Controller Assignments
349
reduce the volume.
If both CC#7 and CC#11 are used simultaneously, the one
with the lower value determines the maximum volume, and
the one with the higher value scales down from that
maximum.
FX Control 1 & 2 (CC#s12 & 13)
These assignments are intended for Effect Dynamic
Modulation (Dmod). Note that you’ll also need to assign FX
Control 1 or 2 to control the desired parameter within the
Effect.
Cutoff (CC#74)
This scales the cutoff frequency of all of the filters at once.
For instance, it affects both Filters A and B.
Resonance (CC#71)
This scales the resonance of all of the filters at once. For
instance, it affects both Filters A and B.
Filter EG Int. (CC#79)
This scales the effect of the Filter EG on the cutoff frequency.
It affects all of the filters at once; for instance, it affects both
Filters A and B.
F/A Attack (CC#73)
This scales the attack times of the Filter and Amp EGs, along
with other related parameters.
When the CC value is above 64, this also affects the Amp
EG’s Start and Attack Levels, Start Level AMS, and Attack
Time AMS, as described below:
Between values of 65 and 80, the Start Level, Start Level
AMS, and Attack Time AMS will change from their
programmed values to 0. Over the same range, the Attack
Level will change from its programmed value to 99.
F/A Decay (CC#75)
This scales the decay and slope times of the Filter and Amp
EGs.
F/A Sustain (CC#70)
This scales the sustain levels of the Filter and Amp EGs.
F/A Release (CC#72)
This scales the release times of the Filter and Amp EGs.
Pitch LFO1 Spd (CC#76)
This scales LFO1’s frequency.
Pitch LFO1 Dep (CC#77)
This scales the effect of LFO1 on the Pitch.
Pitch LFO1 Dly (CC#78)
This scales LFO1’s fade‐in time.
SW 1 Mod. & SW 2 Mod (CC#s 80 & 81)
Normally, these are used for the two assignable switches ‐
but you can assign them to the knobs instead, if you like.
Foot Switch (CC#82)
You can use this general‐purpose controller as an AMS or
Dmod source. Note that you’ll also need to assign FootSW
(CC#82) to control the desired parameter within the
Program or Effect.
MIDI CC#83 (CC#83)
You can use this general‐purpose controller as an AMS or
Dmod source. Note that you’ll also need to assign MIDI
CC#83 to control the desired parameter within the Program
or Effect.
MFX Send 1 & 2 (CC#s 93 & 91)
These control the send levels to Master Effects 1 and 2,
respectively.
CC#s 93 and 91 actually control send levels in two different
places: the sends directly from the Program OSC and the
send levels of the last Insert Effect in the chain which
matches the CC’s MIDI channel.
MIDI CC#00–95 and 102–119
These settings let you transmit any MIDI CC, except for
registered and non‐registered parameters (CCs 96–101). If
you choose a CC which is used by AMS, Dmod, or the
standard CC routings, then it will affect the corresponding
KROME parameters.
When the Realtime Controls in TONE , the function of
knobs 1–4 is fixed.
Knobs 1–4
Realtime Controls knob 1–4 have preset assignments, as
below:
TONE [1]: CUTOFF (Filter Cutoff: CC#74)
This scales the cutoff frequency of all of the filters at once.
TONE [2]: RESONANCE (Filter Resonance: CC#71)
This scales the resonance of all of the filters at once.
TONE [3]: EG INTENSITY (Filter EG Intensity: CC#79)
This scales the effect of the Filter EG on the cutoff frequency.
TONE [4]: EG RELEASE (Filter, Amplifier EG Release: CC#72)
This scales the release times of the Filter and Amp EGs.
Foot Switch Assignments
You can connect a footswitch (such as the optional Korg PS‐1
or PS‐3) to the rear‐panel ASSIGNABLE SWITCH input, and
then use it to control a wide variety of functions, as
described below.
This setting is made globally, on the Global P2: Controllers–
Foot Controllers page.
Foot Switch and MIDI CCs
Some of the assignments include MIDI CCs, which are
transmitted each time the switch is turned on or off (Off = 0,
and On = 127). Note that the MIDI CCs can still be received
even if they are not assigned to a physical controller.
USER [1] – [4] and SW1/2 are special cases, since these can
themselves be assigned to different MIDI CCs. If the
footswitch is assigned to duplicate these controls, it will also
use their CC assignments.
List of Foot Switch assignments
Off
This setting disables the switch.
Foot Switch (CC#82)
This lets you use the switch as an AMS or Dmod source.
Note that you’ll also need to assign Foot SW (CC#82) to
control the desired parameter within the Program or Effect.
Portamento SW (CC#65)
This controls portamento on/off. For more information,
please see “Porta.SW (CC#65) (Portamento SW: CC#65)” on
page 348.
Sostenuto (CC#66)
This controls the sostenuto effect, which holds only the
notes being played at the moment that the footswitch is
turned on.
Soft (CC#67)
Turns the soft pedal effect on and off.
Damper (CC#64)
Turns the damper pedal effect on and off.
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