331
Appendix
c: Attack
This parameter controls the attack level.
003: Limiter
The Limiter regulates the input signal level. It is similar to the
Compressor, except that the Limiter compresses only signals that
exceed the specified level to lower unnecessary peak signals. The
Limiter applies a peaking-type EQ to the trigger signal (which
controls the degree of the Limiter effect), allowing you to set any
band width to be covered. This effect is a stereo limiter. You can
link left and right channels, or use each channel individually.
a: Envelope Select
When L/R Mix is selected for this parameter, the left and right
channels are linked to control the Limiter using the mixed signal.
If L Only (or R Only) is selected, the left and right channels are
linked, and the Limiter is controlled via only the left (or right)
channel.
With L/R individually, the left and right channels control the Lim-
iter individually.
b: Ratio, c: Threshold [dB], e: Gain Adjust [dB]
This parameter sets the signal compression “Ratio”. Compression
is applied only when the signal level exceeds the “Threshold”
value.
Adjust the output level using the “Gain Adjust” parameter, since
compression causes the entire level to be reduced.
d: Attack, d: Release
These parameters set the attack time and release time. A higher
attack time will cause the compression to be applied more slowly.
f: Side PEQ Insert, g: Side PEQ Cutoff [Hz], g: Q, g: Gain
[dB]
These parameters are used to set the EQ applied to the trigger
signal.
The Limiter determines whether the compression is applied or
not, based on the post-EQ trigger signal. Setting the equalizer
allows you to set the Limiter to respond to any frequency band.
f: Trigger Monitor
Setting this parameter On will cause the trigger signal to be out-
put, instead of the effect sound. Use this parameter to check the
trigger signal with EQ applied.
Usually, set this to Off.
a
Envelope Select L/R Mix, L Only, R Only, L/R Individually
Selects from linking both channels, controlling only from left channel, only
from the right channel, or controlling each channel individually
☞
b
Ratio 1.0:1...50.0:1, Inf:1
Sets the signal compression ratio
☞
c
Threshold [dB] –40...0dB
Sets the level above which the compressor is applied
☞
d
Attack
Sets the attack time
1...100
☞
Release
Sets the release time
1...100
☞
e
Gain Adjust [dB]
Sets the output gain
–Inf, –38...+24dB
☞,
Src
Selects the modulation source for the output gain
Off...Tempo
Amt
Sets the modulation amount of the output gain
–63...+63
f
Side PEQ Insert
Toggles between on/off of the trigger signal’s EQ
Off, On
☞
Trigger Monitor Off, On
Switches between effect output monitor and trigger signal monitor
☞
g
Side PEQ Cutoff [Hz] 20...12.00kHz
Sets the EQ center frequency for the trigger signal
☞
Q
Sets the EQ bandwidth for the trigger signal
0.5...10.0
Gain [dB]
Sets the EQ gain for the trigger signal
–18.0...+18.0dB
h
Wet/Dry Dry, 1:99...99:1, Wet
Table , “Sets the balance between the effect and dry sounds,” on page 330
Src Off...Tempo
Table , “Selects the modulation source of the effect balance,” on page 330
Amt
Table , “Sets the modulation amount of the effect bal-
ance,” on page 330
–100...+100
Dry
Wet
Time
Level
Attack=80
Attack=20
Compressor - Attack
Left
Right
Wet / Dry
Wet / Dry
Stereo In - Stereo Out
Limiter
Limiter
Envelope Select
Gain Adjust
Gain Adjust
Side PEQ
Envelope - Control
Envelope - Control
Trigger Monitor
+
Input Level
Output Level
Threshold
Ratio=1.0 : 1
Ratio=2.0 : 1
Ratio=4.0 : 1
Ration=Inf : 1
Louder
Louder
Time
Level
Threshold
Ratio=Inf : 1
Ratio=2.0 : 1
Ratio=4.0 : 1
Dry
Ratio=1.0 : 1
Limiter - Threshold / Ratio
Threshold
Ratio=Inf : 1
Attack=1
Release=1
Ratio=Inf : 1
Attack=100
Release=100
Dry
Wet
Wet
Release
Attack
Limiter - Attack / Release
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