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Appendix
a: Control Mode, e: Voice1: Resonance, h: Voice2:
Resonance
This parameter determines the resonance intensity.
When “Control Mode” = Manual, the “Resonance” parameter
sets the intensity of resonance. If the “Resonance” parameter has
a negative value, harmonics will be changed, and resonance will
occur at a pitch one octave lower.
When “Control Mode” = LFO, the intensity of resonance varies
according to the LFO. The LFO sways between positive and nega-
tive values, causing resonance to occur between specified pitches
an octave apart in turn.
When “Control Mode” = D-mod, the resonance is controlled by
the dynamic modulation source. If JS X is assigned as the modula-
tion source, the pitch an octave higher and lower can be con-
trolled, similar to when LFO is selected for Control Mode.
a: LFO/D-mod Invert
When “Control Mode” = LFO or D-mod, the controlled phase of
either Voice 1 or 2 will be reversed. When the resonance pitch is
set for Voice 1 (Resonance has a positive value), Voice 2 will reso-
nate at a pitch an octave below (Resonance has a negative value).
d: Voice1: Pitch, d: Fine [cent], g: Voice2: Pitch, g: Fine
[cent]
The Pitch parameter specifies the pitch of resonance by note
name. The “Fine” parameter allows for fine adjustment in steps
of cents.
e: High Damp [%], h: High Damp [%]
This parameter sets the damping amount of resonant sound in
the high range. Lower values will make a metallic sound with a
higher range of harmonics.
030: Doppler
This effect simulates the “Doppler effect” of a moving sound
with a changing pitch, similar to the siren of an passing ambu-
lance. Mixing the effect sound with the dry sound will create a
unique chorus effect.
a: LFO Mode, a: Src, b: LFO Sync
The “LFO Mode” parameter switches LFO operation mode. When
Loop is selected, the Doppler effect will be created repeatedly. If
“LFO Sync” is set to On, the LFO will be reset when the modula-
tion source specified with the “Src” parameter is turned on.
When “LFO Mode” is set to 1-Shot, the Doppler effect is created
only once when the modulation source specified in the “Src” field
is turned on. At this time if you do not set the “Src” parameter,
the Doppler effect will not be created, and no effect sound will
be output.
a
LFO Mode
Switches LFO operation mode
Loop, 1-Shot
☞,
Src Off...Tempo
When LFO Mode is set to 1-Shot, this modulation source triggers the LFO
☞
b
LFO Sync Off, On
Switches between LFO reset on and off when LFO Mode is set to Loop
☞
c
LFO Frequency [Hz] 0.02...20.00Hz
Sets the LFO speed
☞ Fx:009,
Src
Selects the modulation source of LFO speed
Off...Tempo
Amt –20.00...+20.00Hz
Sets the modulation amount of LFO speed
d
BPM/MIDI Sync Off, On
Switches between using the frequency of the LFO speed and using the
tempo and notes
☞ Fx:009,
BPM
Selects MIDI Clock and assigns tempo
MIDI, 40...240
☞ Fx:009
Base Note
Selects the type of notes that specify the LFO speed ☞ Fx:009
Times x1...x16
Sets the number of notes that specify the LFO speed
☞ Fx:009
e
Pitch Depth
Sets the pitch variation of the moving sound
0...100
☞,
Src
Selects the modulation source of pitch variation
Off...Tempo
Amt
Sets the modulation amount of pitch variation
–100...+100
f
Pan Depth
Sets the panning of the moving sound
–100...+100
☞,
Src
Selects the modulation source of panning
Off...Tempo
Amt
Sets the modulation amount of panning
–100...+100
g
Wet/Dry Dry, 1:99...99:1, Wet
Table , “Sets the balance between the effect and dry sounds,” on page 330
Src Off...Tempo
Table , “Selects the modulation source of the effect balance,” on page 330
Amt
Table , “Sets the modulation amount of the effect bal-
ance,” on page 330
–100...+100
Left
Right
Wet / Dry
Wet / Dry
Wet: Mono In - Stereo Out / Dry: Stereo In - Stereo Out
Pan Depth
D
-mod
+
Trigger
LFO Mode = 1-Shot
Doppler
LFO
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