Midas HD96-24-CC-TP - The Following Processing Sections Are Available

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246 HD96-24-CC-TP User Manual

The following processing sections are available:

1. Conguration (Cong, Linking & Stereo, Patching, Direct Output and Options)

2. Equaliser

3. Gate

4. Compressor

5. Eects

6. Sends

Main Page

Default Chapter2
- Table of Contents2
HD96-24 Overview8
- Service and Support8
- System Firmware Version8
- Touchscreen8
- Training8
- Warranty and Registration8
Chapter 1. Introduction8
- About this Manual8
- Commonly Used Terms and Definitions8
Chapter 2. HD96-24 Overview9
- Introducing the HD96-24 Digital Mixing System9
- Overview9
- Key Features9
- Applications10
- System Components10
- System Busses10
- Processing11
- Audio Physical Connections12
- Network12
- Mcloud Network13
- HD96-24 Software13
- Graphic User Interface (GUI)13
- System Card Expansion13
Chapter 3. System Setup14
- Initial Set-Up Procedure14
- Unpacking the Equipment14
- Ventilation14
- Racking the I/O15
- Connection Instructions15
- System Components16
- Powering the System18
- Switching on the HD96-2418
- To Switch off the HD96-24 Surface18
- Setting up the ID of the Unit(S)18
- To Set up the ID of a I/O Unit18
- I/O Box Update19
- Connection to the Internet19
- Hardware Connections20
Chapter 4. Before You Start25
- Principles of Operation25
- Operating Modes25
- Hints and Tips25
- Setting up a User Profile25
- Saving Your Work26
- Saving a Show Versus Storing a Scene26
- Shutting down the Control Surface Correctly26
- Mcloud System27
- Mcloud Support27
- Initial Setup28
- Setting up a User Profile28
- Safe Mode30
Chapter 5. About the Control Surface31
- Overview of the Control Surface31
- Control Surface Layout31
- Channel Strip Layout32
- Global Assignable Shortcuts33
- Channel Detail Area34
- Front and Rear Panel Connections34
- External Interfaces and Peripheral Devices35
Chapter 6. Navigation36
- Navigating Via the Surface Detail Area37
- Navigating Via the GUI Menu Bar43
- Side Bar Menu44
- Widgets and Rotary Controls45
- Workflow Modes Overview46
- Overview46
- Side Bar Pop Op Display47
- Tags and Pops48
- Clipping Channels48
- Bus Setup and Outputs Management49
- Meter Bridge50
- Channel View51
- Console View52
- FOH View53
- Automation View54
- Navigating Via Touch Screen Faders55
- Navigating Via the Layer Overview/Channel Strips Area56
- Navigation Via Global Assignable Shortcuts Area59
- Navigation Via Pinned Fader and Assignable Controls59
- Flip Mode60
- One Shot Pot60
- Clipped Channels, Fault Finding a Problem Channel61
- Console Layout Configuration (Navigation)62
- Creating a Custom Layout63
Chapter 7. Patching65
- Introduction65
- Terms Used in Patching65
- About the Patching Screen66
- Adding New I/O Devices67
- Configuring the I/O Rack Devices68
- To Edit an I/O Device68
- Removing I/O Devices68
- Internal Patch Points69
- Internal Patching Destinations69
- Internal FX70
- CM-1 Port Patching71
- Patching Tips71
- Channel Detail and Action Area73
Chapter 8. Basic Operation74
- Scene and Show Management (Automation)74
- Clear the Console74
- Saving and Loading Show Files to a USB Memory Stick75
- Saving and Loading Show Files to the Mcloud76
- Save & Mark77
- Rollback77
- Load Options78
- Automate Patching Preferences78
- Naming Page79
- Channel Tags82
- Channel Configuration (Config)84
- Setting a Pre-Amp's Input Gain85
- Linking & Stereo86
- Patching87
- Direct Output88
- Options88
- Configuration Pages for Outputs89
- Linking & Stereo (Outputs)90
- Patching (Outputs)90
- Direct Input91
- Options91
- Oscillator (Output Widget)92
- Setting the HPF and LPF92
- Input Equalisation93
- True Audition94
- Output Processing94
- Input Dynamics Processing (Dynamics Section)95
- Using VCA & POP Groups98
- How to Configure a VCA/POP Group99
- Alternative Way to Assign VCA/POP Groups100
- Routing to Master Stereo Outputs100
- Manchino Multi Edit Page (Basic Introduction)100
- Security (Locking Mode)101
Chapter 9. Stereo Linking102
- Input Linking & Stereo Page102
- Aux Linking & Stereo Page103
- Linking the Master Channels104
Chapter 10. Panning105
- Stereo Panning105
Chapter 11. Soloing106
- Solo Button Functions106
- Using solo A/B107
- Solo Hierarchy108
- VCA solo108
- Solo in Place (SIP)108
- Solo Management109
- Solo System Configuration110
- Sources110
- Summing110
- Solo System111
Chapter 12. Chapter 12: Muting112
Chapter 13. Monitors and Shout Configuration113
- Monitor Configuration (a and B)113
- Delay114
- Talkback Ducker and Limiter114
- Talk and Oscillator Configuration Page115
- Talk Osc Routing115
- Oscillator116
- Shout Mixer Configuration116
- Matrix Mixer116
- Shout Inputs117
- Shout Outputs118
- Assignment Page120
- Presets121
Chapter 14. Graphic EQ (GEQ)122
- Overview of the Geqs122
- Features122
- Controls123
- Proportional-Q Vs Constant-Q Response124
- GEQ Filters124
- GEQ Patching124
Chapter 15. Internal Effects125
- Effects Overview125
- Working with Channel Inserted Effects126
