Appendices
364
OFF, and the sostenuto effect will be turned on/off. When
this message is received, the result will be the same as when
the controller is operated (OFF for vv=63 [3F] or below, and
ON for vv=64 [40] or above).
Soft pedal (CC#67) [Bn, 43, vv]
If the above CC# is assigned as the function of the
ASSIGNABLE SWITCH, operating the switch will transmit,
and the soft pedal effect will be turned on. When this
message is received, the result will be the same as when the
controller is operated.
When “Foot controller (CC#04)”–“Soft pedal (CC#67)” are
operated on the KROME, the specified alternate modulation
or dynamic modulation etc. will be controlled. When these
messages are received, the result will be the same as if the
controller had been operated. For “SW1 modulation
(CC#80)”–“Soft pedal (CC#67),” vv of 63 [3F] or less will be
OFF, and 64 [3F] or greater will be ON.
Controlling via the controllers of a connected
MIDI instrument such as the KRONOS
Ribbon Controller (CC#16) [Bn, 10, vv]
When a control change is received from the ribbon
controller or other assigned controller of a MIDI instrument
(such as the KRONOS), the specified effect (e.g., alternate
modulation or dynamic modulation) will be applied.
• In Combination or Sequencer modes, transmission and
reception can be turned on/off for each timbre/track.
(“Enable Ribbon CC#16” on page 88, page 134)
Controller (CC#85, CC#86, CC#87, CC#88)
[Bn, 12, vv], [Bn, 13, vv], [Bn, 14, vv], [Bn, 15, vv]
When the VALUE dial of MIDI instruments such as the
KRONOS, or a control change assigned to a controller is
received, the specified alternate modulation or dynamic
modulation effect will be applied.
Controlling Program tone & envelope
shapes
CC#70–79 control specific parameters of a program.
For details on the program parameters that correspond to
each control change, and how the KROME will respond in
each mode when these are received, refer to “KROME and
MIDI CCs” on page 356.
Filter cutoff (CC#74) [Bn, 4A, vv]
Resonance level (CC#71) [Bn, 47, vv]
Filter EG intensity (CC#79) [Bn, 4F, vv]
Release time (CC#72) [Bn, 48, vv]
These messages are transmitted when you operate the
Realtime Controls TONE [1] – [4] knobs. (They can also be
set as Realtime Controls USER [1] – [4] knobs functions.)
Sustain level (CC#70) [Bn, 46, vv]
Attack time (CC#73) [Bn, 49, vv]
Decay time (CC#75) [Bn, 4B, vv]
LFO 1 speed (CC#76) [Bn, 4C, vv]
LFO 1 depth (pitch) (CC#77) [Bn, 4D, vv]
LFO 1 delay (CC#78) [Bn, 4E, vv]
These messages are transmitted when assign the above CC#
to the Realtime Controls USER [1] – [4] knobs function.
When you operate these, the corresponding program
parameters will be controlled, and the sound and envelope
will change. When these messages are received, the result
will be the same as when the controller is operated. (When
the message has a value vv=64 [40], the setting will have the
value that was set by the program parameter.)
• In Combination and Sequencer modes, transmission/
reception can be turned on/off independently for each
timbre/track (Enable Realtime Controls–
CUTOFF…RELEASE, USER [1]...USER [4] Combi/Seq 5–
5 (6/7/8)).
Note: In Program mode, the corresponding program
parameters will be temporarily edited by these messages.
You can Write the program to save the modified state
(except for certain parameters). The Write operation can also
be performed by a MIDI System Exclusive Program Write
Request message, in addition to the usual method of using
the KROME’s buttons. When you write the data, the values
of the corresponding program parameters will be rewritten.
Note: The results of receiving these messages will depend
on the instrument. The operation may be different when a
device other than the KROME is connected.
Control the arpeggiator
If you assign the following CC#s to knob and switch of
arpeggiator, the specified CC# will be transmitted when you
operate the KROME, and the KROME itself will be
controlled simultaneously. When these messages are
received, the result will be the same as if you operated the
KROME itself.
The CC# settings for the knobs and buttons are made in the
Global P2– MIDI CC# Assign page. However, you can edit
these settings if you need to assign MIDI control change
messages to the controllers, such as when you want to
record the Realtime Controls ARP knob, ARP button
operations on the internal sequencer or an external MIDI
sequencer, or to control the arpeggiator from an external
MIDI device. If Global P1: MIDI ARP Controllers MIDI Out
is set to Control Change, MIDI control change messages will
be transmitted. (See “ARP Controllers MIDI Out” on
page 200)
Each knob and button can be assigned any MIDI control
change CC#00–CC#119, or a desired MIDI note number.
However, you will normally use the default settings that are
assigned when you execute the menu command Reset
Controller MIDI Assign with CC Default. For more
information, please see “Reset Controller MIDI Assign” on
page 220.
The operations described below are for these CC Default
settings. Transmitted when the corresponding KROME
controller is transmitted. When this is received, the same
effect will apply as when the KROME’s controller is
operated.
ARP ON/OFF (CC#14) [Bn, 0E, vv]
Corresponds to the ARP button. It will transmit vv=127[7F]
when On, and vv=000[7F] when Off.
KNOB1 – ARP GATE (CC#22) [Bn, 16, vv]
KNOB2 – ARP VELOCITY (CC#23) [Bn, 17, vv]
KNOB3 – ARP LENGTH (CC#24) [Bn, 18, vv]
KNOB4 – ARP STEP (CC#25) [Bn, 19, vv]
Corresponds to knobs 1–4 when the Realtime Controls is set
to ARP.
Silencing all notes on a specific channel
All note off (CC#123) [Bn, 7B, 00] (value 00)
When this is received, all currently‐sounding notes on that
channel will be turned off (as though the keys had been
released). However, the release portion of the notes will
remain.
All sound off (CC#120) [Bn, 78, 00] (value 00)
When this is received, all currently‐sounding notes on that
channel will be silenced. While the All Note Off message
allows the release portion of the notes to remain, the All
Sound Off message will silence the notes immediately.
However, these messages are provided for emergency use,
and are not something that you will use while performing.
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