Program mode
36
4–1c: Pan
Pan [Random, L001...C064...R127]
This controls the stereo pan of Oscillator 1. A setting of L001
places the sound at the far left, C064 in the center, and R127
to the far right.
When this is set to Random, the pan position will be
different for each note‐on.
You can also control pan via MIDI Pan (CC#10).
A CC#10 value of 0 or 1 places the sound at the far left,
64 places the sound at the location specified by the Pan
parameter, and 127 places the sound at the far right.
This is controlled on the global MIDI channel (Global 1–
1a).
Note: Random cannot be selected via a MIDI control change.
You'll need to select it here.
AMS (Pan) [List of AMS Sources]
This selects an AMS source to modulate Pan.
For a list of AMS sources, please see “AMS (Alternate
Modulation Source) List” on page 340.
Intensity [–99...+99]
This controls the depth and direction of the AMS
modulation for Pan.
For example, if Pan is set to C064 and AMS is set to Note
Number, positive (+) intensities will cause the sound to
move toward the right as you play higher than C4, and
toward the left as you play lower than C4. Negative (–)
intensities will have the opposite effect.
Use DKit Setting [Off, On]
This option is available only when the Oscillator Mode is
set to Drums or Double Drums.
Unlike standard Programs, Drum Kits can have a different
pan setting for every note. This parameter lets you choose
whether to use the Drum Kit pan settings, or to use the
Program’s pan setting instead.
On (checked): The Program will use the Drum Kit’s per‐note
pan settings; pan AMS will still apply (Global 5–5b). This is
the default setting.
Off (unchecked): The Program will ignore the Drum Kit’s
settings, and use the Program pan instead.
All keys of the drum kit will use the Pan setting.
V
4–1: Menu Command
•0: Write Program see p. 64
•1: Exclusive Solo see p. 64
•2: Auto Song Setup see p. 65
•3: Copy Oscillator see p. 65
•4: Swap Oscillator see p. 65
For more information, please see “Program: Menu
Command” on page 64.
4–2: Amp1 Modulation
This page contains the settings for Oscillator 1’s Amp level
modulation. Among other things, you can:
• Set up complex keyboard tracking shapes to control the
Amp level.
• Assign AMS modulation for the Amp level.
• Control the effect of the LFOs on the Amp level.
The total effect of the modulation can increase the volume to
a maximum of two times louder than the Amp Level setting.
4–2a: Keyboard Track
Keyboard tracking lets you vary the volume as you play up
and down the keyboard. Usually, some amount of key
tracking is necessary in order to make the volume consistent
across the entire range.
KROME’s keyboard tracking can be fairly complex, if
desired. You can create different rates of change over up to
four different parts of the keyboard. For instance, you can:
• Make the volume increase very quickly over the middle
of the keyboard, and then increase more slowly or not at
all in the higher octaves.
• Make the volume increase as you play lower on the
keyboard.
• Create abrupt changes at certain keys, for split‐like effects.
Key:
Key Low [C–1...G9]
This specifies the note that will be the break point
connecting the two sloped lines in the low region.
Center [C–1...G9]
This specifies the note that will be the break point in the
center of keyboard tracking. At this key, the keyboard
tracking has no effect on the volume, or on any AMS
destinations.
Key High [C–1...G9]
This specifies the note that will be the break point
connecting the two sloped lines in the high region.
Note: You can also set the note value and velocity value by
holding down the edit cell or the ENTER button and playing
a note on the keyboard (see OG p.10).
Ramp:
Positive ramp values mean that the keyboard tracking
output increases as you play farther from the Center Key;
negative ramp values mean that it decreases.
Because of this, the meanings of positive and negative ramp
settings will change depending on whether the ramp is to
the left or right of the Center Key.
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