63
Creating a Patch
 
* If you’ve made settings so that sounds are separately routed to the 
INDIVIDUAL 1 jack and INDIVIDUAL 2 jack, but no plug is 
actually inserted in the INDIVIDUAL 2 jack, the sounds routed to 
INDIVIDUAL 1 and INDIVIDUAL 2 will be mixed and output from 
the INDIVIDUAL 1 jack.
* If the Mix/Parallel parameter is set to “MIX,” all sounds are output 
from the OUTPUT A (MIX) jacks in stereo (p. 158).
* If you’ve set Tone Out Assign to “MFX,” set the MFX Output 
Assign parameter (p. 135) to specify the output destination of the 
sound that has passed through the multi-effects.
* Sounds are output to chorus and reverb in mono at all times.
* The output destination of the signal after passing through the chorus 
is set with the Chorus Output Select (p. 136) and the Chorus Output 
Assign (p. 136).
* The output destination of the signal after passing through the reverb is 
set with the Reverb Output Assign (p. 137).
 
Tone Out Level
 
Set the level of the signal that is sent to the output destination 
specified by Tone Output Assign.
 
Value:
 
 0–127
 
Tone Chorus Send (Send Level (Output=MFX))
 
Specifies the level of the signal sent to the chorus for each tone if the 
tone is sent through MFX.
 
Value:
 
 0–127
 
Tone Reverb Send (Send Level (Output=MFX))
 
Specifies the level of the signal sent to the reverb for each tone if the 
tone is sent through MFX.
 
Value:
 
 0–127
 
Tone Chorus Send (Send Level (Output=non 
MFX))
 
Sets the level of the signal sent to chorus for each tone if the tone is 
not sent through MFX.
 
Value:
 
 0–127
 
Tone Reverb Send (Send Level (Output=non 
MFX))
 
Sets the level of the signal sent to reverb for each tone if the tone is 
not sent through MFX.
 
Value:
 
 0–127
 
For details on these settings, refer to 
 
“How to Make Patch 
Settings”
 
 (p. 46).
 
An LFO (Low Frequency Oscillator) causes change over a cycle 
in a sound. Each tone has two LFOs (LFO1/LFO2), and these 
can be used to cyclically change the pitch, cutoff frequency and 
volume to create modulation-type effects such as vibrato, wah 
and tremolo. Both LFOs have the same parameters so only one 
explanation is needed.
 
Patch LFO 1/2
 
Waveform (LFO1/LFO2 Waveform)
 
Selects the waveform of the LFO.
 
Value
SIN:
 
Sine wave
 
TRI:
 
Triangle wave
 
SAW-U:
 
Sawtooth wave
 
SAW-D:
 
Sawtooth wave (negative polarity)
 
SQR:
 
Square wave
 
RND:
 
Random wave
 
BND-U:
 
Once the attack of the waveform output by the LFO is 
allowed to develop in standard fashion, the waveform 
then continues without further change.
 
BND-D:
 
Once the decay of the waveform output by the LFO is 
allowed to develop in standard fashion, the waveform 
then continues without further change.
 
TRP:
 
Trapezoidal wave
 
S&H:
 
Sample & Hold wave (one time per cycle, LFO value is 
changed)
 
CHAOS:
 
Chaos wave
 
VSIN:
 
Modified sine wave. The amplitude of the sine wave is 
randomly varied once each cycle of the waveform.
 
STEP:
 
A waveform generated by the data specified in LFO Step 
1–16. This produces a fixed pattern of stepwise change, 
like that created by a step modulator.
 
If you set this to “BND-U” or “BND-D,” you must turn the Key 
Trigger parameter to “ON.” If this is “OFF,” it will have no 
effect.
 
Modulating Sounds 
(LFO1/2/Step LFO)
Fantom-XR_r_e.book 63 ページ 2006年4月4日 火曜日 午前10時14分