Name: Midas HD96-24-CC-TP
Brand: Midas
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81 HD96-24-CC-TP User Manual

There are three dierent pages to use, selected by the three icons in the middle of this display called:

1. Title.

2. Channel Tags.

3. Image.

Title

Here you can name and colour the selected path using the Qwerty keyboard and colour bar above the keyboard. Use the channel navigation to scroll through the

channel list.

Default Chapter2
- Table of Contents2
HD96-24 Overview8
- Service and Support8
- System Firmware Version8
- Touchscreen8
- Training8
- Warranty and Registration8
Chapter 1. Introduction8
- About this Manual8
- Commonly Used Terms and Definitions8
Chapter 2. HD96-24 Overview9
- Introducing the HD96-24 Digital Mixing System9
- Overview9
- Key Features9
- Applications10
- System Components10
- System Busses10
- Processing11
- Audio Physical Connections12
- Network12
- Mcloud Network13
- HD96-24 Software13
- Graphic User Interface (GUI)13
- System Card Expansion13
Chapter 3. System Setup14
- Initial Set-Up Procedure14
- Unpacking the Equipment14
- Ventilation14
- Racking the I/O15
- Connection Instructions15
- System Components16
- Powering the System18
- Switching on the HD96-2418
- To Switch off the HD96-24 Surface18
- Setting up the ID of the Unit(S)18
- To Set up the ID of a I/O Unit18
- I/O Box Update19
- Connection to the Internet19
- Hardware Connections20
Chapter 4. Before You Start25
- Principles of Operation25
- Operating Modes25
- Hints and Tips25
- Setting up a User Profile25
- Saving Your Work26
- Saving a Show Versus Storing a Scene26
- Shutting down the Control Surface Correctly26
- Mcloud System27
- Mcloud Support27
- Initial Setup28
- Setting up a User Profile28
- Safe Mode30
Chapter 5. About the Control Surface31
- Overview of the Control Surface31
- Control Surface Layout31
- Channel Strip Layout32
- Global Assignable Shortcuts33
- Channel Detail Area34
- Front and Rear Panel Connections34
- External Interfaces and Peripheral Devices35
Chapter 6. Navigation36
- Navigating Via the Surface Detail Area37
- Navigating Via the GUI Menu Bar43
- Side Bar Menu44
- Widgets and Rotary Controls45
- Workflow Modes Overview46
- Overview46
- Side Bar Pop Op Display47
- Tags and Pops48
- Clipping Channels48
- Bus Setup and Outputs Management49
- Meter Bridge50
- Channel View51
- Console View52
- FOH View53
- Automation View54
- Navigating Via Touch Screen Faders55
- Navigating Via the Layer Overview/Channel Strips Area56
- Navigation Via Global Assignable Shortcuts Area59
- Navigation Via Pinned Fader and Assignable Controls59
- Flip Mode60
- One Shot Pot60
- Clipped Channels, Fault Finding a Problem Channel61
- Console Layout Configuration (Navigation)62
- Creating a Custom Layout63
Chapter 7. Patching65
- Introduction65
- Terms Used in Patching65
- About the Patching Screen66
- Adding New I/O Devices67
- Configuring the I/O Rack Devices68
- To Edit an I/O Device68
- Removing I/O Devices68
- Internal Patch Points69
- Internal Patching Destinations69
- Internal FX70
- CM-1 Port Patching71
- Patching Tips71
- Channel Detail and Action Area73
Chapter 8. Basic Operation74
- Scene and Show Management (Automation)74
- Clear the Console74
- Saving and Loading Show Files to a USB Memory Stick75
- Saving and Loading Show Files to the Mcloud76
- Save & Mark77
- Rollback77
- Load Options78
- Automate Patching Preferences78
- Naming Page79
- Channel Tags82
