284
a: OSC Mode
This parameter determines whether or not the oscillator
frequency follows the note number.
a: Pre LPF
This parameter enables you to set the damping amount of
the high range sound input to the ring modulator. If the
input sound contains lots of harmonics, the effect may
sound dirty. In this case, cut a certain amount of high range.
b: Fixed Frequency [Hz]
This parameter sets the oscillator frequency when OSC
Mode is set to Fixed.
c: Note Offset
c: Note Fine
These parameters for the oscillator are used when OSC
Mode is set to Note (Key Follow). The Note Offset sets the
pitch difference from the original note in semitone steps.
The Note Fine parameter fine‐adjusts the pitch in cent steps.
Matching the oscillator frequency with the note number
produces a ring modulation effect in the correct key.
061: Detune
Using this effect, you can obtain a detune effect that offsets
the pitch of the effect sound slightly from the pitch of the
input signal. Compared to the chorus effect, a more natural
sound thickness will be created.
d: Input Level D-mod [%]
d: Src
This parameter sets the dynamic modulation of the input
level.
d
LFO
Frequency
[Hz]
0.02...20.00 Sets the speed of the LFO p.259
Src Off...Tempo
Selects a modulation source for
LFO speed
Amt
–20.00...
+20.00
Sets the modulation amount of
LFO speed
e
MIDI Sync Off, On
When this is on, the LFO speed is
set by BPM, Base Note, and
Times, instead of Frequency
p.257
BPM
MIDI,
40.00...
300.00
MIDI syncs to the system tempo;
40–300 sets the tempo manually
for this individual effect p.257
Base Note ...
Selects the type of notes that
specify the LFO speed p.257
Times x1...x32
Sets the number of notes that
specify the LFO speed p.257
f
LFO Type
Individual,
Common1,
Common2
Selects either (individual) LFO,
Common FX LFO1, or Common
LFO2 p.257
Common
LFO Offset
[deg]
–180...+180
Sets the phase offset when Type
= Common 1 or Common 2
p.257
g
LFO Depth 0...100
Sets the depth of LFO
modulation for the oscillator
frequency
Src Off...Tempo
Selects the modulation source of
the depth of modulation
Amt –100...+100
Sets the modulation amount of
the depth of modulation
h
Wet/Dry
Dry,
1 : 99...99 : 1,
Wet
Sets the balance between the
effect and the dry input
Src Off...Tempo
Selects a modulation source for
Wet/Dry
Amt –100...+100
Sets the modulation amount for
Wet/Dry
a
Pitch Shift
[cent]
–100...+100
Sets the pitch difference from
the input signal
Src Off...Tempo
Selects a modulation source for
pitch shift
Amt –100...+100
Sets the modulation amount for
pitch shift
b
Delay Time
[msec]
0...1000 Sets the delay time
c
Feedback –100...+100 Sets the feedback amount
High Damp
[%]
0...100
Sets the damping amount in the
high range
d
Input Level
D-mod [%]
–100...+100
Sets the modulation amount of
the input level p.284
Src Off...Tempo
Selects the modulation source
for the input level p.284
e
Wet/Dry
Dry, 1 : 99...
99 : 1, Wet
Sets the balance between the
effect and the dry input
Src Off...Tempo
Selects a modulation source for
Wet/Dry
Amt –100...+100
Sets the modulation amount for
Wet/Dry
Left
Right
Wet / Dry
Wet / Dry
Wet: Mono In - Mono Out / Dry: Stereo In - Stereo Out
Input Level
Input Level
+
High Damp
Delay
Feedback
Detune
Input Level
Louder
Max
Zero
Higher
D
-mod
Input Level
Max
Zero
Higher
D
-mod
x1.0
x0.5
Input Level Dmod= +100
Input Level Dmod= +50
Louder
x1.0
x0.5
Input Level Dmod= –100
Input Level Dmod= –50
Input Level Dmod
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