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240 Chapter 30: Input Channels

PRO2 Live Audio System

Owner’s Manual

• Masters (faders, solo, panning etc.)

For details of how to navigate the GUI channel strip, see “About GUI navigation” on

page 46.

Figure 22: Detail areas available from the input channel overview display

Configuration

Matrix buses

Aux buses

Insert

Masters

Compressor

Gate

input channel overview

Depends on what

device is connected

(for example,

DL251 Audio

System I/O or

DL451 Modular I/O)

Depends on

surround

configuration

Main Page

Default Chapter4
- Limitation of Liability4
Licences5
- Table of Contents9
Chapter 1: Introduction19
- About this Manual19
- PRO2 Host Software Version21
- Service and Support21
Chapter 2: PRO2 Live Audio System23
- Features23
- Applications24
- System Components (Standard Supply)25
- Offline Editor25
- System Configurations26
- Signal Flow29
- MIX Matrix30
- Processing30
- Surround Capabilities32
- Network32
- Resilience to Failure (Redundancy)33
- Latency Management33
- Operating System33
- Gui33
- Integration of Third Party Hardware33
Chapter 3: About the PRO2 Control Centre35
- Overview of the PRO2 Control Centre35
- PRO2 Control Surface36
- Connections38
- Keyboard38
- External Interfaces38
Getting Started41
Chapter 4: Setting up the System43
- Initial Set-Up Procedure43
- Unpacking the Equipment43
- Installation43
- Optional Equipment44
- Making up a Rack45
- Connecting up46
- Other Connections47
- Powering the PRO2 System48
- Switching the PRO2 Control Centre On/Off49
Basic Operation51
Chapter 5: Before You Start53
- Principles of Operation53
- Hints and Tips53
- Saving Your Work53
Chapter 6 Working with the PRO2 Control Centre55
- About the PRO2 Controls55
- About GUI Operation56
- GUI Screen Layout56
- Status Bar57
- Parameter Values Displayed on Touch58
- Operating the GUI Screen Controls58
- Using the GUI Menu60
- Text Editing60
Chapter 7: Navigation61
- An Introduction to PRO2 Navigation61
- Channel Navigation61
- Advanced Channel Navigation62
- About GUI Navigation64
Chapter 8: Patching65
- Introduction65
- Terms Used in PRO2 Patching65
- About the Patching Screen65
- Patching Tooltips77
- About the Patching Procedure78
- Configuring the Devices78
- Setting up the I/O Rack Device(S)80
- How to Patch82
Chapter 9: Basic Operation87
- Setting a MIC Amplifier's Input Gain87
- Setting the High and Low Pass Filters88
- Input Equalisation (E Zone)89
- Input Dynamics Processing (D Zone)90
- Output Processing91
- Using Vca/Population Groups92
- Setting up a MIX94
- Setting up the Effects Rack97
- Simple Routing to Master Stereo Outputs99
- Automation100
- Configuring the Inputs and Outputs104
- Using Copy and Paste105
- User Library (Presets)106
- Surround Panning107
- Area B Operation108
- Saving Your Show Files to a USB Memory Stick109
- External AES50 Synchronisation110
- Security (Locking Mode)110
Advanced Operation and Features111
Chapter 10: Stereo Linking113
- Changing the Linking Options114
Chapter 11: Panning115
- Stereo Panning115
- SIS™ (LCR) Mode116
- Surround Panning118
- Speaker Placement119
Chapter 12: Soloing121
- Solo a121
- Solo B122
- Solo Hierarchy123
- Solo in Place (SIP)123
- Solo Modes123
Chapter 13: Muting125
Chapter 14: Monitors and Communications127
- Monitors (a and B)127
- Solo System130
- Signal Generator134
- Talk Osc/Routing135
- Talk MIC136
Chapter 15 Graphic Equaliser (GEQ)139
- Overview of the Geqs139
- About the Graphic Eqs Screen139
- About the GEQ Window141
- GEQ Front Panel Features142
- Configuring the Number of Geqs (and Effects)143
- Copying Settings between Geqs144
Chapter 16: Internal Effects145
- Overview of the Internal Effects145
- About the Effect Window146
- Working with the Effects147
- Effect Programs147
- Delay Effect148
- Virtual DN780 Reverb Effect150
- Flanger Effect152
- Phaser Effect153
- Pitch Shifter Effect155
- SQ1 Dynamics Effect156
- 3-Band Compressor Effect157
- Dynamic EQ158
Chapter 17: Control Groups161
- VCA and Population Groups161
- MCA Groups164
- Auto-Mute (Mute) Groups165
- About the Control Group Screens166
- Configuring the Groups168
Chapter 18: Copy and Paste169
- Copying through Channels/Scenes169
Chapter 19: Assignable Controls171
- Operating the Channel Fader Assignments172
- Controlling a Rotary Control173
- Controlling an Internal Effect/Geq175
- Controlling a GEQ177
Chapter 20: Scenes and Shows179
- About Automation179
- Automation Controls180
- Automation Screen181
- Using the Right-Click Menu181
- Scenes182
- Scene Contents183
- Point Scenes183
- Numbering and Navigation183
- Initial Snapshot Scene (Scene 0)183
- Date and Time184
- Scene Cue List184
- Editing Scene Properties186
- Adding a New Scene187
- Copying and Deleting Scenes187
- Changing the Order of the Scenes188
- Overriding Store Scope188
- Using Patching in Automation189
- Using Zoom189
- Show Files190
- Rehearsals191
- Safes192
