10
pressure to the keyboard, a positive (+) setting of this param-
eter will cause the pitch modulation created by OSC1 LFO1
to be applied with the normal phase, and a negative (–) set-
ting will cause the LFO to be applied with inverted phase.
The “LFO1 Intensity,” “JS+Y” and “AMS” settings will be
added to determine the depth and direction of the pitch
modulation applied by OSC1 LFO1 (
☞p.212).
LFO2 Intensity [–12.00…+12.00]
JS+Y (JoyStick +Y) [–12.00…+12.00]
AMS (Alternate Modulation Source)
[Off, (PEG, FEG, AEG, KT, EXT)]
Intensity [–12.00…+12.00]
Refer to the above “LFO1 Intensity”–“Intensity.”
▼ 2–1: Page Menu Command
☞ “0–1A: Write Program,” “1–1A: Copy Oscillator,” and “1–
1B: Swap Oscillator.”
2–2: OSC2 P.Mod (OSC2 Pitch Mod.)
These settings specify how keyboard location will affect the
pitch, and select the controllers that will affect the oscillator
2 pitch and specify the depth of control. They also specify
the depth at which the pitch EG will affect the pitch of oscil-
lator 2, and the depth of pitch change produced by LFO1
and LFO2. Portamento on/off settings etc. are also found
here.
For details on the functions of these parameters, refer to the
preceding section “2–1: OSC1 Pitch Mod (Oscillator Pitch
Modulation).”
2–3: Pitch EG
Here you can make settings for the pitch EG, which creates
time-variant changes in the pitch of oscillators 1 and 2.
The depth of pitch change produced by these EG settings on
oscillator 1 (2) is adjusted by “Pitch EG” (2–1b, 2–2).
2–3a: Pitch EG
These settings specify how the pitch will change over time.
Level:
These parameters specify the amount of pitch change.
The actual amount of pitch change will depend on the
“Pitch EG” (2–1b, 2–2) parameter “Intensity.” For example
with an “Intensity” setting of +12.00, a “Level” setting of
+99 would raise the pitch one octave, and a “Level” setting
of –99 would lower the pitch one octave.
Start (Start Level) [–99…+99]
Specify the amount of pitch change at note-on.
Attack (Attack Level) [–99…+99]
Specify the amount of pitch change when the attack time has
elapsed.
Release (Release Level) [–99…+99]
Specify the amount of pitch change when the release time
has elapsed.
Time:
These parameters specify the time over which the pitch
change will occur.
Attack (Attack Time) [0…99]
Specify the time over which the pitch will change from note-
on until it reaches the pitch specified as the attack level.
Decay (Decay Time) [0…99]
Specify the time over which the pitch will change after
reaching the attack level until it reaches the normal pitch.
Release (Release Time) [0…99]
Specify the time over which the pitch will change from note-
off until it reaches the pitch specified as the release level.
2–3b: Level Modulation
These settings allow the pitch EG “Level” parameters to be
controlled by alternate modulation.
AMS1 (Alternate Modulation Source 1) [Off, (KT, EXT)]
Select the source that will control the pitch EG “Level”
parameters (
☞p.210 “AMS (Alternate Modulation Source)
List”).
Intensity (AMS1 Intensity) [–99…+99]
Specify the depth and direction of the effect applied by
“AMS1.”
With a setting of 0, the levels specified by “Pitch EG” (2–3a)
will be used.
For example if “AMS1” is SW1:CC#80, pressing the [SW1]
key to turn it on will change the “Level” parameters of the
Pitch EG. (Set “Panel SW Assign” (1–4a) to SW1
Mod.CC#80.) As the absolute value of “Intensity” is
increased, the pitch EG levels will change more greatly
2–3
2–3a
2–3c
2–3b
Note-on
Note-off
Attack
Time
Decay
Time
Start Level
Release Level
Release Time
Attack Level
+99 = approximately 1 octave
–99 = approximately 1 octave
0 = pitch when
key is held
(sustained)
Time
Time-varying pitch settings (when Pitch EG Intensity = +12.00)
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