- Effects Browser127
- Effect Rack128
- Effect Sub-Slots130
- Effects Rack Safes130
- FX Mode131
- Effect Programs133
- Reverbs133
- TC Electronic VSS4 Reverb137
- TC Electronic VSS3 Reverb141
- Tc M350143
- Ambience Reverb144
- Vintage Room Reverb145
- Chamber Reverb146
- Hall Reverb147
- Plate Reverb148
- Delays149
- Midas Delay149
- Stereo Delay150
- TC 2290 Delay151
- KT 1176 Limiting Amplifier155
- KT Bus Compressor156
- R-Comp157
- Smart Dynamics Processor159
- Dual De-Esser161
- DSR De-Esser162
- PIE (Prime Input Expander)164
- Stressor Compressor165
- Dual Band & Brickwall Limiter166
- Midas U Flange175
- Midas U Phase176
- Pitch Shifter177
- Chorus178
- Rotor Motor179
- Distortion/Exciter181
- Enlightenment Bass181
- Glow182
- Tape Saturation185
- Uncl.hd Multiband Distortion186
- M Harmonics188
Chapter 16. Talk and Mute Groups189
- Talk Groups189
- Mute Groups190
- Using Copy and Paste192
- Copy and Paste Rules and Restrictions192
- Channels Versus Scenes193
- Copy and Paste Parameters193
- About the Assignable Rotary194
- Controlling the Assignable Rotary Controls195
- Pinned Channels195
- Flip Target196
- Global Assignable Shortcuts198
- Assignables Types: Automation200
- Assignables Types: Groups201
Chapter 19. Automation (Scenes and Shows)202
- About Automation202
- Master Scene202
- Auto-Save202
Chapter 20. Show Editor (Recall and Store Scope)207
- About the Show Editor207
- Parameters Mode Overview208
- Recall Scope Mode209
- Store Scope Mode210
Chapter 21. Events (Automation)211
- About Events211
- About the Edit Event Window212
- MIDI213
Chapter 22. Crossfade Events214
Chapter 23. TBC216
Chapter 24. File Management217
- Show Manager217
- Preset Manager218
- Spreadsheet Import219
Chapter 25. Multiple Consoles and Other Devices221
- Sharing a and B MIC Preamp Inputs221
- Ultranet221
- Using External USB Equipment222
- Using External Displays222
Chapter 26. Preferences (Console Configuration)223
- Monitor Configuration223
- Talk & Oscillator Configuration225
- Solo Bus Configuration226
- DSP Configuration227
- Clocking228
- Metering Preferences228
- Redundancy228
- Spectrum Analyser228
- Hardware Configuration229
- General Configuration232
- License Information233
- Console Registration233
- Network Configuration234
- Time Zone Configuration236
Chapter 27. Delay Compensation (Latency)237
- To Access the Delay Compensation Options238
- Insert Compensation238
- GUI Delay Compensation Presets239
- Master to Matrix Post-Processing240
Chapter 28. Panel Connections241
- Front Panel Connections241
- Rear Panel Connections242
Chapter 29. Inputs243
- Input Channel Routing244
- Input Channel Areas of the Control Surface245
- Input Widget Area245
- The Following Processing Sections Are Available246
- Channel View Workflow249
- Side Bar Area250
- Channel View251
- Sends Overview252
- Send Detail Area253
- Input Channel Delay253
- Aux Return Mode254
- Effects Insert254
- Input Metering255
- Input Inserts256
- Options - Processing Order257
- Safes258
- MIC Amp Input Gain258
- Dynamics and Mode Descriptions258
- Compressor260
- Compressor Modes260
- Corrective Mode (Exponential Peak - Fast)260
- Adaptive Mode (Exponential RMS - Accurate)261
- Creative Mode (Linear Peak - Slow)261
- Vintage Mode (Adaptive Peak - Bright)262
- Compressor Graph262
- Ratio262
- Knee263
- Gate264
- Ducker264
- Sidechain264
- Phase (All Pass Filter) Controls267
- Mixes269
- Input Channel Pick off Points270
- Masters Section and Pan Control271
- LCD Displays271
Chapter 30. Outputs272
- Outputs on Channel Banks272
- GUI Channel Strips273
- Master Section on the Control Surface274
- Output Metering275
- Bus Trim (GUI Only)275
- Compressor (Dynamics)275
- EQ (Equaliser)276
- Mute, Safes, Level and solo276
- Output Channel Name276
- Output Channel Source/Destination (GUI Only)276
- Stereo Linking276
- Output Configuration Patching277
- Safes278
- Insert278
- Output Channel Delay278
- Processing Order279
- Mixes279
- Masters279
- Outputs Macro Interrogation Control280
- Flexi-Aux281
Chapter 31. GUI Menu (Side Bar Menu)282
Chapter 32. Configuring a Virtual Soundcheck283
Chapter 33. Manchino (Multi Edit Page)284
- Linecheck Page285
- Equaliser Page286
- Equaliser Multiple Select View287
- Compressor Page288
- Compressor Multiple Select View289
- Gate Page290
- Gate Multiple Select View291
- Naming Page291
- Manchino Sends Page292
- Sends Unfold Channels293
- Manchino Safes294
Chapter 34. Update Manager295
- Console Updater295
- Surface Updater296
- I/O Box & Device Updater297
Chapter 35. Channel AI298
- What Is Channel AI298
- How to Turn Channel AI on298
- How to Profile a Channel299
- Adaptive Configuration Suggestions300
- Individual Component Processing300
- Trim Suggestions300
- EQ Suggestions301
- Compressor Suggestions302
- Gate Suggestions303
- Spill303
- Confidence303
Chapter 36. Specifications304

Midas HD96-24-CC-TP - The Following Processing Sections Are Available

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