- Channel Configuration (Config)84
- Setting a Pre-Amp's Input Gain85
- Linking & Stereo86
- Patching87
- Direct Output88
- Options88
- Configuration Pages for Outputs89
- Linking & Stereo (Outputs)90
- Patching (Outputs)90
- Direct Input91
- Options91
- Oscillator (Output Widget)92
- Setting the HPF and LPF92
- Input Equalisation93
- True Audition94
- Output Processing94
- Input Dynamics Processing (Dynamics Section)95
- Using VCA & POP Groups98
- How to Configure a VCA/POP Group99
- Alternative Way to Assign VCA/POP Groups100
- Routing to Master Stereo Outputs100
- Manchino Multi Edit Page (Basic Introduction)100
- Security (Locking Mode)101
Chapter 9. Stereo Linking102
- Input Linking & Stereo Page102
- Aux Linking & Stereo Page103
- Linking the Master Channels104
Chapter 10. Panning105
- Stereo Panning105
Chapter 11. Soloing106
- Solo Button Functions106
- Using solo A/B107
- Solo Hierarchy108
- VCA solo108
- Solo in Place (SIP)108
- Solo Management109
- Solo System Configuration110
- Sources110
- Summing110
- Solo System111
Chapter 12. Chapter 12: Muting112
Chapter 13. Monitors and Shout Configuration113
- Monitor Configuration (a and B)113
- Delay114
- Talkback Ducker and Limiter114
- Talk and Oscillator Configuration Page115
- Talk Osc Routing115
- Oscillator116
- Shout Mixer Configuration116
- Matrix Mixer116
- Shout Inputs117
- Shout Outputs118
- Assignment Page120
- Presets121
Chapter 14. Graphic EQ (GEQ)122
- Overview of the Geqs122
- Features122
- Controls123
- Proportional-Q Vs Constant-Q Response124
- GEQ Filters124
- GEQ Patching124
Chapter 15. Internal Effects125
- Effects Overview125
- Working with Channel Inserted Effects126
- Effects Browser127
- Effect Rack128
- Effect Sub-Slots130
- Effects Rack Safes130
- FX Mode131
- Effect Programs133
- Reverbs133
- TC Electronic VSS4 Reverb137
- TC Electronic VSS3 Reverb141
- Tc M350143
- Ambience Reverb144
- Vintage Room Reverb145
- Chamber Reverb146
- Hall Reverb147
- Plate Reverb148
- Delays149
- Midas Delay149
- Stereo Delay150
- TC 2290 Delay151
- KT 1176 Limiting Amplifier155
- KT Bus Compressor156
- R-Comp157
- Smart Dynamics Processor159
- Dual De-Esser161
- DSR De-Esser162
- PIE (Prime Input Expander)164
- Stressor Compressor165
- Dual Band & Brickwall Limiter166
- Midas U Flange175
- Midas U Phase176
- Pitch Shifter177
- Chorus178
- Rotor Motor179
- Distortion/Exciter181
- Enlightenment Bass181
- Glow182
- Tape Saturation185
- Uncl.hd Multiband Distortion186
- M Harmonics188
Chapter 16. Talk and Mute Groups189
- Talk Groups189
- Mute Groups190
- Using Copy and Paste192
- Copy and Paste Rules and Restrictions192
- Channels Versus Scenes193
- Copy and Paste Parameters193
- About the Assignable Rotary194
- Controlling the Assignable Rotary Controls195
- Pinned Channels195
- Flip Target196
- Global Assignable Shortcuts198
- Assignables Types: Automation200
- Assignables Types: Groups201
Chapter 19. Automation (Scenes and Shows)202
- About Automation202
- Master Scene202
- Auto-Save202
Chapter 20. Show Editor (Recall and Store Scope)207
- About the Show Editor207
- Parameters Mode Overview208
- Recall Scope Mode209
- Store Scope Mode210
Chapter 21. Events (Automation)211
- About Events211
- About the Edit Event Window212
- MIDI213
Chapter 22. Crossfade Events214
Chapter 23. TBC216
Chapter 24. File Management217
- Show Manager217
- Preset Manager218
- Spreadsheet Import219
Chapter 25. Multiple Consoles and Other Devices221
