Combination mode
82
3–3(4)c: OSC
Timbre 01 (Timbre Number):
Force OSC Mode [PRG, Poly, MN, LGT]
This lets you override the Program’s stored Voice Assign
Mode settings, if desired.
PRG: The Program’s stored Prog P1: Basic/Controllers–
Program Basic Voice Assign Mode settings will be used.
Poly: The timbre will play polyphonically, regardless of the
Program’s settings.
MN (Mono): The timbre will play monophonically,
regardless of the Program’s settings.
LGT (Legato): The timbre will sound monophonically, and
will play legato according to the Program’s Mode setting
(Prog 1–1b).
With the MN or LGT settings, the Program’s Priority setting
(Prog 1–1b) will determine the priority of the note that
sounds when you play two or more notes.
OSC Select [BTH, OS1, OS2]
Specifies whether the timbre’s program will play OSC1,
OSC2, or both.
For programs whose Oscillator Mode (Prog 1–1a) is Double
or Double Drums, this setting lets you specify that only
OSC1 or OSC2 will sound.
BTH (Both): OSC1 and 2 will sound as specified by the
settings of the program.
OS1: Only OSC1 will sound.
OS2: Only OSC2 will sound. Programs will not sound if
Oscillator Mode is set to Single or Drums.
Portamento [PRG, Off, 001...127]
Make portamento settings for each timbre.
PRG: Portamento will be applied as specified by the
program settings.
Off: Portamento will be off, even if the original program
settings specified Portamento to be on.
001…127: Portamento will be applied with the portamento
time you specify here, even if it is turned off by the program
settings.
If the Status (Combi 3–1(2)c) is set to INT, CC#05
(portamento time) and CC#65 (portamento switch)
messages will be received and will control and change
these settings. (If the setting is PRG, CC#05, portamento
time will not be received.) These messages will be
received on the MIDI channel specified for each timbre
by MIDI Channel (Combi 3–1(2)c).
Timbre 02...08, 09...16 (Timbre Number):
Here you can make voice assignment settings for timbres 2–
8 and 9–16. The settings are the same as for timbre 1. For
more information, please see “Timbre 01 (Timbre
Number):” above.
V
3–3(4): Menu Command
•0: Write Combination see p. 101
•1: Exclusive Solo see p. 64
•2: Auto Song Setup see p. 65
•3: Copy from Program see p. 101
For more information, please see “Combination: Menu
Command” on page 101.
3–5: Pitch T01–08,
3–6: Pitch T09–16
Here, you can make pitch‐related settings for timbres 1–8
and 9–16.
3–5(6)a: Combination Name, Tempo
3–5(6)b: Timbre Info
For more information, please see “2–1: EQ Trim T01–08, 2–2:
EQ Trim T09–16” on page 79.
3–5(6)c: Pitch
Timbre 01 (Timbre Number):
Transpose [–60…+00…+60]
Adjusts the pitch of each timbre in semitone steps.
12 units equal one octave.
When Status (Combi 3–1(2)c) is INT, this parameter
will affect the pitches sounded by the KROME. When
Status is EXT, this parameter will affect the note
numbers of the MIDI note messages that are
transmitted.
For example if you make settings of +04 and +07
respectively for two timbres that are set to EXT, playing
the C key will transmit a C note number on the global
MIDI channel, and at the same time will also transmit E
and G note numbers on the MIDI channels of those
timbres.
Detune (Use BPM Adjust in Menu)
[–1200...+0000...+1200]
Adjusts the pitch of each timbre in one‐cent units.
+0000: Normal pitch.
Note: You can also use the Detune BPM Adjust menu
command to alter a loop’s tempo via detuning. Since this
will alter the pitch of the loop along with the tempo, it’s
generally suited only to un‐pitched percussive loops.
Transpose and Detune can be controlled via MIDI RPN
messages. The way that this works depends on whether
or not the Timbre uses a Drum Program.
If the Timbre does not use a Drum Program for
example, if it uses a Single or Double Program then
MIDI RPN Coarse Tune will control Transpose, and
RPN Fine Tune will control Detune.
If the Timbre uses a Drum Program, MIDI RPN Coarse
Tune and Fine Tune will be combined to control
Detune. The overall range is ±1 octave for coarse tune
and fine tune together.
3–5a
3–5b
3–5c
3–5
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