Appendices
358
would set this to –12 by transmitting [B0, 06, 34]
(06H=CC#6), 34H=52 (corresponds to –12), and [B0, 26,
00] (26H=CC#38, 00H=0).
*3 The volume of the KROME is determined by multiplying
the Volume (CC#07) with the Expression (CC#11). In
Sequencer mode when you stop the song playback and
return the location to the beginning of the track, the
Volume will be set to the starting value, and the
Expression will be set to the maximum value (127).
*4 A value of 64 will correspond to the value specified by
the program parameter. 0 is the minimum, and 127 is the
maximum. Changing from 63–1 or from 65–126 will
adjust the effect from the program parameter setting
toward the minimum value or maximum value.
• For details about the specific parameters controlled by
these CCs, please see “Parameters controlled by MIDI
CCs #70‐79” on page 358.
*5 Controlled on the global MIDI channel.
*6 If you assign a CC# to the ARP button or arpeggio control
knobs 1–4 and perform these operations on the KROME,
the assigned CC# will be transmitted, and the KROME
itself will also be controlled at the same time. If this
message is received, the result will be the same as if the
KROME itself had been operated.
The CC# settings for each knob and button are made in
the Global P2– MIDI CC# Assign page. Use these settings
if you need to assign control change messages, for exam‐
ple when you want to record button operations on the
internal sequencer or an external MIDI sequencer, or to
control the arpeggiator from an external MIDI device.
Each knob and button can be assigned to any desired
MIDI control change message CC#00–119, but normally
you will choose the Global P2– MIDI CC# Assign menu
command Reset Controller MIDI Assign and use the CC
Default settings.
This table shows the operations for the CC Default set‐
tings. The CC Default settings are the CC#s recom‐
mended for use with these controllers. Normally, you
will assign these CC#s.
Parameters controlled by MIDI
CCs #70-79
CC#70–79 correspond to the KROME’s program parameters
listed below.
In Program mode, the corresponding program parameters
will be temporarily edited when CC#70–79 messages are
received on the global MIDI channel (MIDI Channel Global
1–1a), when knobs 1–4 are operated when the Realtime
Controls is in TONE, or when knobs 1–4 are operated when
assigned to CC#70–79 with the Realtime Controls in USER.
In most cases, you can use the Write Program menu
command to save the edited values, over‐writing the
previous Program settings.
In Combination and Sequencer modes, you can use
these CCs to temporarily edit the parameters for all
Timbres or Tracks on a given MIDI channel. However,
CC# Internal parameters controlled by the CC
70 (Sustain level)
Filter EG 1/2 Sustain (see page 32)
Amp EG 1/2 Sustain (see page 39)
71 (Filter resonance) Filter A/B, 1/2 Resonance (see page 27)
72 (Release time)
Filter EG 1/2 Release (see page 32)
Amp EG 1/2 Release (see page 39)
73 (Attack time)
EG Times:
Filter EG 1/2 Attack (see page 32)
Amp EG 1/2 Attack (see page 39)
Amp EG 1/2 Time Modulation: Attack (see page 39)
EG Levels:
Amp EG 1/2 Level Start (see page 38)
Amp EG 1/2 Level Attack (see page 38)
Amp EG 1/2 Level Modulation: Start (see page 40)
74 (Filter cutoff frequency) Filter A/B, 1/2 Frequency (see page 27)
75 (Decay time)
Filter EG 1/2 Decay (see page 32)
Filter EG 1/2 Slope (see page 32)
Amp EG 1/2 Decay (see page 39)
Amp EG 1/2 Slope (see page 39)
76 (LFO1 speed) LFO 1 Frequency (see page 42)
77 (LFO1 Pitch intensity) Pitch LFO1 Intensity (see page 22)
78 (LFO1 delay) LFO 1 Delay (see page 43)
79 (Filter EG intensity)
Filter EG 1/2 Intensity to A (see page 30)
Filter EG 1/2 Intensity to B (see page 30)
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