- Sharing a and B MIC Preamp Inputs221
- Ultranet221
- Using External USB Equipment222
- Using External Displays222
Chapter 26. Preferences (Console Configuration)223
- Monitor Configuration223
- Talk & Oscillator Configuration225
- Solo Bus Configuration226
- DSP Configuration227
- Clocking228
- Metering Preferences228
- Redundancy228
- Spectrum Analyser228
- Hardware Configuration229
- General Configuration232
- License Information233
- Console Registration233
- Network Configuration234
- Time Zone Configuration236
Chapter 27. Delay Compensation (Latency)237
- To Access the Delay Compensation Options238
- Insert Compensation238
- GUI Delay Compensation Presets239
- Master to Matrix Post-Processing240
Chapter 28. Panel Connections241
- Front Panel Connections241
- Rear Panel Connections242
Chapter 29. Inputs243
- Input Channel Routing244
- Input Channel Areas of the Control Surface245
- Input Widget Area245
- The Following Processing Sections Are Available246
- Channel View Workflow249
- Side Bar Area250
- Channel View251
- Sends Overview252
- Send Detail Area253
- Input Channel Delay253
- Aux Return Mode254
- Effects Insert254
- Input Metering255
- Input Inserts256
- Options - Processing Order257
- Safes258
- MIC Amp Input Gain258
- Dynamics and Mode Descriptions258
- Compressor260
- Compressor Modes260
- Corrective Mode (Exponential Peak - Fast)260
- Adaptive Mode (Exponential RMS - Accurate)261
- Creative Mode (Linear Peak - Slow)261
- Vintage Mode (Adaptive Peak - Bright)262
- Compressor Graph262
- Ratio262
- Knee263
- Gate264
- Ducker264
- Sidechain264
- Phase (All Pass Filter) Controls267
- Mixes269
- Input Channel Pick off Points270
- Masters Section and Pan Control271
- LCD Displays271
Chapter 30. Outputs272
- Outputs on Channel Banks272
- GUI Channel Strips273
- Master Section on the Control Surface274
- Output Metering275
- Bus Trim (GUI Only)275
- Compressor (Dynamics)275
- EQ (Equaliser)276
- Mute, Safes, Level and solo276
- Output Channel Name276
- Output Channel Source/Destination (GUI Only)276
- Stereo Linking276
- Output Configuration Patching277
- Safes278
- Insert278
- Output Channel Delay278
- Processing Order279
- Mixes279
- Masters279
- Outputs Macro Interrogation Control280
- Flexi-Aux281
Chapter 31. GUI Menu (Side Bar Menu)282
Chapter 32. Configuring a Virtual Soundcheck283
Chapter 33. Manchino (Multi Edit Page)284
- Linecheck Page285
- Equaliser Page286
- Equaliser Multiple Select View287
- Compressor Page288
- Compressor Multiple Select View289
- Gate Page290
- Gate Multiple Select View291
- Naming Page291
- Manchino Sends Page292
- Sends Unfold Channels293
- Manchino Safes294
Chapter 34. Update Manager295
- Console Updater295
- Surface Updater296
- I/O Box & Device Updater297
Chapter 35. Channel AI298
- What Is Channel AI298
- How to Turn Channel AI on298
- How to Profile a Channel299
- Adaptive Configuration Suggestions300
- Individual Component Processing300
- Trim Suggestions300
- EQ Suggestions301
- Compressor Suggestions302
- Gate Suggestions303
- Spill303
- Confidence303
Chapter 36. Specifications304

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General

Brand	Midas
Model	HD96-24-CC-TP
Category	DJ Equipment
Language	English

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Midas HD96-24-CC-TP User Manual

Table of Contents

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Midas HD96-24-CC-TP Specifications

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