193
Effects List
Some effect parameters (such as Rate or Delay Time) can be
set in terms of a note value.
Such parameters have a num/note switch that lets you specify
whether you will set the value as a note value or as a
numerical value.
If you want to set Rate (Delay Time) as a numerical value, set
the num/note switch to “Hz” (“msec”). If you want to set it as a
note value, set the num/note switch to “NOTE.”
* If the Rate is specified as a note value, the modulation will
be synchronized with the tempo when you play back SMF
song data.
note:
fig.MFX-note2.e_88
If a parameter whose num/note switch is set to “NOTE”
is specified as a destination for multi-effect control, you
will not be able to use multi-effect control to control that
parameter.
If you specify the delay time as a note value, slowing
down the tempo will not change the delay time beyond a
certain length. This is because there is an upper limit for
the delay time; if the delay time is specified as a note
value and you slow down the tempo until this upper limit
is reached, the delay time cannot change any further. This
upper limit is the maximum value that can be specified
when setting the delay time as a numerical value.
The following 3D effects utilize RSS (Roland Sound Space)
technology to create a spaciousness that cannot be produced
by delay, reverb, chorus, etc.
52: 3D DELAY
29: 3D CHORUS
30: 3D FLANGER
31: 3D STEP FLANGER
When using these effects, we recommend that you place your
speakers as follows. Also, make sure that the speakers are at
a sufficient distance from the walls on either side.
fig.33-002
If the left and right speakers are too far apart, or if there is too
much reverberation, the full 3D effect may not appear.
Each of these effects has an “Output Mode” parameter. If the
sound from the OUTPUT jacks is to be heard through speakers,
set this parameter to “SPEAKER.” If the sound is to be heard
through headphones, set it to “PHONES.” This will ensure that
the optimal 3D effect will be heard. If this parameter is not set
correctly, the full 3D effect may not appear.
06: STEP FILTER
16: STEP RING MOD
19: STEP PAN
20: SLICER
63: STEP PCH SHIFTER
The above five types contain a sixteen-step sequencer.
For these types, you can use a multi-effect control (p. 81, p.
137) to reset the sequence to play from the first step.
To do this, set the multi-effect control Destination to “Step
Reset.”
For example if you are using the modulation lever to control
the effect, you would make the following settings.
Source:
CC01: MODULATION
Destination:
Step Reset
Sens:
+63
With these settings, the sequence will play back from the first
step whenever you operate the modulation lever.
About Note
num/note switch
Double note
Dotted whole note
Dotted half note
Dotted thirty-second note
Whole note
Double-note triplet
Sixteenth-note triplet
Thirty-second note
Sixty-fourth-note triplet
Sixty-fourth note
Thirty-second-note triplet
Dotted eighth noteQuarter-note tripletEighth note
Half-note tripletQuarter note
Dotted quarter note
Whole-note triplet
Half note
Sixteenth note
Eighth-note triplet
Dotted sixteenth note
When Using 3D Effects
About the STEP RESET function
30˚ 30˚
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