224
Any control change number (CC#00–95) can be
assigned as the B-mode function of a REALTIME CON-
TROLS knob. In this case, the transmitted values will all
be 0–127.
*1 On the TRITON’s sequencer, bank select messages are
normally specified as a program change event (“Event
Edit” Sequencer P5: 5–1B). However in some cases this
will be insufficient when you wish to change banks on
an external device. In such cases, you can use CC#00
and CC#32 to specify the banks.
For information on the relation between bank select
numbers and the banks of your external device, refer to
the owner’s manual for your external device.
*2 Unlike conventional control changes, pitch bend range,
fine tune, and coarse tune settings are made using RPC
(Registered Parameter Control) messages. In Program,
Combination, Sequencer, and Song Play modes, you can
use RPC messages to control the bend range and tuning
for each program, combination (Combination), or track
(Sequencer, Song Play). The procedure is to use an RPN
(Registered Parameter Number) message to select the
parameter that you wish to edit, and then use Data
Entry to input a value for that parameter. To select the
parameter, use CC#100 (with a value of 00–02) and
CC#101 (with a value of 00). use CC#06 and CC#38 to
enter the data.
The data entry values for each parameter and the corre-
sponding settings are as follows.
For example, if in Sequencer mode you wish to set a
track that is receiving channel 1 to a transpose (coarse
tuning) value of -12, you would first transmit [B0, 64, 02]
(64H=CC#100) and [B0, 65, 00] (65H=CC#101) to the
TRITON to select the RPN coarse tune. Then you would
set this to -12 by transmitting [B0, 06, 34] (06H=CC#6),
34H=52 (corresponds to –12), and [B0, 26, 00]
(26H=CC#38, 00H=0).
*3 The volume of the TRITON is determined by multiplying
the Volume (CC#07) with the Expression (CC#11). In
Sequencer and Song Play modes when you stop the song
playback and return the location to the beginning of the
track, the Volume will be set to the starting value, and the
Expression will be set to the maximum value (127).
*4 A value of 64 will correspond to the value specified by
the program parameter. 0 will be the minimum, and 127
will be the maximum. Changing from 63–1 or from 65–
126 will adjust the effect from the program parameter
setting toward the minimum value or maximum value.
The internal program parameters listed in (*4, *5) will be
controlled.
*5 If the filter type of the corresponding program is Low
Pass Resonance, the filter resonance level will be con-
trolled. If the filter type is Low Pass & High Pass, the
cutoff frequency of the high pass filter will be controlled.
*4, *5
CC#70–79 correspond to the following program param-
eters of the TRITON.
In Program mode, when CC#70–79 is received on the
global MIDI channel (“MIDI Channel” Global P1: 1–1a),
or when a REALTIME CONTROLS [1]–[4] knob is oper-
ated in A-mode or in B-mode when the function is
assigned to CC#70–79, the corresponding program
parameter will be edited temporarily. You can execute
“Write Program” (Program 0–1A) to save that state
(except for some parameters). When you execute “Write
Program,” the values of the corresponding program
parameters will be rewritten.
In Sampling mode when playing the currently selected
multisample on the keyboard, the same control changes
or knob operations as in Program mode will temporarily
edit the corresponding program parameters. You can use
“Convert MS to Program” (Sampling 0–1G) to save that
state as a program (except for some parameters).
In Combination, Sequencer, and Song Play modes, the
program parameters of the program for the timbre/
track of the corresponding MIDI channel will change,
but this state can not be saved directly in the program.
CC#70: Sustain level
Corresponds to “Filter/Amp EG Sustain Level” (Program
P3: Filter 1/2 EG, P4: Amp 1/2 EG tab).
CC#71: Filter resonance level/High pass filter cutoff frequency
Corresponds to “Filter A Resonance” (Program P3: Filter 1/
2 tab).
Corresponds to “Filter B Frequency” (Program P3: Filter 1/2
tab).
CC#72: Release time
Corresponds to “Filter/Amp EG Release Time” (Program
P3: Filter 1/2 EG tab, P4: Amp 1/2 EG tab).
CC#73: Attack time
Corresponds to Filter/Amp EG Attack Time” (Program P3:
Filter 1/2 EG tab, P4: Amp 1/2 EG tab)
Corresponds to “Amp EG Start Level” (Program P4: Filter
1/2 EG tab).
Corresponds to “Amp EG Attack Level” (Program P4: Filter
1/2 EG tab).
Corresponds to “Amp EG Level Modulation St” (Program
P4: Filter 1/2 EG tab).
Corresponds to “Amp EG Time Modulation At” (Program
P4: Filter 1/2 EG tab).
CC#74: Low pass filter cutoff frequency
Corresponds to “Filter A Frequency” (Program P3: Filter 1/2
tab).
Corresponds to “Filter B Frequency” (Program P3: Filter 1/2
tab).
CC#75: Decay time
Corresponds to “Filter/Amp EG Decay Time” (Program P3:
Filter 1/2 EG tab, P4: Amp 1/2 EG tab)
CC#06 CC#38
00
01
12
00
00
0
0
+ 1
+12
CC#06 CC#38
40
52
64
88
00
00
00
00
–24
–12
0
+24
CC#06 CC#38
32
48
64
96
00
00
00
00
–50
–25
0
+50
RPN=0 (Pitch bend range)
RPN=1 (Fine tune)
RPN=2 (Coarse tune)
Parameter value (Semitone steps)
Parameter value (Semitone steps)
Parameter value (1 cent steps)
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