filter at the specified frequency
region of the input sound
Peaking Q 0.5, 1.0, 2.0, 4.0, 8.0 Width of the frequency region
boosted/cut by the ‘Peaking Gain’
parameter (larger values make the
region narrower)
HF Damp 16–15000 Hz,
BYPASS
Frequency at which the high-fre-
quency content of the resonant
sound will be cut (BYPASS: no cut)
LF Damp BYPASS,
16–15000 Hz
Frequency at which the low-fre-
quency content of the resonant
sound will be cut (BYPASS: no cut)
Lid 1–6 This simulates the actual changes
in sound that occur when the lid of
a grand piano is set at different
heights.
EQ Low Freq 200, 400 Hz Frequency of the low-range EQ
EQ Low Gain -15– +15 dB Amount of low-range boost/cut
EQ Mid Freq 200–8000 Hz Frequency of the midrange EQ
EQ Mid Gain -15– +15 dB Amount of midrange boost/cut
EQ Mid Q 0.5, 1.0, 2.0, 4.0, 8.0 Width of midrange (larger values
make the region narrower)
EQ High Freq 2000, 4000, 8000 Hz Frequency of the high-range EQ
EQ High Gain -15–+15 dB Amount of high-range boost/cut
Level 0–127 Output Level
L in
R in
L out
R out
Syn. Resonance
3-Band
EQ
3-Band
EQ
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