Yamaha A3000 - Page 233

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Chapter 6 RECORDING Mode
Chapter 6
SETUP Function
Knobs 3, 4 Name
• To change the name for the sample to be recorded, push this knob to proceed to the
name editing screen. For information about how to edit name strings, see “Entering
Names” (☞ 88). If you do not set a name, the A3000 uses the default name (if this is
a New or New+ recording) or the existing name (if this is a Replace recording).
• If the name you choose matches the name of an existing sample, or if you are making
a serial recording (New+ recording), the A3000 appends a sequential number to the
new name(s).
Knob 5 ToPgm off, on, C1→, C2→, C3→, C4→, C5→
• Use this feature to select whether to immediately assign the recorded sample(s) to
the currently selected program. If you decide to assign the sample, the A3000 will set
the program’s ToPgm switch for this sample to “on” as soon as recording of the sam-
ple is finished.
• This setting is not available if the you are making a Replace-type recording. In this
case, the screen displays a “- - -” above the knob.
• If you are making a single new recording (if Sample = New), then you can set this
value to on or off only.
If you select on, the A3000 immediately assigns the newly recorded sample to the
currently selected program — so that you can hear the sample by playing the
program.
If you select off, the new sample remains unassigned. You will not be able to play
the sample until you assign it to some program.
• If you are making a series of new recording (if Sample = New+), then you can set
this value to off, on, C1→, C2→, C3→, C4→, or C5→.
If you select on, the A3000 assigns all of the new samples to the currently selected
program — so that you can hear all of the samples by playing the program.
If you select off, the new samples remain unassigned. You will not be able to play
the samples until you assign them to some program.
If you select C1→, the A3000 maps the first recorded sample to key C1 of the
currently selected program, the second sample to key C#1, the third sample to
D1, and so on up the keyboard. Note that this key mapping automatically cancels
any key-range settings that you have made in the SETUP function’s KeyRnge page
(☞232). As soon as you have finished recording, you can play the samples one at
a time by playing a scale (starting at C1) at your keyboard.
The C2→ to C5→ settings work the same way as the C1→ setting, except that
the C2→ setting maps the samples starting from C2 on the keyboard (C2, C2#,
D2...), the C3→ setting maps the samples starting from C3, and so on.
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