Appendices
342
Alternate Modulation settings
When you operate an AMS (Alternate Modulation Source),
the modulation destination will be affected as shown in the
table below.
By using alternate modulation, you can create complex
systems of modulation in which EG, LFO, keyboard tracks,
and controllers work together.
• You can apply complex change to an LFO or EG, for
example by using the pitch/filter/amp EG to control the
frequency or intensity of an LFO that modulates the pitch/
filter/amp, or by using LFO2 to control the frequency of
LFO1.
• The tone, EG, and LFO etc. can be controlled not only by
key velocity or the joystick, but also from a button, knob,
or pedal etc.
• Panning can be controlled in realtime from a controller,
EG, or LFO etc.
• You can use the filter EG to control pitch or volume at the
same time that it controls the filter.
• Controllers etc. can be used to control EG levels or times.
This lets you shape the EG in realtime.
• Filter/amp keyboard tracking or note number can be used
to control the EG or LFO according to the keyboard pitch
that is played.
• Pitch, tone, EG or LFO can be controlled by the tempo of
the arpeggiator and/or sequencer.
AMS operations and their result
AMS source
& value range
Amp EG
0...+99
Pitch & Filter
EGs
–99...0...+99
LFO1 & 2
–99...0...+99
Common LFO
–99...0...+99
Filter & Amp
Key Track
–99...0...+99
Common
Key Track
1 & 2
–99...0...+99
Note Number
C–1...C4...C9
EXT(+/–) *1
–Max...0...+Max
EXT (Tempo) *2
=...60.00...120.00...240.00...
EXT(+) *3
0...127
Parameter AMS
Intensity
Pitch *4 (+12.00) 0...+1
Octave
–1…0…+1
Octaves
(Filter EG as
AMS;
dedicated
parameter
for Pitch EG)
Dedicated
parameter
–1...0...+1
Octaves
– Dedicated
parameter
–1...0...+1
Octaves
0...+1
Octave
Pitch EG
Int.
(+12.00) –
Dedicated
parameter
for Pitch EG
– –1...0...+1
Octaves
–1...0...+1
Octaves
0...+1
Octave
Pitch
LFO1/2 Int.
(+12.00) 0...+1
Octave
–1...0...+1
Octaves
– –1...0...+1
Octaves
0...+1
Octave
Filter
Frequency
(+99) 0...+10
Octaves
–10…0…+10
Octaves
(Pitch EG as
AMS;
dedicated
parameter
for Filter EG)
Dedicated parameter Dedicated
parameter
for Filter
KTrk
–10…0…+10
Octaves
– –10…0…+10
Octaves
0...+10
Octaves
Filter
Resonance
(+99) 0...+99 –99...0...+99 0...+99
Filter EG
Int.
(+99) –
Dedicated
parameter
for Filter EG
– –99...0...+99 – –99...0...+99 – –99...0...+99 0...+99
Filter LFO1/
2 Int.
(+99) 0...+99 –99...0...+99 – –99...0...+99 0...+99
Filter
Output
Level A/B
(+99) 0...+99 –99...0...+99 0...+99
Drive (+99) 0...+99 –99...0...+99 0...+99
Low Boost (+99) 0...+99 –99...0...+99 0...+99
Amp (+99) Dedicated
parameter
0...1x...8x Dedicated
parameter
0...1x...8x Dedicated
parameter
for Amp
KTrk
– – 0...1x...8x 1x...8x
Amp
LFO1/2 Int.
(+99) 0...+99 –99...0...+99 – –99...0...+99 0...+99
Pan (+50) 0...+63 –63...0...+63 0...+63
EG Level (+66) – –99...0...+99 0...+99
EG Time (+49) – 1/64x...1x...64x 1x...64x
LFO 1
Frequency *4
(+99) 1x...64x 1/64x...
1x...64x
(LFO2
only)
1/64x...1x...64x 1x...64x
LFO 2
Frequency *4
(+99) 1x...64x – 1/64x...1x...64x 1x...64x
Common
LFO
Frequency *4
(+99) – 1/64x...1x...64x 1x...64x
LFO 1
Shape
(+99) 0...+99 –99...0...+99
(LFO2
only)
–99...0...+99 0...+99
LFO 2
Shape
(+99) 0...+99 – –99...0...+99 0...+99
Common
LFO
Shape
(+99) – –99...0...+99 0...+99
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