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5•18 Reference Guide
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5•18 Reference Guide
An auto-corrector of timing errors.
NOTE ON QUANTIZE (F1)
Post-Quantization of the Note On event.
PARAMETERS:
Variation: Selects one of the 4 Variations. Only
existing Variations can be selected (those with at
least one riff recorded).
Riff: Selects one of the riffs from the chosen Vari-
ation. Only existing riffs can be selected. If the
Style is empty, the phrase «No Riff» appears.
Note On Quantize: Specifies the Note On
quantize values.
Value Quantization
1/4
q
1/8
e
1/12
e
triplet
1/16
x
1/24
x
triplet
1/32
r
1/48
r
triplet
1/64 (1/64)
1/96 (1/64 triplet)
free no quantization
1/8 B...F*
q.
e
(swing)
1/16 B...F*
e. x
(swing)
free no quantization
Quantize
Note range from... to... : Sets the highest and
lowest note range to quantize. To quantize a sin-
gle percussive instrument of the Drum track, as-
sign the same note to the highest and lowest limit.
For example, to quantize the snare (D2), set the
parameter to «Note range from D2 to D2».
Assignable values: C-1 ... G9.
From locator... To locator...: Determines the
start and end point of the part that requires
quantizing. Only measures can be selected.
Assignable values: within the actual limits of the
Riff.
NOTE OFF QUANTIZE (F2)
Post-Quantization of the Note Off event. After a
Note On quantization, a Note Off quantization
affects the duration of the notes, adapting them
to a quantization grid.
PARAMETERS:
Note Off Quantize: Specifies the Note Off
quantize values.
All other parameters same as Note On Quantize.
* B … F indicate an adjustment of the Swing feel.
An auto-corrector of timing errors.
NOTE ON QUANTIZE (F1)
Post-Quantization of the Note On event.
PARAMETERS:
Variation: Selects one of the 4 Variations. Only
existing Variations can be selected (those with at
least one riff recorded).
Riff: Selects one of the riffs from the chosen Vari-
ation. Only existing riffs can be selected. If the
Style is empty, the phrase «No Riff» appears.
Note On Quantize: Specifies the Note On
quantize values.
Value Quantization
1/4
q
1/8
e
1/12
e
triplet
1/16
x
1/24
x
triplet
1/32
r
1/48
r
triplet
1/64 (1/64)
1/96 (1/64 triplet)
free no quantization
1/8 B...F*
q.
e
(swing)
1/16 B...F*
e. x
(swing)
free no quantization
Quantize
Note range from... to... : Sets the highest and
lowest note range to quantize. To quantize a sin-
gle percussive instrument of the Drum track, as-
sign the same note to the highest and lowest limit.
For example, to quantize the snare (D2), set the
parameter to «Note range from D2 to D2».
Assignable values: C-1 ... G9.
From locator... To locator...: Determines the
start and end point of the part that requires
quantizing. Only measures can be selected.
Assignable values: within the actual limits of the
Riff.
NOTE OFF QUANTIZE (F2)
Post-Quantization of the Note Off event. After a
Note On quantization, a Note Off quantization
affects the duration of the notes, adapting them
to a quantization grid.
PARAMETERS:
Note Off Quantize: Specifies the Note Off
quantize values.
All other parameters same as Note On Quantize.
* B … F indicate an adjustment of the Swing feel.
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Edit Sound 2•43
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Edit Sound 2•43
RESONANCE
Resonance enhances the frequencies in close
proximity of the Cutoff Frequency, rendering the
filter curves more complex:
Resonance
Resonance was a very typical feature of classic
analog synthesizers.
As an example, listen to the Sound “Resonance
(102-2)”.
FILTERS
The action of the filters on the sound is repre-
sented by curves:
Low Pass (attenuates
the high end frequen-
cies
).
High Pass (attenuates
the low end frequencies
).
Band Pass (attenuates
the frequencies above
and below the C.F.).
Parametric Boost (en-
hances the frequencies
around the Cutoff Fre-
quency).
Parametric Cut (attenu-
ates the frequencies
around the Cutoff Fre-
quency).
The slope of these curves is determined by the
attraction capacity of the “poles”. The SK760/
880SE Series can have two 2-pole filters con-
nected in parallel (Dual 1, Dual 3 Algorithms), or
one 4-pole filter, corresponding to two 2-pole fil-
ters connected in series (Dual 2, Dual 4 Algo-
rithms). A 4-pole filter creates a clearer slope
and consequently a fuller and more aggressive
sound.
TO OBTAIN A 4-POLE FILTER:
Programme identical parameter values for the
“Filter 1” and “Filter 2” editors of the Dual 2 or
Dual 4 Algorithms.
Hz
dB
Hz
dB
Hz
dB
Hz
dB
Hz
dB
Hz
dB
RESONANCE
Resonance enhances the frequencies in close
proximity of the Cutoff Frequency, rendering the
filter curves more complex:
Resonance
Resonance was a very typical feature of classic
analog synthesizers.
As an example, listen to the Sound “Resonance
(102-2)”.
FILTERS
The action of the filters on the sound is repre-
sented by curves:
Low Pass (attenuates
the high end frequen-
cies
).
High Pass (attenuates
the low end frequencies
).
Band Pass (attenuates
the frequencies above
and below the C.F.).
Parametric Boost (en-
hances the frequencies
around the Cutoff Fre-
quency).
Parametric Cut (attenu-
ates the frequencies
around the Cutoff Fre-
quency).
The slope of these curves is determined by the
attraction capacity of the “poles”. The SK760/
880SE Series can have two 2-pole filters con-
nected in parallel (Dual 1, Dual 3 Algorithms), or
one 4-pole filter, corresponding to two 2-pole fil-
ters connected in series (Dual 2, Dual 4 Algo-
rithms). A 4-pole filter creates a clearer slope
and consequently a fuller and more aggressive
sound.
TO OBTAIN A 4-POLE FILTER:
Programme identical parameter values for the
“Filter 1” and “Filter 2” editors of the Dual 2 or
Dual 4 Algorithms.
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