Sequencer: Menu Command Copy from Program
167
Depending on the combination settings, it may also be
necessary to change the track settings as well.
The preceding illustration shows the example of copying the
combination “B109: Echo Jamm” with Auto adjust Arp
setting for Multi REC un‐checked in Copy From Combi.
Select a new song, and execute the copy to see the result.
(For more about the arpeggiator settings in this
combination, see page 91.)
Using these settings as an example, determine whether
correction is necessary, and if so, what needs to be corrected.
Arpeggiator Run A and B are checked, and MIDI Channel
01 and 02 are selected. Correction is necessary for one of the
arpeggiators. If you perform multi‐track recording with
these settings, the MIDI channels of T01, 02, and 03 are the
same, so the high‐register guitar/piano/pad (T02, T03, and
T05), the low‐register bass (T01), and the gutar riff played by
arpeggiator B (T02) will have their performance data
combined into one stream, and the performance will not be
reproduced at playback. (T16 is a dummy track used to
trigger arpeggiator A.)
1. So that the bass played by arpeggiator B can be
recorded separately, change the MIDI channel of T02.
Select the SEQ P3: Track Param– MIDI T01–08 page, and
change the T02 MIDI Channel to 03.
2. Add settings for triggering arpeggiator B.
Select the SEQ P3: Track Param– MIDI T09–16 page, and for
track 8 (or any unused track), turn Status Off, and set the
MIDI Channel to 01. (T08 will be a dummy track used to
trigger arpeggiator A.)
3. Select the SEQ P7: ARP/DT– ARP Setup T09–16 page.
Set the track 8 Assign to B.
This will produce the following settings.
This completes the corrections. In the Sequencer P0: Play/
REC– Preference page, set Track Select to any track whose
MIDI channel is 01. Check the Multi REC check box and
perform multi‐track recording.
Copy from Program
Copy from Program is available on all of the tabs under the
Play/REC, Play/REC Control, Controllers, EQ, Track Param,
Zone/Delay, MIDI Filter 1, MIDI Filter2, and Drum Track
pages.
This command copies settings from the program you specify
to the currently selected song.
This is the same function as in Combination mode; for
details, please see “Copy from Program” on page 101.
This command in Sequencer mode differs from its behavior
in Combination mode in that the channels assigned to the
tracks of the song will be preserved regardless of the with
Arp setting of the copy‐destination track’s MIDI Channel.
(See step 4.)
Copy Tone Adjust
Tone Adjust tab of the play/REC page.
For more information, please see “Copy Tone Adjust” on
page 65.
Reset Tone Adjust
Tone Adjust tab of the PLAY/REC page.
For more information, please see “Reset Tone Adjust” on
page 65.
Copy Drum Track
Copy Drum Track is available on the Drum Track tab of the
ARP/DT page.
This command copies the drum track settings of the
specified Program, Combination, or Song.
For more information, please see “Copy Drum Track” on
page 65.
Erase Drum Track Pattern
Erase Drum Track is available on the Drum Track tab of the
ARP/DT page.
This erases the drum track pattern you specify.
For more information, please see “Erase Drum Track
Pattern” on page 66.
Detune BPM Adjust
Detune BPM Adjust is available on the Pitch tab of Track
Pram page.
When the program selected for a track uses a phrase, or
rhythm loop multisample, you can use this command to
change the BPM of the phrase or rhythm. The BPM can be
adjusted by modifying the pitch. This command is available
when the Detune setting of that track is selected. When you
execute this command, the selected Detune value will be
adjusted.
For more information, please see “Detune BPM Adjust” on
page 103.
Copy Arpeggiator
Copy Arpeggiator is available on the Arp A tab and Arp B
tab of Play/REC Control page or Setup tab, Arp A tab, Arp B
tab, Scan Zone tab of the ARP/DT page.
This command can be used to copy arpeggio settings from
another location to the current program.
For more information, please see “Copy Arpeggiator” on
page 66.
If both “A” and “B”
are checked
01 only Correction required
01 02, 01 03, etc.
Correction required for
only one
01 02 03, etc.
No correction required/
Correction required
b
a. If the MIDI Channel of multiple tracks operated by the
arpeggiator is set only to 01, refer to the lines for “01
only.” If the MIDI Channel settings are 01 and one other
channel, such as 01 and 02, then refer to the lines for “01
02, etc.” If the MIDI Channel settings are 01 and
multiple other MIDI channels, such as 01 and 02 and 03,
then refer to the line for “01 02 03, etc.”
b. Correction is necessary only if the tracks operated by a
single arpeggiator are using only MIDI Channel 01. In
some cases, correction may also be necessary if the two
arpeggiators use the same MIDI channel.
Track T01 T02 T03 T04 T05 T06 T07 T08 T16
Assign Off B Off A Off Off Off B A
Status INT INT INT INT INT INT Off Off Off
MIDI Ch. 01 03 01 02 01 01 10 01 01
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