Sequencer
P0
P1 P2 P3 P4 P5 P6 P7 P8 P9
55
2–1: MIDI Ch 1–8 (MIDI Ch T01–08)
2–2: MIDI Ch 9–16 (MIDI Ch T09–16)
Here you can make MIDI-related settings for each track.
2–1(2)a: Status, MIDI Channel, Bank Select
Status [INT, Off, BTH, EXT, EX2]
This sets the status of MIDI and the internal tone generator
for each track.
INT: When the musical data recorded in the track is played
back, or when you use “Track Select” (0–1e) to select a track
that is set to INT and play the keyboard and operate the
controllers, the internal tone generator of the TRITON will
sound, and MIDI data will not be transmitted to an external
device.
Off: The program will not sound, nor will MIDI data be
transmitted.
BTH: The operation of both INT and EXT will be per-
formed. When the musical data recorded in the track is
played back, or when you select a track that is set to BTH
and play the keyboard and operate the controllers, the inter-
nal tone generator of the TRITON will sound, and at the
same time MIDI data will also be transmitted to an external
device.
EXT: When the musical data recorded in the track is played
back, or when you select a track that is set to EXT and play
the keyboard and operate the controllers, MIDI data will be
transmitted to an external device, but the internal tone gen-
erator of the TRITON will not sound.
When you switch songs or reset to the beginning of the
song, tracks that are set to EXT will transmit program
change, volume, panpot, portamento, send 1, 2, post IFX
pan, and post IFX send 1, 2 MIDI messages.
EX2: “Bank Select” will be enabled. Instead of the A–g(d)
bank numbers that can be selected on the TRITON, the bank
number you specify here will be transmitted. In other
respects this is the same as EXT.
MIDI data is transmitted and received on the MIDI
channel that is specified separately for each track by
“MIDI Channel.”
MIDI Channel [01…16]
Specify the MIDI channel that the track will use to transmit
and receive musical data. The MIDI channel you specify
here will be the receive channel when “Status” is INT, the
transmit channel when it is EXT or EX2, and the receive/
transmit channel when it is BTH. Tracks set to INT which
have the same MIDI channel will sound and be controlled
identically when they receive MIDI data or data from the
sequencer tracks.
Bank Select [000:000...127:127]
When “Status” is set to EX2, this sets the bank number that
will be transmitted. When “Status” is other than EX2, this
setting has no effect.
2–3: OSC 1–8 (OSC T01–08)
2–4: OSC 9–16 (OSC T09–16)
These parameters specify how each track will be sounded.
2–3(4)a: Force OSC Mode, OSC Select, Portamento
Force OSC Mode [PRG, Poly, MN, LGT]
Select the “Voice Assign Mode” (Program P1: 1–1b) of the
program selected for each track 1–16 (
☞Combination P2: 2–
2a).
OSC Select [BTH, OS1, OS2]
Specify the “Oscillator Mode” of the program selected for
each track 1–16. If the “Oscillator Mode” is Double, you can
use this setting to make only one or the other oscillator
sound (
☞Combination P2: 2–2a).
Portamento [PRG, Off, 001...127]
Specify the portamento effect for each track 1–16 (☞Combi-
nation P2: 2–2a).
The portamento setting you make here will be used
when the song is played or recorded from the begin-
ning. If you change the setting while recording, it will
be recorded as part of the musical data. (However if
you set this to PRG, it will not be recorded.) You can
change this setting during playback. However if you
come to any Portamento On/Off data or Portamento
Sequencer P2: Trk Param
0–1a
.
.
.
0–1g
0–1
2–1a
MSB
LSB
Recorded data
Keyboard and controller
operations Received data
Status Internal
tone gener-
ator
MIDI OUT Internal
tone gener-
ator
MIDI OUT
INT
●
×
●
—
EXT, EX2 ×
●
× —
BTH
●●●
—
0–1a
.
.
.
0–1g
0–1
2–3a
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