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2•14 Reference Guide
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2•14 Reference Guide
TEMPORARY ESCAPE FROM EDIT SOUND
Thanks to multitasking, you can temporarily es-
cape Edit Sound by pressing the SYNTH button
or ESCAPE. The Sound remains in edit and the
selected track of the current Performance plays
the Sound in its modified status.
To return to the sound in edit press SYNTH again.
If you attempt to select a Song, Style, Perform-
ance or Sound while the sound is still in edit, the
display will show the following message:
Press either ENTER or ESCAPE to close the win-
dow, press SYNTH to return to the Edit, then
press EXIT or SAVE to escape permanently.
PERMANENT ESCAPE WITHOUT SAVING
To escape EDIT SOUND permanently, use the
EXIT option, (F6), in the main Edit Sound menu.
An “Are you sure” dialog appears requesting con-
firmation of the Exit command. Further con-
firmation of the Exit command with Enter escapes
EDIT SOUND permanently and cancels all modi-
fications made to the Sound prior to escaping the
Edit.
To escape permanently without losing the modi-
fications, use the SAVE option (F8) explained
under the section entitled “Storing Sounds” to-
wards the end of this chapter.
THE EDIT SOUND MAIN MENU
The configuration of the Editors changes accord-
ing to the Algorithm selected, but the basic func-
tions remain the same.
Waveform Selects the Wave sample (the fun-
damental waveform).
Volume Volume of the Sound. Some situa-
tions also include a Balance editor.
Amplitude Varies the sound’s volume over time.
envelope Can be defined by Key On and Key
Off Envelopes, a Tracking curve and
some situations include an Env. Bal-
ance editor.
Filter Modifies the Sound’s timbre, attenu-
ating or enhancing certain frequen-
cies, such as in an equalizer. Can
be defined by Key On and Key Off
Filter Envelopes, Filter CutOff track-
ing and Filter Envelope tracking
curves.
Pitch envelope Variation of the Sound’s Pitch over
time. Can be defined by Key On and
Key Off Pitch envelopes and a Track-
ing curve.
LFO Low Frequency Oscillator to provide
Modulation. Generates cyclic varia-
tions in the amplitude or in the cutoff
frequency of the filters.
Pan Position of the Sound within the
Stereophonic panorama. It is possi-
ble to program the Key On and Key
Off Pan envelope and the Tracking
curve.
TEMPORARY ESCAPE FROM EDIT SOUND
Thanks to multitasking, you can temporarily es-
cape Edit Sound by pressing the SYNTH button
or ESCAPE. The Sound remains in edit and the
selected track of the current Performance plays
the Sound in its modified status.
To return to the sound in edit press SYNTH again.
If you attempt to select a Song, Style, Perform-
ance or Sound while the sound is still in edit, the
display will show the following message:
Press either ENTER or ESCAPE to close the win-
dow, press SYNTH to return to the Edit, then
press EXIT or SAVE to escape permanently.
PERMANENT ESCAPE WITHOUT SAVING
To escape EDIT SOUND permanently, use the
EXIT option, (F6), in the main Edit Sound menu.
An “Are you sure” dialog appears requesting con-
firmation of the Exit command. Further con-
firmation of the Exit command with Enter escapes
EDIT SOUND permanently and cancels all modi-
fications made to the Sound prior to escaping the
Edit.
To escape permanently without losing the modi-
fications, use the SAVE option (F8) explained
under the section entitled “Storing Sounds” to-
wards the end of this chapter.
THE EDIT SOUND MAIN MENU
The configuration of the Editors changes accord-
ing to the Algorithm selected, but the basic func-
tions remain the same.
Waveform Selects the Wave sample (the fun-
damental waveform).
Volume Volume of the Sound. Some situa-
tions also include a Balance editor.
Amplitude Varies the sound’s volume over time.
envelope Can be defined by Key On and Key
Off Envelopes, a Tracking curve and
some situations include an Env. Bal-
ance editor.
Filter Modifies the Sound’s timbre, attenu-
ating or enhancing certain frequen-
cies, such as in an equalizer. Can
be defined by Key On and Key Off
Filter Envelopes, Filter CutOff track-
ing and Filter Envelope tracking
curves.
Pitch envelope Variation of the Sound’s Pitch over
time. Can be defined by Key On and
Key Off Pitch envelopes and a Track-
ing curve.
LFO Low Frequency Oscillator to provide
Modulation. Generates cyclic varia-
tions in the amplitude or in the cutoff
frequency of the filters.
Pan Position of the Sound within the
Stereophonic panorama. It is possi-
ble to program the Key On and Key
Off Pan envelope and the Tracking
curve.
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Edit Song 6•23
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Edit Song 6•23
Inserts a specified number of measures. The part
of the Song after the insertion point shifts forward
the same number of bars as those inserted.
Given that the Time Signature of the inserted
measures can differ to the Time Signature of the
Song, the Insert Measures parameter permits the
creation of a Song with multiple Time Signatures.
PARAMETERS
MEASURES TO INSERT
Specifies the number of measures to insert.
As-
signable values: 1...999.
TIME SIGNATURE
Determines the Time Signature of the measures
to insert.
INSERT FROM LOCATOR
Specifies the measure at which the new meas-
ures will be inserted.
Assignable values: from the first measure of the
Song, to the first measure after the end measure
of the Song (coda insertion).
Insert measures
1 2 3 4
a b
1 2 3 4
a b
1 2 5 63 4
(1) (2) (3) (4)(a) (b)
Insert measures example. Two measures are inserted at
measure 3. Measure 3 and all successive measures are moved
forward.
Inserts a specified number of measures. The part
of the Song after the insertion point shifts forward
the same number of bars as those inserted.
Given that the Time Signature of the inserted
measures can differ to the Time Signature of the
Song, the Insert Measures parameter permits the
creation of a Song with multiple Time Signatures.
PARAMETERS
MEASURES TO INSERT
Specifies the number of measures to insert.
As-
signable values: 1...999.
TIME SIGNATURE
Determines the Time Signature of the measures
to insert.
INSERT FROM LOCATOR
Specifies the measure at which the new meas-
ures will be inserted.
Assignable values: from the first measure of the
Song, to the first measure after the end measure
of the Song (coda insertion).
Insert measures
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