156 HD96-24-CC-TP User Manual
KT Bus Compressor
Based on the distinguished master buss center compressor of the 4000 G console, the KT Buss Compressor captures the unique sound of the original’s circuit input and
twin VCA gain-reduction amplier design. Cherished by top engineers for its ability to “glue together” tracks, the KT Bus compressor is ideal for gluing IEM mixes or a
master bus mix together.
TIP- Try the KT Bus Comp on an IEM mix with the attack set to 1 (to allow transients through), release set to Auto, Ratio at 2.1, HPF at 125 Hz and 100% Mix. Adjust the
threshold until around 4 dB of gain reduction takes place. This will glue an IEM mix together making it sound more controlled while still allowing low end energy to
pass into the mix preventing the pumping eect.
Item Control Function
1 Threshold control The threshold determines when the compressor starts to compress the signal.
2 Make Up Gain control Adds gain to compensate for the gain reduction.
3 Attack control
By slowing the attack rate, the compressor gradually comes to full compression, instead of
compressing immediately. Transient response is less aected, so maintaining the presence of each
note.
4 Release control
By slowing the release rate, the compressor recovers more slowly from compression, so it does not
turn o completely when the signal returns below the threshold. The Auto release characteristic for
G Bus Compressor has an exceptional quality that is optimized for full mixes.
5 Ratio control
The ratio control determines how much compression is applied to the signal. Ratios available are 2:1,
4:1, and 10:1.
6 HPF control
HPF frequency setting for sidechain lter. Anti-clockwise turns of the sidechains HPF lter. The
sidechain HPF allows removal of low-frequency content from the control sidechain, reducing
excessive gain reduction on bass-heavy audio signal’s without reducing bass content of the audio
signal itself.
7 Gain Reduction meter Shows the amount of gain reduction to the signal.
8 Mix control
Dry/wet mix. Allows Parallel compression, a form of upward compression, is achieved by mixing an
unprocessed 'dry' signal with a heavily compressed version of the same signal.
9 IN button On/O control for the compressor.