Appendices
213
• If you select the same controller as an AMS and set
separate intensities for Filter A (Low Pass Filter) “AMS
Intensity” and Filter B (High Pass Filter) “AMS
Intensity,” you can operate a single controller to
simultaneously control the cutoff frequencies of both
filters.
Resonance (Program P3: 3–1b)
This can be used when the “Filter Type” is Low Pass Reso-
nance. The resonance level can be controlled by EG, LFO,
keyboard tracking, controllers or tempo etc.
• If you select Filter KTrk or Amp KTrk as the AMS, you
can use the filter or amp keyboard tracking settings to
control the resonance level. For example if the amp
keyboard tracking parameters “Ramp Low” and “Ramp
High” are set to positive (+) values, Amp KTrk [+/+] is
selected as the AMS, and “AMS Intensity” it set to a
positive (+) value, playing toward either end of the
keyboard will cause amp keyboard tracking to increase
the volume, and AMS to raise the resonance level.
• You can select a controller as the AMS, and apply
resonance when desired by operating the controller.
• You can select LFO1 or 2 as the AMS, and use the LFO
to modulate the resonance level.
Filter EG Intensity (Program P3: 3–2b)
Filter EG intensity can be controlled by a controller or tempo
etc. You can use “AMS Intensity to A” and “AMS Intensity
to B” to independently specify the intensity for Filter A and
B.
• If you select JS –Y:CC#02 as the AMS and set “AMS
Intensity” to a positive (+) value, moving the joystick in
the –Y direction will gradually increase the effect of the
Filter EG. If you set “AMS Intensity” to a negative (–)
value, the effect of the Filter EG will be inverted.
• If you select Ribbon:CC#16 as the AMS and set “AMS
Intensity” to a positive (+) value, operating the ribbon
controller toward the right will gradually increase the
effect of the Filter EG. Operating the ribbon controller
toward the left will gradually increase the effect of the
Filter EG with an inverted phase.
Filter LFO 1/2 Intensity (Program P3: 3–3a)
The LFO 1/2 filter modulation intensity can be controlled by
EG, keyboard tracking, controller, or tempo. You can use
“AMS Intensity to A” and “AMS Intensity to B” to indepen-
dently specify the intensity for Filter A and B.
• If you select EG as the AMS, the auto-wah effect
produced by LFO modulation will be controlled by the
changes in EG level. If you set “AMS Intensity” to a
positive (+) value, the wah effect will deepen as the EG
level rises, and will lessen as the EG level falls. With
negative (–) values of “AMS Intensity,” the phase of the
LFO will be inverted.
• If you use a controller such as SW1 or 2 as the AMS, you
can apply the auto-wah effect when desired by pressing
the [SW1] or [SW2] key.
Amp (Program P4: 4–2b)
The volume can be controlled by the pitch/filter EG, con-
trollers, or tempo etc.
• If an EG or controller that changes with a positive (+)
value (Amp EG, EXT(+), EXT(SW)) is selected as the
AMS, setting the “AMS Intensity” to +99 will allow you
to increase the volume to a maximum of eight times that
of the current volume.
• If an EG, LFO, or controller that changes with a ± value
(Pitch EG, Filter EG, LFO, KT, EXT(+–) is selected as
the AMS, setting the “AMS Intensity” to +99 will allow
you to increase the volume to a maximum of eight times
that of the current volume (for positive (+) changes of
the AMS), or to decrease the volume to zero (for
negative (–) changes of the AMS).
• In addition to the time-variant changes in volume
produced by the amp EG, you can also make the
volume change in synchronization with the pitch/filter
EG. Select PitchEG or FilterEG as the AMS, and adjust
“AMS Intensity.” If you wish to cancel the effect of the
AmpEG and use the pitch/filter EG to control the
volume, set all levels of the AmpEG to +99.
Amp LFO 1/2 Intensity (Program P4: 4–2c)
The amp modulation intensity of LFO 1/2 can be controlled
by EG, keyboard tracking, controllers, or tempo etc.
• If you select EG as the AMS, the depth of the tremolo
effect produced by LFO modulation will change in
synchronization with the changes in EG level. If you set
“AMS Intensity” to a positive (+) value, the tremolo
effect will deepen as the EG level rises, and lessen as the
EG level falls. If “AMS Intensity” is set to a negative (–)
value, the phase of the LFO will be inverted.
• If select a controller such as SW1 or 2 as the AMS, you
can apply the tremolo effect by pressing the [SW1] or
[SW2] key when desired.
Pan (Program P4: 4–1b)
The oscillator pan can be controlled by EG, LFO, keyboard
tracking, controllers, or tempo etc.
• If you select Note Number as the AMS and set “AMS
Intensity” to +50, panning will be controlled by the
keyboard position: center at the C4 note, far right at C6
or above, and far left at C2 or below.
LFO1/2
–99...0...+99
KT(Flt KTrk, Amp KTrk)
–99...0...+99
KT(Note Number) *1
...36(C2)...60(C4)...84(C6)
...
JS X/Ribbon:CC#16
–Max...0...+Max
EXT(+) *2
0...127
EXT(+–) *3
–Max...0...+Max
EXT(Tempo) *4
( ) = ...60...120...240...
dedicated parameter
–
–
–1...0...+1[Octave]
–1...0...+1[Octave]
–1...0...+1[Octave]
dedicated parameter
...–1...0...+1...[Octave]
...–1...0...+1...[Octave]
–1...0...+1[Octave] *5
–1...0...+1[Octave]
–1...0...+1[Octave]
0...+1[Octave]
0...+1[Octave]
0...+1[Octave]
–1...0...+1[Octave]
–1...0...+1[Octave]
–1...0...+1[Octave]
...–1...0...+1...[Octave]
...–1...0...+1...[Octave]
...–1...0...+1...[Octave]
dedicated parameter
–99x2...0...+99x2
–
–
–
–99...0...+99
–
–99...0...+99
–
...–99...0...+99...
–
...–99...0...+99...
–99...0...+99
–99...0...+99
–99...0...+99
–99...0...+99
0...+99
0...+99
0...+99
0...+99
–99...0...+99
–99...0...+99
–99...0...+99
–99...0...+99
...–99...0...+99...
...–99...0...+99...
...–99...0...+99...
...–99...0...+99...
dedicated parameter
–
–127...0...+127
–
–99...0...+99
–63...0...+63
–
...–99...0...+99...
...–63...0...+63...
value x(0...1...8)
–99...0...+99
–63...0...+63
value x(1...8)
0...+99
0...+63
value x(0...1...8)
–99...0...+99
–63...0...+63
value x(0...1...8...)
...–99...0...+99...
...–63...0...+63...
–
–
value x(1/128...1...128)
–99...0...+99
value x(1/64...1...64)
value x(1/64...1...64)
–99...0...+99
value x(...1/64...1...64...)
value x(...1/64...1...64...)
–99...0...+99
value x(1/64...1...64)
value x(1/64...1...64)
0...+99
value x(1...64)
value x(1...64)
–99...0...+99
value x(1/64...1...64)
value x(1/64...1...64)
–99...0...+99
value x(...1/64...1...64...)
value x(...1/64...1...64...) *8
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