352
a: Pre LPF
This parameter enables you to set the damping amount of the
high range sound input to the ring modulator. If the input sound
contains lots of harmonics, the effect may sound dirty. In this
case, cut a certain amount of high range.
b: OSC Mode
This parameter determines whether or not the oscillator fre-
quency follows the note number.
c: Fixed Frequency [Hz]
This parameter sets the oscillator frequency when “OSC Mode” is
set to Fixed.
d: Note Offset, d: Note Fine
These parameters for the oscillator are used when “OSC Mode” is
set to Note (Key Follow). The “Note Offset” sets the pitch differ-
ence from the original note in semitone steps. The “Note Fine”
parameter fine-adjusts the pitch in cent steps. Matching the oscil-
lator frequency with the note number produces a ring modula-
tion effect in the correct key.
037: Detune
Using this effect, you can obtain a detune effect that offsets the
pitch of the effect sound slightly from the pitch of the input sig-
nal. Compared to the chorus effect, a more natural sound thick-
ness will be created.
d: Input Level Dmod [%], d: Src
This parameter sets the dynamic modulation of the input level.
038: Pitch Shifter
This effect changes the pitch of the input signal. You can select
from three types: Fast (quick response), Medium, and Slow (pre-
serves tonal quality). You can also create an effect in which the
pitch is gradually raised (or dropped) using the delay with feed-
back.
a: Mode
This parameter switches the pitch shifter operating mode. With
Slow, tonal quality will not be changed too much. With Fast, the
effect becomes a Pitch Shifter that has a quick response, but may
change the tone. Medium is in between these two. If you do not
need to set too much pitch shift amount, set this parameter to
Slow. If you wish to change the pitch significantly, use Fast.
h
Wet/Dry Dry, 1:99...99:1, Wet
Table , “Sets the balance between the effect and dry sounds,” on page 330
Src Off...Tempo
Table , “Selects the modulation source of the effect balance,” on page 330
Amt
Table , “Sets the modulation amount of the effect bal-
ance,” on page 330
–100...+100
a
Pitch Shift [cent]
Sets the pitch difference from the input signal
–100...+100cent
Src
Selects the modulation source of the pitch shift
Off...Tempo
Amt
Sets the modulation amount of the pitch shift
–100...+100cent
b
Delay Time [msec]
Sets the delay time
0...1000msec
c
Feedback
Sets the feedback amount
–100...+100
High Damp [%]
Sets the damping amount in the high range
0...100%
d
Input Level Dmod [%]
Sets the modulation amount of the input level
–100...+100
☞,
Src
Selects the modulation source for the input level
Off...Tempo
☞
e
Wet/Dry Dry, 1:99...99:1, Wet
Table , “Sets the balance between the effect and dry sounds,” on page 330
Src Off...Tempo
Table , “Selects the modulation source of the effect balance,” on page 330
Amt
Table , “Sets the modulation amount of the effect bal-
ance,” on page 330
–100...+100
Left
Right
Wet / Dry
Wet / Dry
Wet: Mono In - Mono Out / Dry: Stereo In - Stereo Out
Input Level
Input Level
+
High Damp
Delay
Feedback
Detune
a
Mode Slow, Medium, Fast
Switches Pitch Shifter mode
☞
b
Pitch Shift [1/2tone] –24...+24
Sets the pitch shift amount by steps of a semitone
☞,
Src Off...Tempo
Selects the modulation source of pitch shift amount
☞
Amt
Sets the modulation amount of pitch shift amount
–24...+24
☞
c
Fine [cent]
Sets the pitch shift amount by steps of a cent
–100...+100cent
☞,
Amt
Sets the modulation amount of pitch shift amount
–100...+100cent
☞
d
Delay Time [msec]
Sets the delay time
0...1000msec
e
Feedback Position
Switches the feedback connection.
Pre, Post
☞
f
Feedback
Sets the feedback amount
–100...+100
☞
High Damp [%]
Sets the damping amount in the high range
0...100%
g
Input Level Dmod [%] –100...+100
Sets the modulation amount of the input level
☞ Fx:037,
Src
Selects the modulation source for the input level
Off...Tempo
☞ Fx:037
h
Wet/Dry Dry, 1:99...99:1, Wet
Table , “Sets the balance between the effect and dry sounds,” on page 330
Src Off...Tempo
Table , “Selects the modulation source of the effect balance,” on page 330
Amt
Table , “Sets the modulation amount of the effect bal-
ance,” on page 330
–100...+100
Input Level
Louder
Max
Zero
Higher
D
-mod
Input Level
Max
Zero
Higher
D
-mod
x1.0
x0.5
Amt= +100
Amt= +50
Louder
x1.0
x0.5
Amt= –100
Amt= –50
Input Level D-mod
Left
Right
Wet / Dry
Wet / Dry
Wet: Mono In - Mono Out / Dry: Stereo In - Stereo Out
Input Level
Input Level
+
High Damp
Delay
Feedback
Pitch Shifter
Feedback Position
Pre
Post
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