Playing and editing Programs
66
BandPass.Thiscutsoutallpartsofthesound,both
highsandlows,exceptfortheregionaroundthecutoff
frequency.Sincethisfiltercutsoutbothhighandlow
frequencies,itseffectcanchangedramatically
dependingonthecutoffsettingandtheoscillator’s
multisample.
Withlowresonancesettings,you
canusetheBand
Passfiltertocreatetelephoneorvintagephonograph
sounds.Withhigherresonancesettings,itcancreate
buzzyornasaltimbres.
BandReject.Thisfiltertype–alsocalledanotchfilter–
cutsonlythepartsofthesounddirectlyaroundthe
cutofffrequency.Trymodulatingthecutoffwithan
LFO
tocreatephaser‐likeeffects.
FilterTypesandCutoffFrequency
Resonance
Resonanceemphasizesthefrequenciesaroundthe
cutofffrequency,asshowninthediagrambelow.
Whenthisissetto0,thereisnoemphasis,and
frequenciesbeyondthecutoffwillsimplydiminish
smoothly.
Atmediumsettings,theresonancewillalterthetimbre
ofthefilter,makingitsoundmorenasal,ormore
extreme.Atveryhighsettings,theresonancecanbe
heardasaseparate,whistlingpitch.
Tomaketheresonancetrackthekeyboardpitch,see
“KeyFollow,”onpage 66oftheParameterGuide.
Modulating the filters
Youcanmodulatethefiltercutofffrequencyusingthe
FilterEG,theLFOs,keyboardtracking,andother
built‐inandMIDIcontrollers.Thisisagreatwayto
addarichvarietyoftonalchangetothesound.
Filter EG
TheFilterEGisamulti‐stageenvelope,whichyoucan
usetomodulatethefilter(naturally!)aswellasother
Programparameters.TheEGitselfissetuponthe
FilterEGtab;thewaythatitaffectsthefiltersis
controlledbytheparametersdescribedbelow,onthe
Filter
Modtab:
TheIntensitytoAandIntensitytoBsettingscontrol
thebasicamountofEGmodulationforfilter
frequenciesAandB,respectively,beforeother
modulation.
TheVelocitytoAandVelocitytoBsettingsletyouuse
velocitytoscaletheamountofEGmodulation.
TheAMSsettingselects
aAMSmodulationsourceto
scaletheamountoftheFilterEGappliedtoFiltersA
andB.ThetwofiltersshareasingleAMSsource,with
separateintensitysettings.
ow Pass
igh Pass
and Pass
and Reject
Cutoff Frequency
Low resonance
igh resonance