Chapter 21 Scope (Automation)195
- About Scope195
- About the Recall Scope Screen195
- Selecting Scope Parameter Sections197
- Saving Scope Parameters in a Scene201
- Using Store Scope201
Chapter 22 Events (Automation)203
- About Events203
- About the Edit Event Window204
- Programming Events205
Chapter 23 Crossfades (Automation)209
- About the Crossfade Edit Event Window209
- How a Crossfade Operates212
- Crossfade Groups213
- Global Events215
- Manually Controlling a Crossfade216
Chapter 24 User Libraries (Presets)217
- About the Preset Manager Screen217
- Managing User Libraries219
- Deleting Presets from a User Library220
Chapter 25: File Management221
- About the Files Screen221
Chapter 26: Using Other Devices with the PRO2223
- Using Multiple Digital Consoles223
- Using an External USB Mouse224
- Using a USB Keyboard224
- Using an External Monitor224
Chapter 27 Changing the Preferences225
- Setting the Meter Preferences225
- Configuring a Virtual Soundcheck225
- Configuring Playback226
- Restoring the PRO2 Defaults226
- Checking the Build Information226
- Using Patching in Automation226
- Selecting the Surround Mode227
- Setting the Time and Date227
- Setting the User Interface Preferences227
- Setting the Navigation Mode228
- VCA Unfolding229
- Changing the Default Input/Output Names229
- On-Scene Store230
- Changing the Signal Processing Preferences230
- Adjusting PRO2 Illumination230
- Selecting the Function of the Foot Switch(Es)230
- Selecting the Fan Speed231
- Remote Control Server231
- Configuring the Channels, Groups and Internal Units231
Chapter 28 Delay Compensation (Latency)233
- Insert Compensation233
- GEQ Compensation234
- GUI Delay Compensation Options234
- Monitor Mode (Align with Masters)236
- Zones237
- Masters to Matrix Tap-Off-Point238
- Typical Configurations239
Chapter 29: Panel Connections245
- Rear Panel Connections245
- Control Surface253
Chapter 30: Input Channels255
- Input Channel Routing255
- Input Channel Areas256
- Inputs on the GUI257
- Input Metering259
- Channel Configuration Controls260
- MIC Amp Input Gain (Preliminary Input Processing)262
- Dynamics (D Zone)267
- Insert274
- EQ (E Zone)275
- Mixes277
- Master Controls279
- Solo, Mute and Fader281
- Aux Returns282
Chapter 31: Output Channels283
- Output Channel Routing283
- Output Channel Areas on the Control Surface284
- Outputs on the GUI285
- Output Metering289
- Talk290
- Dynamics and EQ290
- Mute, Safes, Level and solo296
- Output Channel Configuration Controls297
- Mixes300
- Masters300
Chapter 32: GUI Menu301
- GUI Menu Flowchart302
- GUI Menu Options303
Appendix A: Application Notes307
- Spatial Imaging System (SIS™)307
- PRO2 Compressor Modes (Dynamic)307
- PRO2 Input Channel EQ Modes310
- PRO2 Output Channel EQ Modes311
Appendix B Functional Block Diagrams313
- Mono Input Channel Signal Flow314
- Returns Signal Flow315
- Aux/Group Signal Flow316
- Master Signal Flow317
- Mono MIX Signal318
- Monitor Signal Flow319
- Comms Signal Flow320
- Dynamics Signal Flow321
Appendix C Technical Specification323
- PRO2 General Statistics323
- PRO2 General Specifications324
- PRO2 Audio Performance Specifications325
- PRO2 System Inputs and Outputs329
- Inputs and Output Characteristics331
- Main Processing Functions332
- Status Functions335
Appendix D Troubleshooting337
- No Audio337
- Troubleshooting Automation337
Appendix E Updating the PRO2 Host Software347
- About the PRO2 Updater347
- About the Updater Screen348
- Using the PRO2 Updater350
Appendix F Parameters Affected by Scope355
- Introduction355
- Overview356
- Inputs357
- Returns (Aux Returns)368
- Auxes (Aux Sends)374
- Matrices381
- Masters387
- GEQ Rack394
- Effects Rack396
- Groups398
Appendix G Parameters Affected by Automate Patching399
- Inputs399
- Auxes400
- Matrices400
- Masters401
- Effects401
- System Devices402
- Monitors402
Appendix H Parameters Protected by Safes403
- Overview403
- Inputs404
- Auxes (Aux Sends)414
- Returns (Aux Returns)423
- Matrices428
- Masters437
- Groups446
Appendix I Parameters Affected by Copy and Paste449
- Inputs450
- Aux458
- Return464
- Matrix467
- Master473
Parameters Affected by Copy and Paste449
- Overview449
Appendix J Parameters Affected by Stereo Linking479
- Input Channels480
- Aux Returns492
- Aux Sends500
- Matrix510
- Masters518
Parameters Affected by Stereo Linking479
- Overview479
Appendix K: Parameters Copied through Scenes529
- Inputs (Input Channels)530
- Aux Returns (Return Channels)540
- Aux Sends (Aux Channels)546
- Matrix (Matrix Channels)553
- Geqs559
- Effects559
- Vca/Population (Groups)560
- Masters (Master Channels)560
- Misc (Miscellaneous)567
Appendix L: Service Information569
- Electrostatic Discharge (ESD) Precautions569
- Routine Maintenance569
- Cleaning the Control Centre569
- Cleaning the GUI Screen570
- Equipment Disposal570
  - Other Important Information578
  - Important Information579

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