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The following functions can be assigned to the REALTIME
CONTROLS [1]-[4] knobs in B-mode.
• For a program, assignments are set by Program P1:
Controller tab “Realtime Control Knob B-Assign” (1–4b).
• For a combination, assignments are set by Combination
P4: Controller tab “Realtime Control Knob B-Assign “
(4–4b).
• For a song in Sequencer mode, assignments are set by
Sequencer P4: Controller tab “Realtime Control Knob B-
Assign” (4–7b).
• For Song Play mode, assignments are set by Song Play
P2: Controller Setup “Realtime Control Knob B-Assign”
(2–1b).
• For Sampling mode, assignments are set by Sampling
P4: Controller Setup “Realtime Control Knob B-Assign”
(4–1b).
These settings can be made in Program mode for each
program, in Combination mode for each combination,
and in Sequencer mode for each song. In Song Play
mode and Sampling mode, these settings are made for
the entire mode.
Realtime Control Knobs B–Assign List
Knob 1...4 B-Assign
Off No function
Knob Mod. 1 (CC#17) General purpose controller. Alternate Modulation or Effect Dynamic Modulation can be controlled. To use this,
select KnobMod1:#17 for “AMS,” or KnobM1:#17 for “Dmod Src.” Simultaneously, CC#17 will be transmitted.
Knob Mod. 2 (CC#19) General purpose controller. Alternate Modulation or Effect Dynamic Modulation can be controlled. To use this,
select KnobMod2:#19 for “AMS,” or KnobM2:#19 for “Dmod Src.” Simultaneously, CC#19 will be transmitted.
Knob Mod. 3 (CC#20) General purpose controller. Alternate Modulation or Effect Dynamic Modulation can be controlled. To use this,
select KnobMod3:#20 for “AMS,” or KnobM3:#20 for “Dmod Src.” Simultaneously, CC#20 will be transmitted.
Knob Mod. 4 (CC#21) General purpose controller. Alternate Modulation or Effect Dynamic Modulation can be controlled. To use this,
select KnobMod4:#21 for “AMS,” or KnobM4:#21 for “Dmod Src.” Simultaneously, CC#21 will be transmitted.
Master Volume Control the volume. Simultaneously, the universal system exclusive message Master Volume [F0H, 7FH, nn, 04,
01, vv, mm, F7H] will be transmitted to adjust the volume of all tracks or timbres (while preserving the volume bal-
ance between tracks or timbres).
Portamento Time (CC#05) Control the portamento time. CC#5 will be transmitted.
Volume (CC#07) Control the volume. CC#7 will be transmitted.
Post IFX Pan (CC#08) Control the panning after the insertion effect. CC#8 will be transmitted.
Pan (CC#10) Control the oscillator panning. CC#10 will be transmitted.
Expression (CC#11) Control the expression. CC#11 will be transmitted.
FX Control 1 (CC#12) Control Effect Dynamic Modulation. When controlling this, set “Dmod Src” to FXCtrl1:#12. Simultaneously, CC#12
will be transmitted.
FX Control 2 (CC#13) Control Effect Dynamic Modulation. When controlling this, set “Dmod Src” to FXCtrl2:#13. Simultaneously, CC#13
will be transmitted.
LFP Cutoff (CC#74) Control the cutoff frequency of the filter (low pass filter). Simultaneously, CC#74 will be transmitted.
Resonance/HPF (CC#71) Control the resonance of the filter, or the cutoff frequency of the high pass filter. If the program’s “Filter Type” is
Low Pass Resonance, the resonance level will be controlled. If it is Low Pass & High Pass, the cutoff frequency
of the high pass filter will be controlled. Simultaneously, CC#71 will be transmitted.
Filter EG Int. (CC#79) Control the EG intensity of the filter. Simultaneously, CC#79 will be transmitted.
F/A Attack (CC#73) Control the EG attack of the filter and amplifier. Simultaneously, CC#73 will be transmitted.
F/A Decay (CC#75) Control the EG decay time and slope time of the filter and amplifier. Simultaneously, CC#75 will be transmitted.
F/A Sustain (CC#70) Control the EG sustain level of the filter and amplifier. Simultaneously, CC#70 will be transmitted.
F/A Release (CC#72) Control the EG release time of the filter and amplifier. Simultaneously, CC#72 will be transmitted.
Pitch LFO1 Spd (CC#76) Control the frequency of LFO1. Simultaneously, CC#76 will be transmitted.
Pitch LFO1 Dep (CC#77) Control the LFO1 intensity of the pitch. Simultaneously, CC#77 will be transmitted.
Pitch LFO1 Dly (CC#78) Control the delay of LFO1. Simultaneously, CC#78 will be transmitted.
SW 1 Mod. (CC#80) General-purpose controller. Alternate Modulation or Effect Dynamic Modulation can be controlled. To control
these, set “AMS” or “Dmod Src” to SW1:CC#80. Simultaneously, CC#80 will be transmitted.
SW 2 Mod. (CC#81) General-purpose controller. Alternate Modulation or Effect Dynamic Modulation can be controlled. To control
these, set “AMS” or “Dmod Src” to SW2:CC#81. Simultaneously, CC#81 will be transmitted.
Foot Switch (CC#82) General-purpose controller. Alternate Modulation or Effect Dynamic Modulation can be controlled. To control
these, set “AMS” or “Dmod Src” to FootSW:#82. Simultaneously, CC#82 will be transmitted.
MIDI CC#83 (CC#83) General-purpose controller. Alternate Modulation or Effect Dynamic Modulation can be controlled. To control
these, set “AMS” or “Dmod Src” to MIDI:CC#83. Simultaneously, CC#83 will be transmitted.
MFX Send 1 (CC#93) Control the send level to Master Effect1. Simultaneously, CC#93 will be transmitted.
MFX Send 2 (CC#91) Control the send level to Master Effect2. Simultaneously, CC#91 will be transmitted.
MIDI CC#00...CC#95 The specified MIDI control change (CC#) will be transmitted. If the TRITON is set so as to be controlled by the con-
trol change message, the corresponding control will occur.
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