94
Style Play operating mode
Pad/Switch: Pad
Wrap Around
The wrap-around point is the highest register limit for the back-
ing track. The accompaniment patterns will be transposed
according to the detected chord. If the chord is too high, the
Style tracks might play in a register that is too high, and there-
fore unnatural. If, however, it reaches the wrap-around point, it
will be automatically transposed an octave lower.
The wrap-around point can be individually set for each track in
semitone steps up to a maximum of 12 semitones, relative to the
chord root set in Style Record mode (see “Key/Chord” on
page 107).
It is advisable to set different Wrap Around points for each track,
to avoid all tracks “jump” to a different octave at the same time.
1…12 Maximum transposition (in semitones) of the
track, referred to the original key of the Style pat-
tern.
Play/Mute icon
Track’s play/mute status.
Play status. The track can be heard.
Mute status. The track cannot be heard.
Pad/Switch: Pad
This page lets you select a different sound for each of the four
PAD buttons.
Note: You can also assign different Sounds from the Pad panel of
the main page.
Pad assignment
Name of the Hit or Sequence assigned to each Pad. Press the box
to make the Pad Select window appear (see “Pad Select window”
on page 75).
Older sounds
To warrant compatibility with data generated prior to OS ver-
sion 2.0, the name of the older sounds assigned to the Pads is
shown under each Pad assignment box. As soon as you select a
new Hit or Sequence, the name of the older sound disappears.
Volume
Volume for each of the four Pad tracks.
Pan
Pan for each of the four Pad tracks.
-64…-1 Left stereo channel.
0Center.
+1…+63 Right stereo channel.
C Send
Send level to the C Internal FX processor (usually reverb) for
each of the four Pad tracks.
D Send
Send level to the D Internal FX processor (usually modulating
effect) for each of the four Pad tracks.
Pad lock icon
This lock avoids selecting a different Performance or STS
changes also the Hit or Sequence Pads assigned to the Pads.
This lock is reset when turning the instrument off, unless you
write Global settings to memory (see “Write Global - Global
Setup dialog box” on page 257).
For more information on parameter locks, see “General Con-
trols: Lock” on page 232.
Pad/Switch: Assignable Switch
This page lets you select a different function for each of the four
ASSIGN. SWITCH buttons.
Switch 1…4
Each of the four ASSIGN. SWITCH buttons. Use these pop-up
menus to assign a function to each switch. See “List of Assign-
able Switches functions” on page 380.
Assignable Switch lock icon
This lock avoids selecting a different Performance or STS
changes also the functions assigned to the switches.
This lock is reset when turning the instrument off, unless you
write Global settings to memory (see “Write Global - Global
Setup dialog box” on page 257).
For more information on parameter locks, see “General Con-
trols: Lock” on page 232.
Sty
Sty
Older
sounds
Pad
assignment
SB
SB
Gbl
Gbl
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